LIMERICK 2022I VISITED THE CITY IN APRIL AND THE WEATHER WAS NOT GOOD

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THE SONY A7RV ON LOAN WHILE I WAIT FOR THE A1 II

My Sony A7R IV was damaged during a serious fall in Belfast in 2022, and its performance has gradually declined since then. Instead of replacing it immediately with the A7R V, I decided to wait for the anticipated A1 II update. I pre-ordered an A1 II before Christmas, paying the full price upfront.

It is now the end of July 2025, and my camera still hasn't arrived. My dealer has informed me that they only expect to receive one A1 II per month going forward. Recognising the unreliability of my current A7R IV, the dealer kindly offered me a second-hand A7R V on loan until my A1 II is delivered. This offer was a pleasant surprise, as I had almost decided to purchase a used A7R V with the intention of trading it in or selling it once the A1 II eventually arrived.

Along with the A1 II, I also ordered the Sony F2 28-70mm GM lens and two expensive CFexpress Type A cards.

Sony A7R V vs. Sony A7R IV (My Current Camera)
The Sony A7R V represents a significant upgrade over the A7R IV, despite both cameras sharing the same 61MP sensor. The improvements in the A7R V are largely thanks to a new processor and a dedicated AI processing unit.

Here are the key areas where the A7R V surpasses the A7R IV:

Autofocus System: This is arguably the most substantial improvement. The A7R V features a dedicated AI processing unit that dramatically enhances subject recognition and tracking. It can recognise a wider range of subjects, including humans, animals, birds, insects, cars, trains, and aircraft, and tracks them more reliably, even when faces or eyes are obscured, or subjects change poses. Its low-light performance is also superior.

Image Stabilisation (IBIS): The A7R V boasts an improved in-body image stabilisation system, offering up to 8.0 stops of correction compared to the A7R IV's 5.5 stops. This is a huge advantage for handheld shooting, particularly in low-light conditions.

Processor: The A7R V incorporates the newer BIONZ XR processor, which is eight times faster than the A7R IV's BIONZ X. This leads to:

Larger Buffer: The A7R V has a significantly larger buffer, enabling much longer continuous shooting bursts (e.g., 583 compressed RAW images vs. 68 on the A7R IV at 10fps).

Faster Operations: General camera operations feel noticeably snappier.

Rear LCD Screen: The A7R V features a brand-new 3.2-inch, 2.36M-dot, 4-axis multi-angle touchscreen. This highly versatile screen tilts and rotates, offering far more flexibility for shooting at various angles than the A7R IV's limited tilting screen. It also supports full touch menu operation.

RAW File Options: The A7R V introduces lossless compressed RAW with medium (26MP) and small (15MP) file size options. This can be very useful for managing file sizes while preserving image quality. The A7R IV only offers uncompressed and lossy compressed RAW.

Video Capabilities: While both are primarily still cameras, the A7R V offers 8K video recording (with some crop) and improved 4K options (4K 60p with a 1.2x crop). The A7R IV is limited to 4K 30p.

Dual Card Slots: The A7R V has two dual-format card slots that accept either CFexpress Type A or UHS-II SD cards, providing faster write speeds with CFexpress Type A for demanding applications. The A7R IV only has UHS-II SD card slots.

Menu System: The A7R V incorporates the newer, more intuitive menu system found in recent Sony cameras, making it easier to navigate.

Pixel Shift Multi Shooting: While both models offer this feature, the A7R V includes "motion correction intelligence," which does a better job of handling moving subjects within a pixel shift composite.

Should I Get a Used A7R V and Forget About the A1 II?
This decision largely depends on my specific needs and priorities.

Arguments for Getting a Used A7R V:

Immediate Availability: I can acquire it now, rather than waiting until August or September for the A1 II.

Significant Upgrade from A7R IV: As detailed above, the A7R V offers substantial improvements in autofocus, IBIS, screen, and processing power. This would make my existing workflow much more efficient and open up new possibilities, especially for subjects that benefit from advanced autofocus.

Excellent for High-Resolution Stills: Given my primary interest in high-resolution photography (landscapes, studio, portraits, detailed wildlife), the 61MP sensor of the A7R V is exceptional.

Cost-Effective: A used A7R V will be considerably less expensive than a new A1 II, allowing me to invest in lenses or other gear.

Arguments Against Getting a Used A7R V (and Waiting for the A1 II):

If Speed is Paramount: If I frequently shoot fast-moving action (sports, birds in flight) or engage in professional photojournalism, the A1 II's stacked sensor and unparalleled speed are game-changers.

Sony A1 II vs. Sony A7R V
The A1 II is Sony's flagship "do-it-all" camera, combining high resolution with extreme speed. The A7R V is a resolution-focused camera with highly advanced autofocus.

Here are the key areas where the A1 II is superior to the A7R V:

Stacked Sensor: This is the fundamental difference. The A1 II features a 50.1MP stacked Exmor RS CMOS sensor. This design allows for incredibly fast readout speeds, leading to:

Higher Burst Shooting: Up to 30fps with AF/AE tracking (compared to 10fps on the A7R V).

Blackout-Free Shooting: No viewfinder blackout during continuous shooting, providing a seamless view of the action.

Significantly Reduced Rolling Shutter: The A1 II's electronic shutter is far more usable than the A7R V's, practically eliminating rolling shutter distortion. This is a huge advantage for silent shooting and shooting under flickering lights.

Faster Flash Sync: The A1 II has a mechanical flash sync speed of 1/400s (vs. 1/250s on the A7R V), and electronic flash sync up to 1/250s.

Autofocus Performance (Overall Speed): While the A7R V has excellent AI-driven subject recognition, the A1 II's stacked sensor allows its autofocus system to operate with much greater speed and refresh rates (120 times/second), leading to even better tracking performance for extremely fast or erratic subjects. It also inherits the latest AI AF unit.

Video Capabilities: The A1 II offers 8K 30p and 4K 120p video recording, with generally better internal codecs and more robust video features for professional production.

Pre-Capture: The A1 II offers pre-capture, a crucial feature for capturing fleeting moments where I might be slow to react.

Durability/Robustness: The A1 series is generally built to a higher standard for professional use, with more robust construction and weather sealing.

Professional Features: The A1 II is designed with professional workflows in mind, including a 2.5Gbps Ethernet port for fast wired data transfer.

Where the A7R V Might Still Hold an Edge (Minor):

Resolution: The A7R V has a slightly higher 61MP sensor compared to the A1 II's 50.1MP. While 50MP is still incredibly high, for absolute maximum detail, the A7R V might have a tiny edge in specific, static scenarios where every pixel can be exploited.

Price: A used A7R V is significantly cheaper.

Robustness and Life Expectancy (A1 II vs. A7R V)
The Sony A1 II is designed and marketed as Sony's flagship professional camera. This generally translates to:

Enhanced Build Quality: Expect more robust materials, better weather sealing, and more durable components compared to the A7R V, which is also well-built but not at the same "pro" tier.

Shutter Life: Flagship professional cameras often have higher shutter actuation ratings, indicating a longer expected lifespan for the mechanical shutter. While Sony doesn't always publish these figures, it's generally understood that the A1 series is built for heavier professional use.

Heat Dissipation: For extended shooting sessions, especially video, the A1 II's design is likely to manage heat more effectively, contributing to long-term reliability.

In summary, the A1 II is generally considered a more robust unit with a better life expectancy, particularly if one is pushing the camera in demanding professional scenarios.

DRIVER SAVES LIFE ON GRANBY ROW [MAN TRAPPED IN BURNING BUILDING]

Dublin Lorry Driver Hailed as Hero After Daring Fire Rescue on Granby Row

1. Introduction: A Moment of Extraordinary Bravery

On a seemingly ordinary Tuesday morning, the bustling rhythm of Dublin's north inner city was shattered by the outbreak of a ferocious fire on Granby Row. Amidst the chaos and escalating danger, a remarkable act of courage unfolded, transforming a routine delivery round into a dramatic, life-saving intervention. Tomasz Zareba, a Polish lorry driver for the Eurospar chain, demonstrated extraordinary quick thinking and decisive action, positioning his vehicle to provide a vital escape route for a man trapped in the burning building. This selfless deed has since resonated deeply with the public and his employer, cementing his status as an 'everyday hero'.  

The incident, swiftly captured on video and widely disseminated across social media platforms, immediately seized public attention. The visual evidence of Mr Zareba's calm resolve under immense pressure, and the subsequent leap to safety, drew widespread admiration. Witnesses at the scene were left stunned, with many expressing sentiments such as "Incredible. Absolute hero. Many would have driven on," underscoring the profound impact of his unsolicited bravery. This spontaneous outpouring of praise highlights a societal appreciation for acts of heroism that emerge from the most unexpected circumstances, performed by individuals who, like Mr Zareba, were simply going about their daily lives when confronted with a critical emergency. His actions embody a powerful narrative of ordinary citizens rising to extraordinary challenges, reinforcing the notion that profound differences can be made by anyone, at any time.  

2. The Granby Row Inferno: A Scene of Chaos

The fire, which would become the backdrop for Mr Zareba's heroic act, ignited on Tuesday, 24th June 2025, at approximately 8:00 am. The blaze erupted within a multi-storey building situated on Granby Row, a busy thoroughfare in Dublin's north inner city. Initial reports indicated that the fire was primarily located on the third floor of the structure, which was variously described as a three-storey or four-storey premises. Thick plumes of smoke and aggressive flames were seen billowing from the windows, painting a harrowing picture of the escalating danger within.  


Before Mr Zareba's intervention, the scene was one of rapidly escalating peril and desperation. He observed the immediate consequences of the fire's severity: another individual had already attempted to escape by jumping from the building, landing injured on the footpath with a bloodied face and suspected broken legs. This stark and immediate evidence of severe harm underscored the critical danger faced by those still trapped inside. Moments later, Mr Zareba heard another man "screaming for help" from a window, clearly in distress and caught between the advancing flames behind him and the perilous "long drop below him," uncertain of any viable escape. This direct observation of a previous, unsuccessful escape attempt, resulting in serious injury, played a pivotal role in shaping Mr Zareba's subsequent actions. It allowed him to quickly assess the immediate risks and formulate a safer, alternative solution, demonstrating a capacity for intelligent, empathetic problem-solving under duress.  

3. Tomasz Zareba's Quick-Thinking Intervention

As Tomasz Zareba, a seasoned delivery driver for Eurospar, approached the unfolding disaster on Granby Row, he was confronted with a scene of profound urgency. His observation of smoke pouring from an upper-floor apartment was quickly followed by the sight of an injured person on the pavement, a casualty of a desperate leap from the burning structure. This immediate, visual confirmation of the danger of jumping directly onto the hard ground was crucial. The subsequent cries for help from another trapped man, visibly distressed by the flames closing in, solidified Mr Zareba's resolve to act.  

Recognising that the footpath offered a perilous landing and that time was of the essence, Mr Zareba made a split-second, yet remarkably calculated, decision. He quickly activated his lorry's hazard lights, a signal of emergency and caution. With impressive precision for such a large vehicle, he then reversed the lorry "as close as [he] safely could to the window" from which the man was calling for help. His primary objective was to provide a "much safer" alternative landing platform than the unforgiving pavement below, directly addressing the danger he had just witnessed. This was not merely an impulsive act of courage, but an adaptive response informed by real-time observation, aimed at mitigating the clear and present risk of further severe injury.  

With the lorry positioned, onlookers on the footpath joined in, shouting encouragement to the trapped man to make the jump onto the vehicle's roof. The dramatic moment, captured on video, shows the man leaping from the window, followed by a "loud impact noise" as he landed safely on the lorry. Though understandably "in shock" from the terrifying ordeal, the rescued man was otherwise unharmed by the jump onto the vehicle, a testament to Mr Zareba's ingenious and timely intervention.  

4. Beyond the Rescue: The Wider Impact of the Blaze

While Tomasz Zareba's swift action undoubtedly averted a potentially tragic outcome for one individual, the fire on Granby Row had a broader and more widespread impact on the community. Emergency services, including the Dublin Fire Brigade and the National Ambulance Service, were on scene to manage the crisis. In total, seven people received medical attention at the scene of the blaze. Of these, three individuals required further medical care and were transported to hospital by ambulance, underscoring the serious nature of the incident and the injuries sustained by others caught in the fire. While the specific conditions of those hospitalised, beyond the rescued man being in shock, were not extensively detailed, there were widespread hopes expressed for their full recovery.  

The professional emergency response was swift and comprehensive. Dublin Fire Brigade deployed a significant contingent of resources, including six fire engines, a turntable ladder, and an emergency tender, to combat the inferno. Breathing apparatus teams were committed to the building to fight and extinguish the fire, which was eventually brought under control through their concerted efforts. An Garda Síochána also played a crucial role, assisting emergency services, preserving the scene for investigation, and implementing local diversions to manage traffic and ensure public safety around Granby Row.  

Crucially, even after the successful rescue, Mr Zareba did not immediately depart the scene. He maintained his lorry's position, remaining vigilant for approximately 20 minutes "in case maybe somebody else would need to jump from the window". This sustained commitment to public safety, extending beyond his initial heroic act, highlights a profound sense of responsibility. His presence provided an invaluable interim safety net, bridging the critical time gap before the official emergency services could fully deploy their resources for vertical rescue. He only left the scene once the Dublin Fire Brigade had fully arrived and assumed control of the situation, receiving a simple yet heartfelt commendation from a firefighter: "Grand job, buddy, thanks for that". This acknowledgement from a professional underscores the vital contribution of his individual bravery in complementing and enhancing the overall effectiveness of the organised emergency response, potentially reducing the severity of casualties and mitigating the incident's impact.  

5. A Hero's Humility: "I Just Finished My Deliveries"

Despite the widespread public acclaim and being unequivocally hailed as a hero, Tomasz Zareba, a Polish national who has been driving lorries in Ireland since 1998 , responded to the accolades with remarkable humility. In interviews with the Irish Mirror and The Irish Times, he consistently downplayed his actions, stating simply that he "just thought it would be much safer for him to jump on the lorry instead of the footpath". This statement reveals a focus on practical problem-solving and safety rather than any desire for heroic recognition. He explicitly articulated this sentiment, expressing that he doesn't "want to make a hero myself, it's not about that".  

This understated perspective stands in stark contrast to the immediate public perception of him as an "absolute hero" and an "EVERYDAY HERO". While society often seeks to elevate individuals who perform such extraordinary acts, Mr Zareba's personal motivation appears to be rooted in a more fundamental human instinct. He briefly alluded to his own family, mentioning his 18-year-old daughter and 11-year-old son, suggesting that his actions stemmed from a universal empathetic response, stating that "anyone who has kids is to do what I did". This offers a glimpse into a deeper, intrinsic goodness that compelled him to act without expectation of reward or recognition.  

Further reinforcing his grounded and dedicated nature, Mr Zareba's immediate return to his professional duties after the dramatic rescue resonated powerfully with the public. He simply stated, "I went on to finish my deliveries for the day". This detail, highlighting his commitment to his routine job even after such a high-stakes event, amplified the 'everyday hero' narrative. It speaks to an authenticity where bravery is not a performance, but an inherent quality that manifests in moments of need, followed by a return to the ordinary rhythms of life. This disconnect between the public's desire to label and celebrate heroes and the individual's humble, practical motivation makes Mr Zareba's story even more compelling, showcasing a form of heroism that is selfless and deeply human.  

6. Praise and Public Acclaim

The extraordinary actions of Tomasz Zareba quickly garnered widespread praise from both his employer and the general public, solidifying his place in the narrative of Dublin's community spirit. Eurospar, the supermarket chain for whom Mr Zareba delivers groceries, was swift to acknowledge his bravery. Joanne Mellon, representing BWG Foods, Eurospar's parent company, publicly lauded Mr Zareba's "quick thinking" and described his intervention as "incredibly brave," particularly given the frightening circumstances of the fire. The company confirmed that he was indeed on his usual delivery round when the incident occurred, underscoring the spontaneous nature of his heroism.  

The incident's video footage, circulating widely on social media, played a significant role in amplifying public admiration. Witnesses at the scene were visibly "stunned" by his actions, with one exclaiming that he "just saved someone from an agonising death". Other comments echoed this sentiment, describing him as an "incredible" and "absolute hero," with many noting that "many would have driven on," highlighting the exceptional nature of his response. The public's appreciation quickly translated into calls for formal recognition, with suggestions that Mr Zareba should receive a medal for his life-saving efforts.  

Mr Zareba's story rapidly became a quintessential example of an "EVERYDAY HERO" – an ordinary individual who, without prior intention or special training, performs an act of life-saving bravery. This narrative resonated profoundly, celebrating the potential for heroism inherent within ordinary life and underscoring the vital role of citizens in moments of crisis. This collective response, extending beyond mere acknowledgement, serves a broader societal purpose. It actively reinforces values such as altruism, quick thinking, and community solidarity, particularly in an era where such spontaneous acts of selflessness can feel increasingly rare. Public recognition provides a powerful positive reinforcement, not only honouring Mr Zareba but also implicitly encouraging similar behaviour in others, thereby strengthening social cohesion and offering a hopeful counter-narrative to negative news cycles.  

7. Ongoing Investigation

Following the dramatic rescue and the containment of the blaze, official investigations into the cause and circumstances of the Granby Row fire commenced. An Garda Síochána, Ireland's national police force, confirmed that an investigation is ongoing to determine the origin and nature of the fire. The scene on Granby Row was carefully preserved for forensic examination, and temporary street closures, along with local traffic diversions, were put in place to facilitate the work of emergency services and the subsequent investigative procedures.  

A particularly disturbing detail emerged regarding the potential cause of the fire, suggesting it may not have been an accidental occurrence. One report indicates that "a man was prevented from entering the building several times because security staff were suspicious about his behaviour". This individual then allegedly circumvented security, went to the side of the building, "used a brick to smash a window before hurling some form of incendiary device inside". This information, if confirmed by the ongoing investigation, would fundamentally shift the context of the incident from a tragic accident to a deliberate, criminal act.  

The potential for a human-instigated fire adds a significant layer of complexity and danger to the entire event. It means that Tomasz Zareba's heroism was not merely a response to an unforeseen disaster but potentially an intervention against a malicious threat, making his quick action even more critical and courageous. Such a revelation would raise serious questions about urban security protocols, public safety measures, and the broader implications of criminal acts in densely populated areas. The ongoing investigation will be crucial in determining the precise nature of the fire's origin and any potential criminal elements involved, thereby shaping the full understanding of this extraordinary incident.

8. Conclusion: An Act of Ordinary Heroism

Tomasz Zareba's decisive actions on Granby Row stand as a powerful testament to the profound impact a single individual can have in a moment of extreme peril. His combination of quick thinking, practical ingenuity in utilising his lorry, and unwavering courage transformed a potentially catastrophic situation into a successful life-saving rescue, undoubtedly preventing further tragedy and severe injury.

The incident powerfully underscores the vital role that ordinary citizens can play in emergency situations, bridging critical gaps before professional services can fully engage. It highlights the profound value society places on spontaneous acts of selflessness, particularly when they emerge from unexpected quarters. Mr Zareba's remarkable humility in returning to his daily deliveries immediately after such a dramatic event only amplifies the resonance of his story, embodying the true spirit of an 'everyday hero' – someone who acts out of a fundamental human instinct to help, without seeking personal glory.

As investigations into the fire's origin continue, potentially revealing a more complex and disturbing cause, the memory of Tomasz Zareba's decisive intervention will undoubtedly remain a beacon of hope. His story serves as a compelling reminder of the extraordinary bravery that can emerge from the most ordinary of lives, reinforcing a sense of community resilience and demonstrating how individual actions can collectively strengthen the fabric of public safety and mutual aid.

DORSET STREET FIRE STATION LOOKS A BIT ISOLATED [THE GOOD NEWS IS THAT IT HAS BEEN PRESERVED]

Dorset Street/St. Mary's Place Redevelopment: A Rapid Transformation Underway

During July 2024, I photographed a complex of old city flats on Upper Dorset Street and St. Mary's Place that is rapidly undergoing redevelopment after many years of neglect. Having lived in the area for three decades, I've witnessed the rise and fall of these 1960s-era complexes. While they unfortunately became known for anti-social behaviour in their later years, the root cause was more complex than simple neglect; poor maintenance rendered the buildings increasingly unsuitable for habitation, contributing significantly to the social issues experienced.

In a significant and swift step towards revitalising the area, the redevelopment of the Dorset Street / St. Mary's Place site received crucial planning approval from Dublin City Council in January 2022. This ambitious project, which is progressing at a remarkable pace since its initial groundwork, aims to replace the outdated five-storey blocks with 163 new homes and community spaces. This not only adds 50 much-needed homes but also prioritises high environmental sustainability standards. The revitalised site will offer improved access, better amenities, and a stronger connection to the surrounding neighbourhood, aligning with the Council's wider regeneration goals for the city centre.

A Design Focused on Community and Sustainability

Led by Scott Tallon Walker Architects and Levitt Bernstein Architects, the project team has crafted a design that respects the local context while fostering a vibrant community atmosphere. The new buildings, ranging from three to seven storeys, will seamlessly integrate with the existing streetscape. Non-residential spaces will be strategically located at street level on Dorset Street, contributing to the area's vitality. Importantly, the historic Dorset Street Fire Station building has not only survived but has been beautifully restored and is in very good condition. It is being celebrated as a focal point within the new development, though its traditional charm risks being somewhat "overpowered" by the sheer ambition and scale of the overall project surrounding it.

The thoughtfully planned layout prioritises pedestrians, with new landscaped streets, play areas, and seating creating a welcoming neighbourhood feel. Residents will also enjoy access to high-quality open spaces within sheltered courtyards. A variety of modern apartments, duplexes, and terraced housing will cater to diverse needs, with the majority boasting dual-aspect views.

Project Timeline and Community Benefits

The redevelopment, demonstrating the project's rapid progression since planning approval and the start of enabling works, is being executed in phases:

Phase 1: While the initial demolition and enabling works commenced in late 2022 / early 2023, the construction of the new homes for this phase is currently ongoing. Once completed, this phase will deliver seven houses, 11 duplexes, and 79 apartments, along with a karate club, crèche, and café.

Phase 2: This phase, which was originally scheduled to commence in August 2024, is now likely integrated with the main ongoing construction efforts. Once completed, it will add 66 apartments and include the new St Saviour's boxing club.

The overall scheme, encompassing both phases, is anticipated to reach completion around 2026/2027.

The project also aims to replace and enhance existing community facilities, such as the childcare centre and a café adjacent to the future Fire Museum. Careful consideration is being given to managing construction traffic and minimising disruption to the local community. While parking within the development will be limited, additional on-street spaces are planned for St Mary's Terrace to accommodate residents, visitors, and those with accessibility needs.

A Brighter Future for Dorset Street

The Dorset Street redevelopment represents a significant investment in the area's future. By addressing the underlying issues of the old flats and providing much-needed modern housing and amenities, it promises to create a more vibrant and sustainable community for years to come.

Keywords: Urban Redevelopment, Dublin City, Community Regeneration, Sustainable Housing, Historic Preservation, Fire Station Restoration, Social Housing, Architectural Design, Urban Planning, Community Facilities.


DORSET STREET FIRE STATION LOOKS A BIT ISOLATED [THE GOOD NEWS IS THAT IT HAS BEEN PRESERVED]

In July 2024 I photographed a complex of old city flats which was about to be redeveloped after many years of neglect.

Having lived in the area for three decades, I've witnessed the rise and fall of the Upper Dorset Street and St. Mary's Place flats. While these 1960s-era complexes became known for anti-social behaviour in their later years, the root cause was more complex than simple neglect. The buildings themselves suffered from poor maintenance, becoming increasingly unsuitable for habitation. These deteriorating conditions undoubtedly contributed to the rise of social issues.

In a significant step towards revitalising the area, the redevelopment of the Dorset Street / St. Mary's Place site received crucial planning approval from Dublin City Council in January 2022. This ambitious project aims to replace the outdated five-storey blocks with 163 new homes and community spaces. This not only adds 50 much-needed homes but also prioritises high environmental sustainability standards. The revitalised site will offer improved access, better amenities, and a stronger connection to the surrounding neighbourhood, aligning with the Council's wider regeneration goals for the city centre.

A Design Focused on Community and Sustainability

Led by Scott Tallon Walker Architects and Levitt Bernstein Architects, the project team has crafted a design that respects the local context while fostering a vibrant community atmosphere. The new buildings, ranging from three to seven storeys, will seamlessly integrate with the existing streetscape. Non-residential spaces will be strategically located at street level on Dorset Street, contributing to the area's vitality. Importantly, the historic Dorset Street Fire Station building will be preserved and celebrated as a focal point within the new development.

The thoughtfully planned layout prioritises pedestrians, with new landscaped streets, play areas, and seating creating a welcoming neighbourhood feel. Residents will also enjoy access to high-quality open spaces within sheltered courtyards. A variety of modern apartments, duplexes, and terraced housing will cater to diverse needs, with the majority boasting dual aspect views.

Project Timeline and Community Benefits

The project also aims to replace and enhance existing community facilities, such as the childcare centre and a café adjacent to the future Fire Museum. Careful consideration is being given to managing construction traffic and minimising disruption to the local community. While parking within the development will be limited, additional on-street spaces are planned for St Mary's Terrace to accommodate residents, visitors, and those with accessibility needs.

A Brighter Future for Dorset Street

The Dorset Street redevelopment represents a significant investment in the area's future. By addressing the underlying issues of the old flats and providing much-needed modern housing and amenities, it promises to create a more vibrant and sustainable community for years to come.
UPDATE 22 JULY 2025:

This year I stayed at the Absolute Hotel, and while I would not describe the location as ideal, I would have no difficulty in saying that it is the best hotel that I have booked in Limerick to date.

While I do like the George I much prefer the Absolute so if I visit the city again in 2026 I intend to stay at the Absolute however as not much has really changed since my last visit In 2022 I may change the frequency of my visits to once every two years.
UPDATE 12 JULY 2022:

Over the years I have had problems when it came to getting my sites to work well with mobile devices but within the last week I have found two possible solutions.

The First solution is Sparkle and the second solution is headless wordpress but bot require me to operate my own servers.

WordPress is a monolith application where the backend and the frontend parts are tightly wound together. The backend is where the management comes in, where you can create, edit, add, and delete content, including changing appearance configurations. In contrast, the frontend is responsible for displaying the content to the user.

Headless WordPress is the term used to describe decoupled WordPress. The backend (management) part is separate from the frontend part of the WordPress CMS. You can develop and manage the frontend as a standalone application with any frontend framework of your choice. The solution that I have developed is very basic and experimental but in the longterm it could be my best option.

Sparkle is a modern ‍visual ‍website ‍design ‍tool ‍for ‍everybody. Sparkle ‍combines ‍an ‍all-in-one ‍approach, ‍an ‍understandable ‍interface ‍and ‍a ‍focus ‍on ‍producing ‍high ‍performance ‍and ‍search ‍engine ‍optimized ‍websites. ‍Traditionally ‍a ‍website ‍is ‍built ‍by ‍drawing ‍a ‍layout ‍in ‍an ‍image ‍editor, ‍preparing ‍and ‍exporting ‍assets, ‍and ‍finally ‍assembling ‍and ‍optimizing ‍the ‍website ‍in ‍a ‍code ‍and ‍jargon-heavy ‍context. ‍This ‍is ‍a ‍tedious, ‍unsophisticated ‍and ‍error-prone ‍job ‍that ‍Sparkle ‍eliminates ‍entirely.

‍Creating ‍your ‍website ‍with ‍Sparkle ‍is ‍easy, ‍intuitive ‍and ‍fun. ‍A ‍drag-and-drop ‍and ‍highly ‍visual ‍interface ‍lets ‍you ‍place ‍elements ‍on ‍a ‍page ‍with ‍full ‍freedom. ‍If ‍you ‍know ‍how ‍to ‍use ‍Keynote ‍and ‍Pages, ‍you ‍already ‍know ‍how ‍to ‍use ‍Sparkle.

This year I spent a week in Limerick and I had an excellent room at Pery's Hotel which reopened in February 2022. For me the main advantage is that it is close to the Train Station and this is important because my equipment is heavy and bulky.

I could not book a room in 2021 as the hotel was closed because of Covid-19 restrictions and I could not visit Limerick in 2020. This year when I visited the Pery Hotel I noticed many changes but when I spoke to the staff they claimed that ownership had not changed. However, the hotel was recently on the market with an asking price of €3,500,000 and it was described as follows:

"Pery’s Hotel is located on Glentworth Street in the heart of Limerick city centre. Glentworth Street is just off O’Connell Street, the main thoroughfare in the city. The hotel is in close proximity to Colbert Station Limerick’s main train/bus Station, Shannon Airport and all the amenities the vibrant city of Limerick has to offer.

Limerick is a tourist attraction for both domestic and international visitors and provides a gateway to the south and west. Areas of interest nearby include, The Ring of Kerry, Kenmare and Cobh. Pery’s Hotel is approximately 26km from Shannon International Airport, 100km from Cork, 99km from Galway and 203km from Dublin.

Located on the prominent corner position at the junction of Glentworth Street and Catherine Street is Pery’s Hotel which has been in operation as a hotel since 1878. This four storey over basement hotel has well-appointed accommodation to include 61 en-suite bedrooms which provide a mixture of family, double and single bedrooms. With three different size conference rooms the hotel is ideal for hosting corporate events, functions or weddings. The reception area, Tait’s Gastro Bar and restaurant provide a tranquil environment for guests to dine and relax, along with the gym and sauna facilities.

Currently there is a service agreement in place for the academic year 2019/2020 with an American University on a Discover the World Study abroad programme, which runs from Late August to Mid-December and again from early January to Mid-May, full details can be found in the Data Room. The hotel has the benefit of an additional income stream from two retail tenants located on Catherine Street."

It is interesting to note that the hotel was on the market as a going concern back in 2007 with an asking price of €8,000,000.

During my visit [April 2022] I notice many young American guests. Years ago the hotel was full with visitors from the UK who visited the same time every year. It would appear that the UK trade has greatly reduced because of Brexit which is a bit surprising as it is no more difficult for British citizens to holiday [live or work] in Ireland.

Shortly before I was due to arrive at the hotel they contacted offering me the opportunity to cancel as they were not in a position to offer dining or bar facilities but as I have a policy of not availing of such facilities this was not a problem for me.

Pery Square is a Georgian Terrace located in the Newtown Pery area of Limerick city, Ireland. The terrace was constructed as a speculative development by the Pery Square Tontine Company between 1835 and 1838. The square was named in honour of the politician Edmund Sexton Perry. The terrace is notable as one of the finest examples of late Georgian architecture in Limerick and Ireland.

The architect James Pain supervised the construction of the terrace and may well have been responsible for the design. The contractor was Pierse Creagh from Ennis. By 1838, the houses forming this terrace were let to tenants. The tontine development was the only area of square that was finished. The remaining plots (around the planned square) which were earmarked for development in Davis Ducart's plan for Newtown Pery were never realised and were left undeveloped.

Opposite Pery Square is the People's Park which adds to the surrounds of the area. The development was the last of the great Georgian Era developments in Limerick as the years that followed heralded an end to the Georgian prosperity and a beginning to a crippling economic decline in Ireland caused by the Great Famine. Limerick was not to see development of that scale again as was seen in Newtown Pery until the Celtic Tiger years.


Today, a Boutique Hotel is trading at No 1 Pery Square. No 2 Pery Square has been extensively redeveloped by Limerick Civic Trust and is now in use as a Georgian Museum. The rest of the houses are being used to various degrees. Limerick City Gallery of Art is also located at Pery Square opposite the tontine as is Limerick's War Memorial. St. Michael's Church of Ireland, a gothic structure stands at the southern end of Pery Square terminating the vista of the street to the south. Saint Michael's Church adds immeasurably to the importance of Pery Square as the unrivalled Georgian streetscape outside of Georgian Dublin.


THE BLACK BRIDGE AT PLASSEYPHOTOGRAPHED APRIL 2022

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CHURCH OF THE SACRED HEARTTHE CRESCENT IN LIMERICK

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The Jesuits moved into the current house in 1862 and started building the church in 1864.

It was begun during the rectorship of Fr. Thomas Kelly. The church was dedicated in 1869, although still unfinished in 1897. Designed by William Edward Corbett and supervised by Charles Geoghegan on the site of Crescent House.

It breaks the uniformity of The Crescent, giving it a focus and adding interest to the Georgian fabric. In 1867, Charles Lanyon and John McCurdy were the arbitrators and Sir John Benson the umpire, in the arbitration case of the failure of the roof of the new church. The builders were Mssers Ryan & Son. In 1900 William Henry Byrne made designs for a proposed façade.

ERIC'S PUB IN LIMERICK SAINT JOSEPH'S STREET - EMMET PLACE

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This pub was owned and operated by Eric and Florence Lynch but unfortunately, for health reasons, they decided to close it in 1997. Florence and Eric, who passed away within a year of each other and were very well known and much liked in Limerick.

NORTH CAMPUS IN COUNTY CLARELIMERICK UNIVERSITY APRIL 2022

NORTH CAMPUS LIMERICK UNIVERSITY
The arena hosted the 2010 Special Olympics Ireland Games, from 9 to 13 June. In one of the year's largest Irish sporting events, 1,900 Special Olympians from throughout Ireland participated in the games.

LIMERICK UNIVERSITY CAMPUSTHE OLDER CAMPUS IS IN COUNTY LIMERICK

OLDER CAMPUS

THE DOCK ROAD LIMERICK APRIL 2022

THE DOCK ROAD LIMERICK APRIL 2022
The main item of interest along dock road is the Bannatyne Mill building which is described as follows: A most imposing and rare industrial building with a larger than life expression of Victorian industrial architecture, erected to the designs of William Sidney Cox. The builders were McCarthy and Guerin …

THE HAVEN PUB WAS ESTABLISHED IN 1866 DAVIS STREET IN LIMERICK

THE HAVEN HAS CEASED TRADING
According to Google Maps this pub, established in 1866, has ceased trading.

Back in 2016 I came across the following message online: :We at The Haven Bar would like to thank all our customers & friends for your understanding while we carry out the necessary works and renovations to the premises .Good news is that renovations are progressing well and we hope to be reopened soon. We would like to thank you all for your support and well wishes. Looking forward to seeing you soon."

The owner of McCoys John Costello was interviewed by a local newspaper and they indicated that they had the Limerick bar stripped, transported and rebuilt as an authentic Irish bar in Alicante.

RICHARD RUSSELL MEMORIAL FOUNTAINHAS A TWIN IN BELFAST

RICHARD RUSSELL MEMORIAL FOUNTAIN APRIL 2022
The fountain, the only one of its kind in the State, has been returned to the Peoples’ Park after spending 7 months being carefully restored by Eura Conservation in Telford. …

PEOPLE'S PUBLIC PARKLIMERICK APRIL 2022

APRIL 2022 VISIT TO THE PEOPLES PUBLIC PARK IN LIMERICK

THE WHISTLING BRIDGESHANNON BRIDGE APRIL 2022

THE WHISTLING BRIDGE ACROSS THE RIVER SHANNON

UNEXPECTED STREET ARTSHANNON BRIDGE APRIL 2022

UNEXPECTED STREET ART ON THE SHANNON BRIDGE

ST SAVIOURS CHURCHLIMERICK APRIL 2022

ST SAVIOURS CHURCH APRIL 2022

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