KILKENNY

ANN MULROONEY’S BRONZE MONUMENT TO MISSING PERSONS

December 18, 2024 by infomatique

KILKENNY CASTLE PARK

Ann Mulrooney’s “Monument To Missing Persons” in Kilkenny Castle Park

Kilkenny Castle Park, a place steeped in history and natural beauty, is home to a poignant sculpture entitled “Monument To Missing Persons”. Created by the acclaimed Irish artist Ann Mulrooney, this artwork serves as a powerful reminder of those who have disappeared and the enduring impact their absence has on loved ones. This article delves into the sculpture itself, the artist’s background, the significance of its location within Kilkenny Castle Park, and explores the “CONNECTED Kilkenny Sculpture Trail”. It also examines the sculpture’s relevance within the context of missing person cases and highlights any related stories, events, or media reports.

The “Monument To Missing Persons”

The “Monument To Missing Persons” is a deeply moving sculpture that captures the profound sense of loss and longing associated with the disappearance of a loved one. The sculpture, designed by Ann Mulrooney , consists of multiple hands cast in bronze and arranged on a stone plinth. These life-sized hands reach upwards, symbolising the missing persons reaching out for help or their loved ones reaching out to them. This powerful imagery evokes a sense of both despair and hope, acknowledging the pain of absence while also clinging to the possibility of reunion.

Each hand in the sculpture was cast from the actual hand of a relative of a missing person. This intimate connection to real individuals imbues the artwork with a profound sense of humanity and collective grief. The monument was commissioned by the Jo Jo Dullard Memorial Trust and funded by the National Millennium Committee Project. It was unveiled in 2002 by President Mary Mc Aleese.

The sculpture is located in a serene area of Kilkenny Castle Park, providing a space for quiet reflection and remembrance. The tranquil surroundings and the poignant symbolism of the outstretched hands create an atmosphere conducive to contemplation and healing. An inscription on the stone at the monument reads: “This sculpture and area of reflection is dedicated to all missing persons.” This dedication broadens the sculpture’s scope, acknowledging the widespread impact of disappearances and offering solace to all those affected.

Jo Jo Dullard

The “Monument To Missing Persons” holds particular significance for the family and friends of Jo Jo Dullard, a 21-year-old woman from Callan who went missing in November 1995. Jo Jo was last seen in Moone, County Kildare, while travelling home from Dublin. Her disappearance remains a mystery, and in 2020, the case was upgraded to a murder inquiry.

The Jo Jo Dullard Memorial Trust played a crucial role in commissioning the monument, ensuring that Jo Jo’s story and the plight of other missing persons are not forgotten. Every year on the anniversary of her disappearance, a memorial ceremony is held at the monument. This event brings together family, friends, and the community to remember Jo Jo and other missing persons. The monument serves as a focal point for their grief and their hope for answers.

Ann Mulrooney: Sculptor and Cultural Leader

Ann Mulrooney is an Irish artist with a diverse background in sculpture and cultural management.
Education: BA in Fine Art, Crawford College of Art, Cork
MA in Sculpture, Royal College of Art, London
Artistic Style: Mulrooney’s style is characterized by her use of diverse materials, often incorporating metalwork, and her focus on creating public art that engages with social and personal themes.
Major Works: “Monument To Missing Persons” in Kilkenny Castle Park.

Her artistic journey began with a focus on metalwork, having worked in a foundry in the UK. This experience likely influenced her sculptural style and her ability to work with different materials. As she explains in an interview, “I trained as a sculptor originally in the Crawford in Cork and I went and worked as a metal worker in a foundry in the UK for a couple of years.”

Mulrooney’s work has been exhibited widely in the UK and Ireland, and her pieces are held in numerous public and private collections. While she initially trained as a sculptor, she transitioned into cultural management, taking on roles such as running the National Design and Craft Gallery and serving as the CEO and Artistic Director of VISUAL Centre for Contemporary Art in Carlow. In these positions, she curated exhibitions and developed cross-disciplinary artistic programmes, often exploring the intersection of art, science, and technology.

Mulrooney’s artistic vision and leadership have been recognised through her appointment to the Golden Fleece Award Advisory Panel, where she contributes to the selection process for this prestigious award in the visual and applied arts. Her involvement in this panel highlights her expertise and influence within the Irish arts community.

In addition to her work as a sculptor and cultural leader, Mulrooney has also been involved with Puffin Rock Habitats, where she has applied her creative skills and experience to projects related to environmental conservation and education. This demonstrates her commitment to using art and creativity to address important social and environmental issues.

Kilkenny Castle Park: A Place of History and Remembrance
Kilkenny Castle Park provides a historically rich and symbolically resonant setting for the “Monument To Missing Persons”. The castle itself has witnessed centuries of Irish history, dating back to its construction in 1260. Originally built to control a fording point of the River Nore, it has served as a strategic stronghold and a symbol of power throughout its existence.

The castle and its surrounding parkland have undergone various transformations over the years, reflecting the changing needs and tastes of its occupants. Today, Kilkenny Castle is a popular tourist destination and a cherished public space, managed by the Office of Public Works. The park’s tranquil atmosphere and its association with both historical events and personal memories make it a fitting location for a monument dedicated to those who have vanished.

The placement of the “Monument To Missing Persons” within this historic landscape adds another layer of meaning to the artwork. It connects the personal tragedies of missing persons to the broader historical narrative of Kilkenny Castle and the surrounding area. The park becomes a space where individual stories of loss intersect with the collective memory of the community.

The park also serves as a place to remember not only missing persons but also historical events and figures. This theme of remembrance is woven into the fabric of Kilkenny Castle Park, with its monuments, gardens, and historical buildings all serving as reminders of the past. The “Monument To Missing Persons” adds another dimension to this theme, highlighting the ongoing impact of loss and the importance of keeping memories alive.

Events in Kilkenny Castle Park

Kilkenny Castle Park is not only a place of historical significance and artistic expression but also a vibrant hub for events and gatherings. The Parade Tower, for example, serves as a conference venue, hosting meetings and events for various organisations and businesses.

The park also plays a role in academic life, as ceremonies for conferring awards and degrees on the graduates of the Kilkenny Campus of the National University of Ireland, Maynooth, have been held at the castle since 2002. These events bring a sense of celebration and achievement to the park, adding to its diverse range of functions.

The CONNECTED Kilkenny Sculpture Trails

While the name “CONNECTED Kilkenny Sculpture Trail” may cause some confusion, it actually refers to two distinct art initiatives in Kilkenny.

Firstly, there is the “Kilkenny Catwalk”, a trail featuring 21 cat sculptures decorated by Irish artists and displayed in public spaces throughout Kilkenny City. This trail aims to engage the community with art, promote local businesses, and attract visitors to the city.

Secondly, there is a sculpture trail simply called “CONNECTED”, an initiative by Design & Crafts Council Ireland, Kilkenny County Council, Kilkenny Arts Festival, Kilkenny Civic Trust and the OPW. This trail began at the National Design & Craft Gallery and led through the city’s key cultural and historic sites along Kilkenny’s Medieval Mile. It aimed to highlight the craftsmanship involved in developing large and small-scale works suited to the outdoors and to encourage people to reconnect with culture and craft outside of a gallery setting.

Although the “Monument To Missing Persons” may not be officially part of these trails, its presence in Kilkenny Castle Park contributes to the city’s rich artistic landscape. It encourages visitors to explore the park and engage with public art that reflects on important social and personal themes.

Stories and Media Reports

The “Monument To Missing Persons” has been featured in news reports and events related to missing person cases, particularly the disappearance of Jo Jo Dullard. News articles about the annual memorial ceremonies often highlight the importance of keeping the memory of missing persons alive and the ongoing search for information about their whereabouts. One article states, “‘It’s important to keep Jo Jo’s memory alive in our hearts and our prayers,’ said Father Willie Purcell who with the Kilkenny Gospel choir will lead the walk and service for Jo Jo.” This quote emphasises the role of the monument in providing a space for collective remembrance and support.

The “Monument To Missing Persons” provides a tangible symbol of this enduring hope and a place where the community can come together to offer support and solidarity.

Conclusion

Ann Mulrooney’s “Monument To Missing Persons” is a powerful and moving artwork that serves as a focal point for remembrance and reflection in Kilkenny Castle Park. The sculpture’s location within this historic landscape adds layers of meaning, connecting individual stories of loss to the broader historical narrative of the area and the wider context of missing person cases in Ireland. The artist’s background in both sculpture and cultural management has informed her ability to create a work that resonates with both personal and collective experiences. The sculpture’s role in memorial events and media reports related to missing person cases further highlights its significance as a symbol of remembrance and hope. The “Monument To Missing Persons” stands as a testament to the power of public art to address social issues, offer solace to those affected by loss, and foster a sense of community.

KILKENNY PRESBYTERIAN CHURCH

December 18, 2024 by infomatique

A MODERN BUILDING ON NEW ROAD IN KILKENNY CITY

Kilkenny Presbyterian Church: A Tale of Two Churches

Kilkenny Presbyterian Church, as a name, can be a source of confusion as it refers to two distinct buildings with a shared history. This article aims to clarify this confusion by exploring the history of both churches, their connection to each other, and their place within the broader context of Presbyterianism in Kilkenny. It also delves into the history of New Road, where the modern church is located, and highlights any notable stories, events, or news reports related to the church and its community.

Two Churches, One Name

The name “Kilkenny Presbyterian Church” most commonly refers to the modern church building located at 16 New Road in Kilkenny, Ireland (R95 X588) . This church, with its contemporary design and active congregation, serves as a hub for the local Presbyterian community. However, there is another church that historically held the same name: the older Kilkenny Presbyterian Church on Ormonde Road. This older church, built in 1839 , is now used as an office building.

The Older Church on Ormonde Road

The older Kilkenny Presbyterian Church on Ormonde Road is a detached, three-bay, double-height, single-cell Gothic Revival Presbyterian church . Constructed in 1839 , it features a pitched slate roof with clay ridge tiles and cast-iron rainwater goods . The front (south-east) elevation is built with limestone ashlar and includes cut-limestone dressings . Adding to its historical richness, the church incorporates a salvaged twelfth-century Romanesque doorcase (1133), along with several smaller artefacts carved from a honey-coloured local sandstone .

The church’s design exhibits several unique architectural features. A Tudor-headed window opening graces the entrance bay, with a cut-limestone surround, chamfered reveals, a hood moulding, timber Y-mullions forming a five-part lancet arrangement, and decorative fixed-pane iron windows . Flanking this central window are pointed-arch window openings with cut-limestone surrounds, chamfered reveals, hood mouldings, timber Y-mullions forming a bipartite lancet arrangement, and fixed-pane fittings with diamond-leaded glazing . The remaining window openings are also pointed-arch, with cut-limestone sills and fixed-pane timber fittings .

The church underwent renovations in 1994, during which the interior was remodelled to accommodate its use as offices . This renovation reflects a period when the congregation was without its own dedicated minister . However, the building retains its historical and architectural significance as a testament to the enduring presence of Presbyterianism in Kilkenny.

The Modern Church on New Road
The modern Kilkenny Presbyterian Church on New Road is a more recent construction, although the exact date remains unclear from the available information. It is a modern building with facilities designed to cater to the needs of a contemporary congregation, including a kitchen, a hall, and rooms specifically for toddlers, teenagers, and prayer meetings . The church can be contacted by telephone (086 8362633). The current minister is Rev Jonathan Currie.

Connecting the Two Churches
The two Kilkenny Presbyterian Churches are linked by their shared history and the evolution of the Presbyterian community in Kilkenny. The older church on Ormonde Road served as the original place of worship for the congregation, which dates back to the 1830s . The congregation was formally organised in 1838, and its first minister, Rev. Joshua Collins, was ordained in 1841 .

Over time, the needs of the congregation changed, and the decision was made to establish a new church building on New Road. This move likely reflects a desire to provide a more modern and accessible space for worship and community activities. The older church on Ormonde Road was subsequently repurposed as an office building, while the new church on New Road became the primary place of worship for the Kilkenny Presbyterian community.

The History of New Road

While the name might suggest a recent addition to Kilkenny’s streetscape, New Road is not as new as one might initially think. Although the exact date of its construction remains unclear from the available information, it likely developed sometime after the medieval period . To understand this seemingly contradictory name, it’s essential to delve into the broader history of Kilkenny and its unique urban development.

Kilkenny boasts a long and complex history, with evidence of settlement dating back to the 6th century . The city’s street names often reflect this historical development, with many roads named after significant events or landmarks . For instance, St. Kieran’s Street, named for Ciaran’s Well, marks the site of an ancient church that was demolished and later incorporated into the public market . This street served as the original thoroughfare from Kilkenny Castle to St. Canice’s Cathedral and is likely one of the oldest in the city . Adding a touch of intrigue to its historical significance, St. Kieran’s Street was also reportedly home to Alice Kyteler, the infamous “witch of Kilkenny,” who escaped the city after being tried for witchcraft.

Similarly, Parliament Street derives its name from the Confederate Parliament of 1648 but was previously known as Coal Market Street, reflecting its function as the site where coal from the Castlecomer mines was sold . High Street, another prominent thoroughfare, was built as an extension of the existing High Street at the request of the occupying English, who agreed to lease the ground from the Church for an annual rent of 4 ounces of gold . Notable buildings on High Street include Grace’s Castle and Rothe House, a 16th-century merchant’s house restored in 1966, which once housed the Gaelic League where Irish was taught .

In more recent times, Kilkenny has seen the development of the Kilkenny Central Access Scheme (CAS), previously known as the Kilkenny Inner Relief Road Scheme . This scheme, comprising 4.5 kilometers of single carriageway road with a width of 7.3 meters , aimed to alleviate traffic congestion in the city centre. However, the CAS proved controversial, with concerns raised about its route potentially bringing heavy traffic through residential areas and the medieval Irishtown section of the city . The Inner Relief Road was initially proposed in 1978 to provide access for brewery traffic, but the brewery has since closed . Before the CAS, Kilkenny already had a two-thirds ring road, and some argued that completing this outer ring road would be more effective in addressing traffic issues . Despite these concerns, Kilkenny County Council prioritised the CAS project over completing the outer ring road .

Stories, Events, and News Reports

Kilkenny Presbyterian Church has been an active presence in the community, hosting various events and featuring in local news and publications. In December 2019, the Kilkenny City Brass Band held a carol service at the church, bringing festive cheer to the congregation and the wider community . In 2014, the church hosted a farewell event for a departing minister, marking a transition in leadership while acknowledging the contributions of the outgoing minister . During the COVID-19 pandemic, the church adapted to the challenges of the time by providing online resources and guidance to its congregation, ensuring continued support and spiritual connection during a period of isolation .

The church offers a variety of programs and activities for people of all ages. Men’s Bible studies meet every Saturday morning, providing an opportunity for men to come together and delve deeper into their faith . The church also hosts Ladies Bible Studies on the second and fourth Mondays of each month, Mum’s in Prayer meetings monthly, and an ECL bereavement group that meets monthly, offering support and fellowship to those who are grieving . Additionally, the church provides a weekly email and A5 booklet resource called “Let’s Pray,” which offers prayer topics and requests for the coming week, covering various aspects of church life with a focus on Global Mission and Mission in Ireland.

One of the church’s notable initiatives is the “What’s the Story?” program, which aims to engage people in conversations about faith and Christianity . Through this program, the church has listened to nearly 1000 stories from people across Ireland, uncovering two common objections to Christianity and four common questions that point to a deep need for Christ . In the fall of 2022, “What’s the Story?” launched a nationwide publicity campaign to encourage people to think about the big existential themes that are woven through their lives . This campaign reflects the church’s commitment to reaching out to the wider community and fostering meaningful dialogue about faith and spirituality.

Interestingly, in the summer of 2012, Tyler and Carrie Dirks and their children worked with Kilkenny Presbyterian Church . This collaboration highlights the church’s connections with individuals and families from other countries, demonstrating its openness to engaging with different perspectives and experiences.

THE BLACK CAT AND DAVID CAMPION’S PUB AND NEARBY

December 17, 2024 by infomatique

BLACK MILL STREET IN KILKENNY

This is a area that I have yet to explore in detail and maybe I will do so when I visit the city in March 2025.

The Demise of Two Kilkenny Pubs: The Black Cat and David Campion’s

Black Mill Street in Kilkenny City has recently witnessed the closure of two of its public houses: The Black Cat and David Campion’s. While Campion’s is currently on the market, The Black Cat is slated for demolition to make way for 23 new dwelling units, including a mix of houses, apartments, and duplex units. This blog post delves into the history of these establishments, explores the possible reasons for their closure, and examines the unique character of Black Mill Street and its surroundings.

Black Mill Street: A Glimpse into Kilkenny’s Past

Black Mill Street, situated in the heart of Kilkenny’s medieval quarter, offers a glimpse into the city’s rich past. Located within 750m of Kilkenny’s bustling High Street it is characterised by its narrow streetscapes and historic buildings, bearing witness to centuries of change and development. One notable structure on Black Mill Street is number 11, an architecturally significant building dating back to the late 19th century. The street’s name likely originates from a watermill that once harnessed the power of the nearby River Nore.

The Black Abbey and Abbey Square: A Historical Tapestry

Just off Black Mill Street lies an area steeped in history, with the Black Abbey and Abbey Square standing as testaments to Kilkenny’s enduring heritage. The Black Abbey, a Dominican priory founded in 1225 by William Marshal the Younger is dedicated to the Holy and Undivided Trinity. Its name, derived from the black cloaks worn by the Dominican friars evokes a sense of mystery and solemnity. The abbey played a significant role in Kilkenny’s civic and religious life for centuries even enduring the devastating impact of the Black Death in 1349. Its most striking feature is the magnificent five-light window in the south gable of the fourteenth-century transept, the largest of its kind in Ireland.

Adjacent to the Black Abbey, Abbey Square holds its own historical significance. Originally home to St. Francis Abbey, a Franciscan monastery established in the 13th century, the area later housed the Smithwick’s Brewery for 300 years. Today, Abbey Square is undergoing a transformation into a vibrant urban quarter, blending modern development with Kilkenny’s medieval core. This redevelopment, which includes investment in high-quality public realm by Kilkenny County Council promises to breathe new life into this historic area.

The River Nore: Kilkenny’s Liquid Lifeline

Flowing through Kilkenny City, the River Nore is a defining feature of the landscape. This 140-kilometer-long river, draining approximately 2,530 square kilometres has played a vital role in the city’s history, providing a source of power for mills and facilitating trade and transportation. The Nore also enhances the aesthetic appeal of the area, offering scenic walks and picturesque views. Along its banks, one can find contemporary landmarks like “Adam’s Virtual Hug,” a sculpture that symbolises connection and hope.

The Closure of The Black Cat and David Campion’s: Unravelling the Reasons

The closure of The Black Cat and David Campion’s Pub raises questions about the challenges faced by publicans in Kilkenny and beyond. While definitive answers may remain elusive, several factors likely contributed to their demise.

Location-Specific Issues

While Black Mill Street enjoys a prime location in Kilkenny’s medieval quarter, certain aspects of the area might have presented challenges for these pubs. The street’s narrowness and limited parking could have deterred some customers. Additionally, the proximity to the River Nore, while offering scenic beauty, also carries the risk of flooding, which could have impacted business operations.

The Decline of Pubs in Kilkenny and Ireland

The closure of The Black Cat and David Campion’s is not an isolated incident. Kilkenny has seen a significant decline in the number of pubs in recent years. Since 2005, the county has lost 41 pubs, representing an 18.1% decrease. This trend is mirrored across Ireland, with over 2,000 pubs closing since 2005, an average of 114 per year. This decline has accelerated since 2019, with an average of 152 pubs closing annually. The COVID-19 pandemic has also had a significant impact, contributing to the closure of 574 pubs since 2005. In contrast, Dublin has been the least impacted, with a decrease of just 2.8%.

History and Stories: The Black Cat and David Campion’s

While specific historical information about The Black Cat and David Campion’s Pub is limited, some details have been uncovered, offering a glimpse into their past.

The Black Cat

The Black Cat operated as a licensed premises and service station since 1972. It was located on the corner of Dominic Street and Blackmill Street, overlooking the Waterbarrack. Local historical records provide limited information about The Black Cat, but it is remembered as a familiar presence in the community. Nicholas Cleere, a dedicated family man and owner of The Black Cat, sadly passed away suddenly at the age of 70. A greyhound enthusiast, he celebrated a notable victory on his local track, winning the prestigious McCalmont Cup in 2002. Mr. Cleere also took great pride in the appearance of his establishment, earning Tidy Towns awards for best shop front presentation on two occasions.

David Campion’s

David Campion’s was a family-run neighbourhood pub that traded until 2018. The pub was run by Davy Campion and his wife Phil, who was known for her warm hospitality and remarkable ability to remember every customer’s name. After Davy’s passing, their sons and daughters continued to operate the pub. The building itself is a three-storey detached premises with an extensive yard. It is currently on the market for €395,000 and can be sold with or without the 7-day publican’s licence. Despite its long history in the city, details about David Campion’s pub remain scarce, but its legacy as a family-run establishment endures.

Interesting Facts and Anecdotes: Black Mill Street and its Environs

Black Mill Street and its surrounding area are steeped in history and folklore, with tales and anecdotes woven into the fabric of its existence.

One notable figure with a connection to Black Mill Street is James Stephens, the founder of the Irish Republican Brotherhood, who was born on the street in 1825. Stephens, a key figure in Irish history, dedicated his life to the pursuit of Irish independence.

Kilkenny itself holds a unique place in Irish history as the site of the country’s only witch trials in 1324. Dame Alice Kyteler, a woman of wealth and influence, was accused of using poison and sorcery against her four husbands, sparking a scandal that captivated the city.

Another intriguing historical footnote is the Statutes of Kilkenny, a set of laws passed in 1367 aimed at curbing the assimilation of English settlers into Irish culture. These laws, with their curious prohibitions against intermarriage, speaking the Irish language, and even riding a horse without a saddle, offer a glimpse into the social and political tensions of the time.

Even remnants of Dublin’s history have found their way to Kilkenny. In the Butler House gardens, one can find fragments of Nelson’s Pillar, which was blown up in 1966. These remnants serve as a tangible link to a pivotal moment in Irish history.

These stories and anecdotes, passed down through generations, add to the rich tapestry of Black Mill Street and its surroundings, making it a place where the past and present intertwine.

Conclusion: The Changing Face of Kilkenny’s Pub Scene

The closure of The Black Cat and David Campion’s Pub reflects the broader challenges facing the Irish pub industry. The decline in pub numbers across the country, particularly in rural areas like Kilkenny, is a cause for concern. This trend, driven by changing demographics, economic pressures, and evolving drinking habits, has far-reaching implications for the social and cultural fabric of communities.

The loss of these pubs represents more than just the closure of businesses; it signifies the potential loss of vital social spaces and community hubs. Pubs often serve as gathering places, fostering a sense of belonging and camaraderie among locals. Their closure can lead to social fragmentation and a decline in community spirit. Furthermore, the economic consequences can be significant, with job losses and a reduction in local spending.

However, amidst these challenges, there is hope for revitalisation. Kilkenny’s rich heritage, with its historic streets, iconic landmarks like the Black Abbey, and connections to figures like James Stephens, offers a unique appeal for tourists and locals alike. The redevelopment of areas like Abbey Square, with its blend of modern development and historical preservation, can attract new businesses and a diverse clientele, potentially breathing new life into the pub scene.

The closure of The Black Cat and David Campion’s serves as a reminder of the need for adaptability and innovation in the pub industry. Publicans must respond to changing consumer preferences, embrace new technologies, and create welcoming and inclusive environments to ensure their sustainability. By learning from the past and embracing the future, Kilkenny’s pub scene can thrive once again, contributing to the vibrancy and vitality of the city.

ST KIERAN’S CEMETERY HEBRON ROAD IN KILKENNY

December 17, 2024 by infomatique

2017 LEGACY PHOTO COLLECTION

St Kieran’s Cemetery: A History

St Kieran’s Cemetery, on Hebron Road in Kilkenny, is a significant landmark that reflects the city’s evolving relationship with death and remembrance. While the cemetery was officially consecrated on 27 June 1931, the need for a new public burial ground in Kilkenny was first recognised as far back as 1875. This realisation stemmed from growing concerns about overcrowding and public health in the city’s older graveyards. In 1907, a sworn inquiry was conducted to assess the condition of these burial grounds, revealing a dire situation with overcrowded plots and frequent disturbances of human remains during new interments. These concerns ultimately led to the establishment of St Kieran’s Cemetery, which likely opened for burials soon after its consecration in June 1931.

Management and Regulations

Kilkenny County Council plays a crucial role in the administration and upkeep of St Kieran’s Cemetery. City Hall on High Street oversees the cemetery’s daily operations, ensuring its smooth functioning and adherence to established regulations. The Council maintains comprehensive records of all burial plots and interments, which are valuable resources for genealogical research and historical inquiries.
To ensure the respectful and orderly management of the cemetery, the Council has implemented a set of bye-laws that cover various aspects of its operation, including the purchase of grave spaces, the erection of headstones, and permissible activities within the cemetery grounds. These regulations provide a framework for maintaining the sanctity and serenity of this important community space.
In recent years, cremation has become an increasingly popular choice in Ireland, and St Kieran’s Cemetery has adapted to accommodate this trend by incorporating a columbarium wall. This wall provides a dedicated space for the interment of ashes, offering an alternative to traditional burial practices and reflecting the changing landscape of funeral customs.

Notable Burials and Historical Figures

While St Kieran’s Cemetery may not boast the same historical depth as some of Kilkenny’s older burial grounds, it serves as the final resting place for many of the city’s citizens. Research was conducted to identify any prominent individuals buried at St Kieran’s, but unfortunately, the available historical records do not provide specific details about notable burials or historical figures interred within the cemetery. Further investigation into local archives and genealogical resources may uncover more information about those laid to rest in this hallowed ground.

Stories and News Reports

St Kieran’s Cemetery has been featured in recent news reports, primarily concerning issues of anti-social behaviour and drug dealing within the cemetery grounds. These reports highlight concerns raised by community members and local representatives about the safety and security of the cemetery, prompting calls for increased security measures and community engagement to address these challenges.

The Mystery of the Low Walls

One of the most distinctive features of St Kieran’s Cemetery is the low height of its surrounding walls, which stand at approximately waist height. This design choice, coupled with the apparent lack of stringent security measures, raises questions about the cemetery’s vulnerability to vandalism and other disturbances. The reasons behind this architectural decision remain unclear from the available historical records. It is possible that the low walls were a deliberate attempt to create a more open and accessible space, fostering a sense of community and connection with the deceased. Alternatively, this design may reflect historical factors, budgetary constraints, or prevailing architectural trends at the time of the cemetery’s construction. However, it is important to acknowledge that the accessibility afforded by the low walls may be a contributing factor to the reported issues of drug dealing and anti-social behaviour.

St Kieran and Kilkenny

St Kieran, the patron saint of the Diocese of Ossory, which encompasses Kilkenny, holds a significant place in the city’s religious and cultural heritage. While his most renowned monastic site is located in Seir Kieran, County Offaly, it is believed that his original foundation may have been in Saighir. St Kieran’s influence extended throughout the region, leaving an enduring legacy in Kilkenny.

St Kieran’s College, a prestigious Catholic secondary school in Kilkenny City, stands as a testament to the saint’s enduring presence. The college, named in his honour, has been a cornerstone of Kilkenny’s educational landscape for centuries. Its motto, “Hiems Transiit” (“Winter has passed”), symbolises St Kieran’s association with the arrival of spring and the promise of new beginnings.

The Origins of Hebron Road

The name “Hebron Road” has intriguing biblical roots, referencing the ancient city of Hebron in the Middle East. In the Bible, Hebron is closely associated with Abraham, a revered figure in Judaism, Christianity, and Islam. The Hebrew word for Hebron is derived from the word for “friend,” signifying Abraham’s profound connection with God. However, the historical records do not reveal how this name came to be adopted for a road in Kilkenny. Further research into local history and street naming conventions may shed light on this fascinating link.

THE LADY DESART PEDESTRIAN AND CYCLE BRIDGE – ACROSS THE RIVER NORE IN THE CITY OF KILKENNY

December 17, 2024 by infomatique

2017 LEGACY PHOTO COLLECTION BY WILLIAM MURPHY

Lady Desart and Her Enduring Legacy in Kilkenny

Ellen Odette Cuffe, Lady Desart, was more than just a woman of considerable wealth; she was a driving force in Kilkenny’s history, leaving an enduring legacy of philanthropy and social reform. Born in London in 1857 to a prominent Jewish banking family, she married William Cuffe, the 4th Earl of Desart, in 1881. While not a native of Ireland, she became an integral part of the Kilkenny community, devoting her life to improving the lives of its citizens, especially after her husband’s death in 1898.

Lady Desart’s Importance in Kilkenny and Beyond

Lady Desart’s influence transcended her philanthropic activities. She was a woman of significant social standing, admired for her dedication to public service and her passion for Irish culture. She served as President of the Gaelic League’s Women’s Committee from 1908 to 1933, playing a pivotal role in the rescue of an estimated 300,000 women and children. Remarkably, she was also one of the first women to serve in the Irish Senate, appointed in 1922, where she remained for 12 years until her passing. It is a curious fact that despite her own political achievements, she initially opposed women’s suffrage, believing women should not compete with men in work or public life. This contradiction perhaps reflects the complexities of her time and her evolving views on women’s roles in society.

Her dedication to the Irish language was particularly striking. She drew a compelling parallel between the Jewish revival of Hebrew and the Gaelic League’s endeavors, actively championing the revitalization of the Irish language. This connection between her Jewish heritage and her support for Irish cultural identity underscores her deep appreciation for cultural preservation and national pride. In recognition of her tireless work in Kilkenny, she was granted the Freedom of the City in 1910, a rare and prestigious honour for a woman in that era.

Lady Desart’s contributions to Kilkenny were extensive and diverse. She established vital institutions, supported local industries, and championed social causes. The following table provides a glimpse into the breadth of her endeavors:

Kilkenny Library: Donated the land, purchased for £600, and funded the furnishing of the Carnegie Library, which she officially opened on November 3rd, 1910 with a silver key supplied by P.T. Murphy, Jeweller.
Aut Even Hospital: Established Aut Even Hospital, providing essential medical care to the community.
The Woollen Mills: Restored and rebuilt a derelict woollen mill at Talbot’s Inch, creating employment opportunities.
Kilkenny Woodworkers: Supported the Kilkenny Woodworkers, a group of skilled craftsmen inspired by the Arts and Crafts movement, who contributed to the city’s architectural heritage.
Tobacco Growers Association: Backed the Tobacco Growers Association, demonstrating her commitment to diverse economic initiatives.
Talbots Inch Village: Developed a model village for mill workers, providing housing, a school, a recreation hall, and a dental surgery.
Irish Dairy Shorthorn Breeders’ Association: Served as president of this association and presented the Desart cup for annual competitions.
Rescuing Jewish Children: Played a role in rescuing Jewish children from Nazi Germany in the 1930s.

Beyond these notable contributions, Lady Desart left a lasting impact through her generous philanthropy. Upon her death, her will revealed a bequest of £1,500,000, all of which was donated to various charities she supported throughout her life.

The Fate of Lady Desart and Her Family

Lady Desart’s marriage to William Cuffe did not result in any children. When William died prematurely in 1898 at the age of 53, she initially sought solace with her family in Ascot, Berkshire. However, the death of her brother-in-law, Otway Cuffe, drew her back to Kilkenny, where she continued his work in the community.

The Desart family line continued through William’s brother, Hamilton Cuffe, the 5th Earl of Desart. Hamilton and his wife, Lady Margaret Joan Lascelles, had two daughters, Lady Joan Elizabeth Cuffe and Lady Sybil Marjorie Cuffe. Tragedy struck the family when Desart Court was burned down. Hamilton, overwhelmed by the loss and lacking the resources to rebuild, handed the estate over to his niece, Lady Kathleen Pilkington. With the help of architect Richard Orpen and the building company McLaughlin & Harvey, Lady Kathleen restored the property, reopening it in 1926.

Lady Desart’s Burial Place

Lady Desart passed away in Dublin on June 29, 1933, at the age of 75. She was laid to rest beside her husband in Falmouth Cemetery, Cornwall, England. Their shared tombstone is inscribed with a poignant testament to their enduring bond: “They were together in their lives, and in their deaths they shall not be divided.” Her grave can be found in Section E, Row B, Grave 2 of the cemetery.

The Lady Desart Pedestrian and Cycle Bridge

The Lady Desart Pedestrian and Cycle Bridge stands as a modern-day testament to Lady Desart’s enduring legacy in Kilkenny. This 130-foot long structure, gracefully spanning the River Nore from Bateman Quay to John’s Quay, was officially opened on January 30th, 2014. It is the first bridge to be built in the city in over 30 years. Constructed at a cost of €600,000, the bridge not only provides convenient access to the city’s main shopping area but also encourages residents and visitors to embrace walking and cycling as sustainable modes of transport. It is a fitting tribute to a woman who dedicated her life to improving Kilkenny, connecting the city’s past and present while promoting a sustainable future.

Reasons for the Bridge’s Installation

The construction of the Lady Desart Pedestrian and Cycle Bridge was motivated by a desire to enhance accessibility and connectivity within the city. It provides a safe and convenient route for pedestrians and cyclists, promoting a healthier and more environmentally friendly way to navigate Kilkenny. The bridge aligns with the Irish government’s “Smarter Travel” initiative, which aims to reduce traffic congestion and encourage sustainable transportation options. Furthermore, the project demonstrated a commitment to environmental responsibility, with careful consideration given to the sensitive ecosystem of the River Nore during its construction.

Interestingly, the opening ceremony of the bridge was not without incident. A group of protestors gathered, not to oppose the bridge itself, but to voice their concerns about the proposed Central Access Scheme, which involved the construction of a larger road bridge nearby.

Historical Flooding and the Earlier Bridge

The Lady Desart Pedestrian and Cycle Bridge replaced an earlier suspension bridge built by Lady Desart in 1912. This original bridge was constructed to ensure the safe passage of workers across the River Nore from their homes in Talbot’s Inch village to the Greenvale Woollen Mills on the opposite bank. Sadly, this bridge, a symbol of Lady Desart’s commitment to the well-being of her workers, was destroyed by the Great Flood of 1947. This devastating flood, a consequence of rapidly melting snow after weeks of heavy snowfall, wreaked havoc on Kilkenny. The collapse of the bridge was attributed not only to the force of the floodwaters, which carried a large uprooted tree downstream, but also to the lack of maintenance on the structure following Lady Desart’s death.

Flooding has been a recurring challenge for Kilkenny throughout its history. In 1926, the city experienced another calamitous flood, the worst in living memory at the time. Even further back, in 1763, a great flood swept away John’s Bridge and Greensbridge, causing widespread damage and disruption. These events highlight the vulnerability of the area to the forces of nature.

Today, remnants of Lady Desart’s original bridge can still be seen along the River Nore Linear Park. Maintenance work has exposed the concrete ramp leading up to the bridge, the steel column supports, and the suspension cables. To commemorate this piece of history, Canice Architects designed an interpretation panel featuring a brief history of the bridge, an etching of the old structure, and a mark indicating the water level reached during the 1947 flood.

For many years, the people of Kilkenny relied on the expertise of engineer Harry Shine to predict floods. Using a series of gauges upstream, he accurately forecasted flood events, giving residents valuable time to prepare and evacuate. In recent times, a new flood relief scheme has been implemented, offering a more permanent solution to this age-old problem.

Conclusion:

Lady Desart’s legacy in Kilkenny is both profound and multifaceted. She was a philanthropist, a social activist, a businesswoman, and a politician. Her contributions were not isolated acts of charity but rather interconnected expressions of her deep commitment to the well-being of the Kilkenny community. She established essential institutions, fostered economic growth, championed Irish culture, and advocated for social justice. The Lady Desart Pedestrian and Cycle Bridge, a modern structure built upon the foundations of her earlier endeavours, serves as a powerful symbol of her enduring impact. It connects the city’s past and present, reminding us that the actions of individuals can shape communities and leave a lasting legacy for generations to come. Her story continues to inspire, demonstrating the transformative power of vision, dedication, and a genuine desire to make a difference in the world.