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KILKENNY SEPTEMBER 2022

A picturesque graveyard containing a collection of markers of artistic design significance exhibiting high quality stone masonry. A number of markers dating to the late seventeenth century represent an important element of the archaeological heritage of Kilkenny while serving as a reminder of the mass house, later a Catholic chapel that existed on site until the late eighteenth century.

Here is an interesting inscription: “Erected to the memory of John Haltigan by the Nationalists of Kilkenny 94 who have known him to make a lifelong struggle for Ireland’s freedom for which crime British law, aided by the Informer, Nagle, consigned him to a living tomb where the fiendish torture of years shattered his vigorous form but failed to subdue his noble spirit. May his unselfish patriotism be imitated until Ireland is once again a Nation. He died 10th July, 1884 aged 66 years. Also his wife, Catherine Haltigan, died 19th January, 1899 aged 83 years.”

I came across this old graveyard by accident, in in 2021, and unfortunately I only had a very small camera [Sony RX0] which meant that it was not really possible to capture any inscriptions or details. This time I had a Canon 5D Mk3 but most of the inscriptions were unreadable which was a bit disappointing.

BLACK STEEL SCULPTURE BY MICHAEL WARREN

I have seen, this in travel guides, named “Anchored Void” as well as “Void Anchored” but could not located it until I came across it while exploring a less visited area of Kilkenny Castle grounds.

In 2021, when I first photographed this somewhat isolated sculpture there was a thunder storm ongoing and I had to give up and return to my hotel room. This year the day started out wet but by the time I arrived at this sculpture it was really sunny and warm.

Michael Warren (born 1950 in Gorey, County Wexford, Ireland) is an Irish sculptor who produces site-specific public art.

Inspired by Oisín Kelly, his art teacher at St Columba’s College, Michael Warren studied at Bath Academy of Art, at Trinity College, Dublin and, from 1971–75, at the Accademia di Brera in Milan. He now lives and works in Co. Wexford.

He has a number of very visible works in Ireland, including the large sweeping wood sculpture in front of the Dublin Civic Offices. Wood Quay, where the civic offices stand, was the centre of Viking Dublin and the sculpture evokes the form, and the powerful grace, of a Viking ship. It also reflects vertically the horizontal sweep of the nearby Liffey as it enters its bay. A complex balance of meanings matching a delicate, though massive, balance of substance is typical of his work. Warren himself describes the useful ambiguity of abstraction (Hill 1998)

With Roland Tallon he created Tulach a’ tSolais (Mound of Light), a memorial to the 1798 rebellion. Here, a room was hollowed out of a small hill; the room contains two abstract curved oak forms and is illuminated by natural light falling through a long slot in its ceiling and walls. Despite the unusual and abstract constitution of this memorial and despite the fraught political resonance of the rebellion, Tulach a’ tSolais is popular and something of a local attraction. His Gateway in Dún Laoghaire was less popular with some local people and it was eventually removed and returned to the artist.

At the northern entrance to the village of Leighlinbridge, County Carlow, is a sculpture by Michael Warren, depicting the thrones of the ancient seat of the Kings of South Leinster at Dinn Righ (The hill of the Kings). The Kings of Leinster lived near the village.

Sigma 24-105mm Lens

ST PATRICK’S GRAVEYARD

ANCHORED VOID KILKENNY CASTLE