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ROYAL HOSPITAL KILMAINHAMMORDERN ART MUSEUM AND PUBLIC GARDEN
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Today I noticed a tent like structure when I visited the Royal Hospital Kilmainham and I had to ask what it was and I was directed to the following online description:
People’s Pavilion: As we adjust to living with Covid, the introduction of our attractively lit and heated People’s Pavilion is a new outdoor feature. Situated to the front of the historic 17th Century Royal Hospital Kilmainham building, this venue is ideal for any celebration. With a connection to a power source within the structure and resident caterers on standby, the blank canvas is perfectly adaptable for your customised occasion.
To enquire about booking the People’s Pavilion for your celebration, workshop or event contact [email protected].
The Royal Hospital Kilmainham is a former 17th-century hospital at Kilmainham in Ireland. The structure now houses the Irish Museum of Modern Art.
A priory, founded in 1174 by Strongbow, existed on the site until the Crown closed it down in the Dissolution of the Monasteries in the 1530s. The hospital was built as a home for retired soldiers of the Irish Army by Sir William Robinson, Surveyor General for James Butler, 1st Duke of Ormond, Lord Lieutenant of Ireland, between 1679 and 1687. Colonel John Jeffreys of Brecon, an old Welsh soldier who had served the Crown loyally during the English Civil War, was appointed the first Master, at a salary of £300 per annum. The hospital got off to a bad start financially: from a petition presented by Jeffreys to King James II in 1686, it seems that most of the original sources of funding had dried up. Architecturally, it was inspired by Les Invalides in Paris which also has a formal facade and a large courtyard. It served as the model for the Royal Hospital, Chelsea, begun the next year.[4]
The Richmond Tower at the end of the formal avenue leading to the Royal Hospital was designed by Francis Johnston, one of the leading architects of the day. This gateway originally stood beside the river Liffey at Bloody Bridge (now Rory O'More Bridge), but had to be moved after the arrival of the railway in 1844 increased traffic congestion. He had placed his personal coat of arms above the arch, concealed by a piece of wood painted to match the stone, his idea being that his arms would be revealed to future generations after the wood became rotten. However, his little trick was uncovered when the gateway was taken down for removal. The coat of arms at present on the gateway is that of the Royal Hospital.
The Royal Hospital Kilmainham graveyards, including Bully's Acre, are 400 metres to the west. A cross-shaft in the former cemetery may be the remains of a boundary cross associated with a ninth-century monastery located at this site.
Following the creation of the Irish Free State the Royal Hospital was considered as a potential home for Oireachtas Éireann, the new Irish national parliament. Eventually it was decided to keep parliament in its temporary home in Leinster House. The Hospital remained the home of a dwindling number of soldiers until it closed in 1927. It was then variously used by the Garda Síochána and as a storage location for property belonging to the National Museum of Ireland. The large statue Queen Victoria which used to stand in the forecourt of Leinster House, before its removal in 1947, was stored in the main courtyard of the Hospital, as were various state carriages, including the famously spectacular State Coach of the Lord Chancellor of Ireland. The Royal Hospital in Kilmainham was finally restored by the Irish Government in 1984 and opened as the Irish Museum of Modern Art (IMMA).
Every year on the National Day of Commemoration – the Sunday nearest 11 July – the anniversary of the Truce that ended the Irish War of Independence – the President of Ireland, in the presence of members of the Government of Ireland, members of Dáil Éireann and of Seanad Éireann, the Council of State, the Defence Forces, the Judiciary and the Diplomatic Corps, lays a wreath in the courtyard in memory of all Irishmen and Irishwomen who have died in past wars and on service with the United Nations.
In recent years, Royal Kilmainham Hospital has become a popular location for concerts during the summer months. Acts such as Blur, Damien Rice, Tame Impala, Kodaline and Patti Smith have played there in the past.
8 LIMESTONES BY ULRICH RUCKRIEM I USED AN iPHONE XR
Created by artist, designer and nightclub pioneer Niall Sweeney, Club Chroma Chlorologia is a newly commissioned series of site-specific works installed in the gardens and grounds of the 17th-century Royal Hospital Kilmainham, which combine to create unlikely interventions that you can encounter, discover and take part in every time you visit the formal garden.
On August 1 and 2 2021, Saturn was at opposition, meaning the Earth will be located between the ringed planet and the sun. This is when the outer planet is at its most luminous, making for a brilliant night sky view.
Sweeney is a graphic designer from Dublin who makes up one half of Pony Ltd. The studio team were, as their website states, “born from the big smoke of Dublin and the seven hills of Sheffield, this studio is a perfect example of pulling fragments from all directions until the last piece completes the jigsaw.” Pony Ltd are well known for their theatrical and minimalist posters for Panti Bliss.
NIALL SWEENEY'S FOUNT OF SATURN 2021ROYAL HOSPITAL KILMAINHAM
Created by artist, designer and nightclub pioneer Niall Sweeney, Club Chroma Chlorologia is a newly commissioned series of site-specific works installed in the gardens and grounds of the 17th-century Royal Hospital Kilmainham, which combine to create unlikely interventions that you can encounter, discover and take part in every time you visit the formal garden.
On August 1 and 2 2021, Saturn was at opposition, meaning the Earth will be located between the ringed planet and the sun. This is when the outer planet is at its most luminous, making for a brilliant night sky view.
Sweeney is a graphic designer from Dublin who makes up one half of Pony Ltd. The studio team were, as their website states, “born from the big smoke of Dublin and the seven hills of Sheffield, this studio is a perfect example of pulling fragments from all directions until the last piece completes the jigsaw.” Pony Ltd are well known for their theatrical and minimalist posters for Panti Bliss.
DREAMSPHERE BY AOIFE DUNNEROYAL HOSPITAL KILMAINHAM
Hypnotically staged in the IMMA Courtyard, DREAMSPHERE – a site-specific installation devised by IMMA artist-in-residence Aoife Dunne – transports spectators to an immersive mindscape. Exploring the notion of consciousness as an exteriorised shared space in which to roam and reside, audiences are encircled by arresting sounds and screens. The ensuing visualisations, unfolding at a frenetic pace, send viewers on a surreal trip through the tumultuous mind; teasing future prospects of consciousness-sharing whilst exploiting technology to stretch the psychological parameters of human experience.
Dunne’s long-standing penchant for melding physical and digital disciplines is made manifest by the onscreen projections. From the material splendour of her costuming to the tactility of obscure found objects, a miscellany of palpable textures is transported to this virtual dimension, stoking visual-haptic sensations within the viewer. Heightening the multi-sensorial feel of Dunne’s dream realm, sonic idiosyncrasies soundtrack the performer’s fevered envisioning; furthering allusions to mental overwhelm and entrapment already sparked by the work’s enclosed structure.
DREAMSPHERE epitomises the multi-hyphenate nature of Dunne’s practice: the installation’s myriad features, unlimited to sculpture, sound, performance and film, were single handedly conceived by the artist, reflecting her tireless dexterity and flair for phantasmagoria.
Digital installation artist Aoife Dunne creates visually-arresting, immersive environments fusing sculpture, video, sound, performance, technology, and costume. Fuelled by a fascination with digital and material culture, Dunne’s idiosyncratic touch is laced with references to the surreal and hyper-real. Exploring an ethos rooted in post-pop and post-internet, Dunne’s work envelops audiences in abstract, detail-driven virtual and physical realms. Her multi dimensional approach to crafting large-scale, experiential work is informed by a diverse creative background steeped in dance, performance, fashion and musical composition. Bulldozing through the boundaries of what conventional exhibitions entail, Dunne reaps continent-crossing acclaim for her inimitable aesthetic and site-specific, colourfully chaotic work.
Aoife Dunne studied Fine Art Media at The National College of Art and Design and received her BFA in 2016. Since graduating, Dunne has held numerous exhibitions internationally, including The Museum of Contemporary Art Denver, The Royal Academy of Arts London, and upcoming solo shows in Puerto Rico, New York, London, Dublin, Paris, and Tokyo.
Artist website: aoifedunne.com Follow Aoife Dunne on Instagram: @efadone
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