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ROCK AND CHICKEN FILLET ROLL ON PRUSSIA STREET X-236743-1

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PAINT-A-BOX BY MARTA OKUKICZ

  • ROCK AND CHICKEN FILLET ROLL ON PRUSSIA STREET [PAINT-A-BOX BY MARTA OKUKICZ] X-236744-1
  • ROCK AND CHICKEN FILLET ROLL ON PRUSSIA STREET [PAINT-A-BOX BY MARTA OKUKICZ] X-236743-1

Marta Okulicz is a street artist based in Dublin. She has participated in the Dublin Canvas project, creating vibrant and eye-catching murals around the city. I thought that this was the first example of her work that I have photographed but a few minutes ago I discovered that I photographed “A Tale In The Wall” near Guild Street last Sunday.

How the artist described this example her art: “Get ready to rock your taste buds with a celebration of Ireland’s ultimate cult classic: the Chicken Fillet Roll! The artwork is my tribute to this divine Irish delicacy. Whether you’re gorging yourself on one during you lunch break, indulging in a late-night feast, or just craving one, I hope that my artwork will put a smile on your face and pump you up for whatever comes your way, just like a good rock song!”

IN 1786 THE SERIAL KILLER BILLY IN THE BOWL WAS ARRESTED X-236741-1

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PAINT-A-BOX STREET ART

  • IN 1786 THE SERIAL KILLER BILLY IN THE BOWL WAS ARRESTED [PAINT-A-BOX STREET ART] X-236742-1
  • IN 1786 THE SERIAL KILLER BILLY IN THE BOWL WAS ARRESTED [PAINT-A-BOX STREET ART] X-236741-1

Billy in the Bowl, also known as the Stoneybatter Strangler, was a notorious figure in Dublin’s dark history of the late 1700s.

Who was Billy in the Bowl?

Born without legs, Billy Davis used a large, bowl-shaped cart to move around, hence his nickname.
He was known for his immense upper body strength, which he tragically used to overpower and strangle his victims.
His Crimes:

Billy targeted mostly women, particularly young servant girls and elderly ladies, in the Stoneybatter and Grangegorman areas of Dublin.

He would lure his victims by feigning distress and calling for help, then attack them when they approached.
Capture and Aftermath:

In 1786, Billy was caught after attempting to rob two women who fought back and alerted the authorities.

While he was never convicted of murder due to lack of evidence, he was sentenced to life imprisonment for robbery with violence.
The murders in the area ceased after his incarceration, strongly suggesting his guilt.
Legacy:

Billy in the Bowl remains a chilling figure in Dublin folklore, embodying the city’s dark past of poverty, crime, and violence.


His story is often retold as a cautionary tale, reminding us of the dangers that lurked in the shadows of old Dublin.

THIS IS COWTOWN -236725-1

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PAINT-A-BOX STREET ART ON MANOR STREET IN STONEYBATTER

  • THIS IS COWTOWN [PAINT-A-BOX STREET ART ON MANOR STREET IN STONEYBATTER]-236728-1
  • THIS IS COWTOWN [PAINT-A-BOX STREET ART ON MANOR STREET IN STONEYBATTER]-236727-1
  • THIS IS COWTOWN [PAINT-A-BOX STREET ART ON MANOR STREET IN STONEYBATTER]-236726-1
  • THIS IS COWTOWN [PAINT-A-BOX STREET ART ON MANOR STREET IN STONEYBATTER]-236725-1

I have had difficult photographing this in the past because of rubbish bags or other obstacles getting in the way.

Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname “Cowtown.” This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with “Cowtown.”

While many believe the name “Oxmantown Road” reinforces this connection, it actually has a different origin. It derives from the Viking word for “East,” referring to the “Eastmen” who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.

The cattle market’s closure in 1973 marked the end of an era, and the nickname “Cowtown” gradually faded from use. However, the area’s rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter’s vibrant past.

CATS OF KELLS ON PEARSE STREET -233888-1

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BY OLGA KUNICHENKO AND IRINA MUNINA

  • CATS OF KELLS ON PEARSE STREET [BY OLGA KUNICHENKO AND IRINA MUNINA]-233888-1
  • CATS OF KELLS ON PEARSE STREET [BY OLGA KUNICHENKO AND IRINA MUNINA]-233889-1
  • CATS OF KELLS ON PEARSE STREET [BY OLGA KUNICHENKO AND IRINA MUNINA]-233890-1

Located on the corner of Pearse Street and Tara Street, “Cats of Kells” is a whimsical mural that breathes new life into Dublin’s urban landscape. Created by the talented duo Olga Kunichenko and Irina Munina, the artwork is a vibrant tribute to the intricate illustrations and ornaments of the Book of Kells, a renowned illuminated manuscript from the 9th century.

The mural seamlessly blends ancient Celtic aesthetics with a modern, playful twist. Look closely, and you’ll find mischievous cats peeking out from elaborate knotwork patterns and curling around illuminated letters. The artists’ use of bold colors and flowing lines creates a sense of movement and energy, drawing the viewer into a fantastical world where history and imagination intertwine.

Olga Kunichenko and Irina Munina are both accomplished artists from Ukraine, with a shared passion for street art and public murals. Their work often incorporates elements of folklore, mythology, and history, reimagining traditional motifs in a contemporary context. “Cats of Kells” is a testament to their creativity and skill, as well as their ability to connect with audiences through art that is both beautiful and thought-provoking.

So, next time you’re strolling through Dublin, be sure to take a detour to Pearse Street and Tara Street to experience the magic of “Cats of Kells.” You won’t be disappointed!

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