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I USED A SONY A7RV AND A LEICA Q3
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THE MOXY HOTEL
I WAS VERY IMPRESSED BY THIS HOTEL AND HOPE TO VISIT AGAIN
EXCELLENT LOCATION
LOCATION LOCATION
VISIT THE PHOTO CATALOG THE HISTORY THE STORY OF NAN AND STREET ART The journey of the building on Camden Quay is a remarkable microcosm of the evolving relationship between architecture, commerce, and culture. It began life as a monument to Ruskinian ideals, a physical treatise on the moral power of architecture and the nobility of handcrafted beauty. For a century, it served the city in practical commercial and civic roles before its ornate complexity, once a source of pride, became an economic burden that led to its neglect.
Its rebirth as the Moxy Hotel is a masterclass in 21st-century branding and urban regeneration. The Moxy brand, with its laser focus on the Millennial and Gen Z "Fun Hunter," has repurposed the building's historic shell not as a moral lesson to be revered, but as an authentic, textured backdrop for social experience and digital self-expression. The careful retention of original fireplaces, floorboards, and windows is not an act of pure preservation, but a strategic integration that lends the global brand a priceless local authenticity.
THE MOXY SEPTEMBER 2025
THE CAMDEN PALACE 2016
THE DEAN HOTEL HOTEL
I HAD TO SELECT THIS HOTEL OR THE MOXY
EXCELLENT LOCATION
NEAR THE TRAIN STATION
VISIT THE PHOTO CATALOG THE HISTORYThe DEAN hotel in Cork City has quickly established itself as a vibrant and fashionable destination, emblematic of the city's forward-looking development. Located at Horgan's Quay in the burgeoning Northern Quarter, adjacent to Kent Station, the hotel is a key feature in the extensive redevelopment of this historically significant area. Its presence signifies a new era for Cork's docklands, blending contemporary design with a nod to the area's industrial heritage.
HISTORIC RAILWAY VENTILATION SHAFT
I USED A LEICA Q3
THIS CAUGHT ME BY SURPRISE
UNEXPECTED
VISIT THE PHOTO CATALOG THE HISTORY THE DISCUSSION INTERACTIVE OVERVIEW Given the ventilation shaft's clear architectural and historical significance, as formally identified by the National Inventory of Architectural Heritage, its prominent location as a local landmark, and its current lack of specific legal protection, it is a prime candidate for formal designation. The discrepancy between its national recognition and its omission from the local protective list represents a gap that could be addressed to ensure its long-term preservation.
WELLINGTON ROAD IN CORK
I ONLY PHOTOGRAPHED A SECTION OF THIS STREET
INCLUDING SIDNEY PLACE
VIEW THE PHOTOGRAPHS ABOUT THE STREET Wellington Road is one of Cork's most distinguished and historically significant residential thoroughfares. Ascending steeply from the city centre's northside, beginning near St. Patrick's Bridge and MacCurtain Street, it serves as a remarkable showcase of 19th-century urban development and architecture. The road is not just a single entity but is famously characterised by its composition of several individually named terraces, a feature that adds immense character and a sense of historical layering to the neighbourhood.
FLOCK OF GEESE AND BOY BY NIALL BRUTON
PHOTOGRAPHED AT RANDOM
PUBLIC ART IN MIDLETON
PHOTOGRAPHS OF THE SCULPTURE THE ARTIST AND THEIR ART In the heart of Midleton, County Cork, a charming and evocative bronze sculpture captures a playful, albeit potentially perilous, moment in time: a young boy seemingly being challenged by a flock of geese. This delightful public artwork, officially titled "The Boy and the Geese," was crafted by the skilled hands of Irish artist Niall Bruton.
EXAMPLES OF PAINT-A-BOX STREET ART IN CORK
PHOTOGRAPHED AT RANDOM
PAINT-A-BOX ART
VISIT THE PHOTO CATALOG ABOUT PAINT-A-BOX STREET ART LET’S DISCUSS PAINT-A-BOX The experience of this art is one of constant, serendipitous discovery. A portrait of a local musician may greet you on a busy thoroughfare, a welcoming message in a foreign tongue might appear on a quiet quay, or a tribute to a Gaelic games hero could adorn a box outside a local pub. This is art on a human scale, integrated seamlessly into the urban fabric. It demands no special journey and requires no entrance fee; it simply exists as part of the city's visual texture, enriching the everyday experience of walking from one place to another. This accessibility is fundamental to its power, turning a simple commute into a potential cultural encounter and a stroll through the city into a dynamic art trail.
AT GLOUNTHAUNE RAILWAY STATION
I USED A SONY A7RV
ARROW TRAIN SETS
VISIT THE PHOTO CATALOG GLOUNTHAUNE RAILWAY STATION ABOUT THE ARROW TRAINS On 16 May 1994, Iarnród Éireann officially launched the "Arrow" service on the newly upgraded Kildare line. This route saw significant investment, including reopened and new stations. The brand was applied not just to the train's livery but to station signage, creating a unified and modern service identity. This was the first time a specific brand had been developed for diesel suburban services in Ireland, a clear move to elevate their public perception. The name itself—short, sharp, and evocative of speed—was a marketing masterstroke, successfully positioning the service as a completely new and superior travel option.
THE WAR MEMORIAL IN CORK CITY
Cork's most prominent war memorial, located in the Peace Park on the South Mall, has a history marked by controversy. Initially conceived to honour the thousands of Cork residents who died in the First World War, it now also commemorates the fallen of the Second World War.
WAR MEMORIAL
VISIT THE PHOTO CATALOG ABOUT THE WAR MEMORIAL An Unpleasant Encounter at Cork's War Memorial
Street photography, by its nature, occupies a grey area of social norms. As a photographer, one sees oneself as a neutral observer capturing a moment in a public space. To some people within that space, however, a camera pointed in their direction can feel like an intrusion. Their reaction is often based not on your intent, but on their own fears, history, and prejudices.
I recently experienced this first-hand while attempting to photograph the war memorial in Cork. My efforts were cut short by a drunk and aggressive individual who accused me of being a "foreign photographer promoting the British Empire." He repeatedly shouted, "go home you big fat Yank," an insult I've now heard twice in Cork, despite having a Dublin accent and not being large.
Why "Yank"? In the mind of an aggressor, the "outsider with a camera" often defaults to the stereotype of an American tourist. My Dublin accent was irrelevant to someone who wasn't listening and was simply looking for a target. Engaging with an intoxicated and hostile person is pointless and potentially dangerous, so I walked away—the only sensible course of action. This unpleasant encounter, however, serves as a stark reminder that some historical monuments remain focal points for unresolved tensions.
MARINA PARK AFTER SUNSET
I USED A LEICA Q3
THE CAMERA WORKED WELL
IT WAS DARK
VISIT THE PHOTO CATALOG THE HISTORY The Marina Park in Cork is not merely a new public amenity; it stands as the vibrant, green centrepiece of the Cork Docklands regeneration, arguably one of the most ambitious and transformative urban renewal projects in modern Irish history. Observations of transient street art adorning construction hoardings, novel forms of youth recreation along pristine pathways, and the relentless vertical climb of residential towers are not disparate events. They are the visible, dynamic symptoms of a district in profound flux, caught between a storied industrial past, an energetic present, and a high-density future. This report will analyse these interconnected phenomena, positioning Marina Park as the pivotal nexus where the forces of history, culture, planning, and commerce converge to shape a new identity for the city.
CHURCH AND GRAVEYARD IN MIDLETON
TODAY IS USED A SONY A7RV WITH A 28-70MM LENS
INFORMATION
MIDLETON 2025
PHOTO GALLERY HISTORY OF THE CHURCH CORK IN JULY 2016 The large graveyard at the Church of the Most Holy Rosary is not the result of a specific tragedy but a testament to the remarkable foresight of the parish leadership in the late 19th century. By securing a large tract of land for both the church and its new cemetery, they provided a lasting and dignified burial ground for the Catholic community of Midleton—a prudent decision undoubtedly informed by the recent memory of a nation that had known the profound impact of inadequate burial space.
