7 JULY 2025
Glasnevin Cemetery, established in 1832 by Daniel O'Connell, is not just a burial ground but a significant historical and cultural site, often referred to as "the resting place of over 1.5 million Irish people." It is the final resting place for many of Ireland's most influential figures, including Daniel O'Connell himself, Michael Collins, Éamon de Valera, Charles Stewart Parnell, and Countess Markievicz, among countless others. The cemetery also features an award-winning museum that tells the stories of those interred there and provides context to key moments in Irish history.
AT DUN LAOGHAIRE BATHS 3 JULY 2025
On the 14th of September 2021, a significant moment in Dún Laoghaire's recent history occurred with the installation of the Roger Casement sculpture. This imposing bronze figure was carefully lifted into place at the extremity of the newly constructed jetty, part of the extensive Dún Laoghaire Baths regeneration project. The sculpture, a commission by Dún Laoghaire-Rathdown County Council, serves as a poignant commemoration of Roger Casement, a towering and complex figure in Irish history.
BY ALEXANDER CALDER
Henry Moore's bronze sculpture, "Reclining Connected Form," created in 1969, holds a prominent position in Library Square, behind the historic Campanile at Trinity College Dublin. While colloquially known by various names such as "Connected Forms" or "Reclining Forms," its definitive title encapsulates the artist's specific creative intentions. The variations in naming underscore the inherent ambiguity and interpretive nature of abstract art, demonstrating how such works invite diverse interpretations while remaining rooted in the artist's vision. Despite differing popular names, the sculpture's enduring appeal highlights its success in conveying universal themes.
AT THE EAVAN BOLAND LIBRARY
Henry Moore's bronze sculpture, "Reclining Connected Form," created in 1969, holds a prominent position in Library Square, behind the historic Campanile at Trinity College Dublin. While colloquially known by various names such as "Connected Forms" or "Reclining Forms," its definitive title encapsulates the artist's specific creative intentions. The variations in naming underscore the inherent ambiguity and interpretive nature of abstract art, demonstrating how such works invite diverse interpretations while remaining rooted in the artist's vision. Despite differing popular names, the sculpture's enduring appeal highlights its success in conveying universal themes.
PHOTOGRAPHED USING A SONY A7RV
Henry Moore's bronze sculpture, "Reclining Connected Form," created in 1969, holds a prominent position in Library Square, behind the historic Campanile at Trinity College Dublin. While colloquially known by various names such as "Connected Forms" or "Reclining Forms," its definitive title encapsulates the artist's specific creative intentions. The variations in naming underscore the inherent ambiguity and interpretive nature of abstract art, demonstrating how such works invite diverse interpretations while remaining rooted in the artist's vision. Despite differing popular names, the sculpture's enduring appeal highlights its success in conveying universal themes.
PHOTOGRAPHED USING A SONY FX30 1 JULY 2023
Trinity College Dublin is home to two significant sculptures that, despite their differing styles and eras, are intrinsically linked by a shared artistic inspiration: Henry Moore's "Reclining Connected Form" (1969) and Sebastián's "Chac Mool" (2002). Their presence on campus creates a compelling dialogue about the enduring power of ancient forms and their reinterpretation across centuries and cultures.
BY OISIN KELLY
The sculpture by Oisín Kelly depicts the four children of Lir – Fionnuala, Aodh, Fiachra, and Conn – in their transformed state as swans, rising from the water. The work is crafted from copper bronze and stands at an imposing height, conveying a sense of aspiration and transcendence. The composition is dynamic, with the swans' forms suggesting both grace and a powerful surge upwards, symbolising rebirth and resurrection.
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