Public Park

WOLFE TONE PARK AND STREET

May 30, 2023 by infomatique

REDEVELOPMENT ALMOST COMPLETE – THE BRONZE COW HAS YET TO RETURN

I should that explain that this public space once featured a bronze cow sculpture and it was very popular with children. During the redevelopment the sculpture was moved Civic Offices at Wood Quay. The Campaign for the full restoration of Wolfe Tone Park claim that a survey that 72% of those who expressed an opinion had objected to the removal of the cow.

Wolfe Tone Park & Street Environmental Improvement Scheme offers a new destination point for all, as an ever-changing civic space where daily life and spectacle collide. The contextual design offers a thriving and inviting multi-use urban space for all ages and abilities, to be treasured by residents, workers and visitors. The design consists of two phases:

Phase one, the redesign and refurbishment of Wolfe Tone Street to create a more pedestrian friendly environment with new public lighting and street furniture and the use of a historic materials palette, creating both a high quality environment and character area.

Phase two involves the refurbishment of Wolfe Tone Park, everything within the park has been designed with intent: from the proposed new feature lawn, the retention of the existing mature trees, the proposed horticulture, to conservation and recognition of the parks history as a graveyard.

The new design for Wolfe Tone Park & Street Environmental Improvement Scheme will provide a green oasis and destination point in the heart of Dublin’s bustling city centre.

This project is co-funded with €1.2m from the ERDF’s S&E Regional Operational Programme 2014-20 – Designated Urban Centres Grant Scheme and Dublin City Council..

RED FOOTBRIDGES 30 MARCH 2023

March 30, 2023 by infomatique

SEAN WALSH MEMORIAL PARK AND THE WHITESTOWN STREAM

I have not visited this park since April 2007 and things did not go well back then as I encountered multiple problems back then. This time the tram journey was unpleasant as the trams were overcrowded but the park had greatly improved since 2007 and it was worth visiting.

I could be wrong but I believe that the Whitestown Stream is also known as the Jobstown Stream.

This park is located in the heart of Tallaght on the N81. Ornamental formal gardens lie side by side with attractive water features such as ponds and waterfalls: extensive tree planting allows shaded areas for relaxation. Pedestrian paths around the ponds allow for a pleasant walks and passive recreation.

The park has horticultural interest all year round with displays of flowering bulbs in the spring, green trees and wildflowers in the Summer, and wonderful display of colour in Autumn. The landscape of Sean Walsh Park contains a range of habitats including stream, woodland, grassland and lake. The grey squirrel, rabbit, common frog and pipistrelle bat can all be found in the park. The launch of the Sean Walsh Tree trail took place on 4th October 2018, on the day the Green Flag was raised in Sean Walsh Park. There are 15 tree species in the tree trail with an information plaque at each point. Tree trail Information sheets giving information about each tree species can be downloaded This downloadable A4 sheet leaves a space for children to carry out a rubbing of the plaques. Tallaght Stadium was officially opened in the park in May 2009 and is a purpose-built, 6,000-seat, state-of-the-art football stadium.

SAINT KEVIN’S PARK FEATURING CHURCH RUINS AND OLD GRAVES

March 26, 2023 by infomatique

26 MARCH 2023

There was a St. Kevin’s Church in what is now St. Kevin’s Park, Camden Row, Dublin, Ireland at least as far as the 13th century. After the Reformation, it became an Anglican church. The original church was replaced around 1750 by a new one, closed in 1912 and now in ruins. Both churches were dedicated to Kevin of Glendalough. There is also a Catholic St. Kevin’s Church a short distance away on Harrington Street.

The church was first mentioned in historical annals in 1226. It was situated some distance from the walls of Dublin, in the Irish-speaking part of the city, but close to a monastic settlement in the region of present-day Aungier Street. From the 13th century it formed part of the Manor of St. Sepulchre, which was directly under the jurisdiction of the Archbishop of Dublin. An archaeological excavation carried out in 1967 uncovered some medieval graves and coins. The present ruined church, built on the foundation of the medieval one, dates to around 1750.

The church is the burial place of Archbishop Dermot O’Hurley, who was removed from a Mass grave and interred here after his summary execution on 20 June 1584 at Hoggen Green. O’Hurley, ordained Archbishop of Cashel in 1581, was arrested after his return to Ireland and tortured in Dublin Castle. His grave became a place of veneration for Roman Catholics for several hundred years. In 1609, in view of the throngs of pilgrims coming to his grave, the church was rebuilt and a new entrance was made. Along with 17 other Irish Catholic Martyrs, Archbishop O’Hurley was Beatified by Pope John Paul II in 1992.

In the early years of the Irish Confederate Wars (1641–1649) incursions were made into the church lands surrounding St. Kevin’s by Confederate soldiers stationed in Wicklow. Trenches were dug near the church to help defend The Pale, but the Irish clans were able to raid cattle, horses, and the occasional merchant who was in the wrong place at the wrong time, all of which they carried away into the “wilds of Wicklow”. Despite cease-fires being arranged, this situation continued until the Battle of Rathmines sealed the fate of the Confederate and Cavalier forces.

In 1698, the time of the Penal Laws, the church was offered to the Huguenot community as a place of worship and cemetery. The graveyard, however, continued to be used by Catholics until the end of the 19th century.

MERRION SQUARE PUBLIC PARK THE DAY AFTER SAINT PATRICKS DAY

March 20, 2023 by infomatique

WELL WORTH A VISIT

Merrion Square Park sits at the centre of one of Dublin city’s most beautiful Georgian squares. The park has been restored to its historical layout. It also has a playground and sculpture trail. The Houses of the Oireachtas (the Irish Government), the Natural History Museum and the National Gallery of Ireland sit along the west of the square.

THE VICTIMS BY ANDREW O’CONNOR IN MERRION SQUARE PARK

March 19, 2023 by infomatique

PHOTOGRAPHED 18 MARCH 2023

The more you examine this sculpture the more detail you will notice and that adds to the initial shock.

When I first photographed this work I thought that it depicted the removing of Jesus from the cross and while I was photographing a young girl asked her mother “is that God lying on a table” but I discovered that it is a lot more complicated that that.

This figurative sculpture, The Victims originated as a part of an unexecuted project for a war memorial for Washington, DC. The artist, Andrew O’Connor, conceived the idea of a huge war memorial in about 1918 and worked on the project until at least 1931. However, no such monument was ever commissioned from him.

The memorial consisted of three sections. The first of which was a group of three figures; a dead soldier strapped to a bier, mourned by his wife and his mother. The figure of the dead soldier is The Victim, inscribed with the words; ‘Naked you came into the world’, the kneeling figure of The Wife with her hands clasped in prayer is variously called The Virgin or Mother of Sorrows. She is inscribed; ‘As cranes chanting their dolorous notes traverse the sky’ which is taken from a translation of Dante’s Inferno. The standing female figure of The Mother of the Hero leans mournfully on her left elbow. The Victim was presented by the family of the sculptor to the Dublin Municipal Gallery (now Dublin City Gallery The Hugh Lane) in 1947 while the other two figures were presented to the gallery by the sculptor in 1938. As is often the case with O’Connor’s work he produced other versions of some of these figures.

A plaster version of The Victim is in the O’Connor family collection and a version of The Wife is at the Tate Gallery, London. The group would have been assembled with The Victim on a raised plinth, his wife kneeling at his head, his mother standing at his feet. The Victims was installed in 1976 following an exhibition to mark the centenary of the sculptor’s birth at Trinity College Dublin in 1974. It would appear that it was not until 1974 that the three figures were displayed together as originally intended creating this uncompromising figurative representation of the victims of war.

Born in Worchester, Massachusetts, USA in 1874, Andrew O’Connor was the son of an Irish-American sculptor of the same name. Having studied under his father, O’Connor Jr. began working regularly on public monuments and funerary commissions in the United States. In London c.1894-8, he met John Singer Sargent and assisted him on reliefs for his Boston Library decorations.

Andrew O’Connor’s style was formulated by the time he first visited Paris in about 1903 and his earliest work is in the Franco-American style which had become popular in America by 1900.

Unlike the majority of other American sculptors he remained in France and worked from a Paris studio up to 1914. From 1906 on he exhibited annually at the Salon in Paris and at the Royal Hibernian Academy in Dublin in 1907. He then returned to the USA from 1914 to the mid 1920s and received numerous commissions for funerary and public monuments including the monument to Lincoln in Springfield, Illinois and the Theodore Roosevelt memorial at Glenview, Chicago.

O’Connor spent his last years in Europe, first in Paris, then from c. 1932 between Ireland and London. He resided in Dublin for the last seven months of his life and passed away at his home at No.77 Merrion Square.