PALMERSTOWN VILLAGE
Palmerstown Village, nestled in the suburbs of Dublin, boasts a rich history dating back to the 12th century. Its name originates from a pilgrim, or "palmer", named Ailred, who established the Palmers' Hospital there. This hospital later became known as the Hospital of St. John the Baptist and eventually merged with the Augustinian Order.
Note: Palmerston [different spelling] is a small area located in Rathmines, on the south side of Dublin City. It's primarily known for a park, Palmerston Park, and the surrounding residential streets. It has no historical connection to Palmerstown Village.
Throughout the centuries, Palmerstown has seen its fair share of notable residents and events:
Early History: In 1188, Pope Clement III officially recognised the priory's land grants, which included the parish of Palmerstown. A renowned scholar, Thomas Hibernicus, also resided in Palmerstown in the 13th century.
Post-Dissolution: Following the dissolution of monasteries in 1539, the hospital's property, including a large house, church, mill, and kiln, was granted to Sir John Allen, the Irish Chancellor.
17th Century: Sir Maurice Eustace, a prominent figure in Irish law and politics, became the primary owner of Palmerstown. After his death, the estate passed to Sir John Temple, Solicitor-General for Ireland under Charles II.
18th Century: The prominent Anglo-Irish politician, John Hely-Hutchinson, held ownership of Palmerstown. He also served as Provost of Trinity College Dublin.
Modern Era: Palmerstown experienced significant growth and development in the 20th century, transforming into a bustling suburb of Dublin.
Today, Palmerstown retains its village charm while offering modern amenities. It's a popular residential area with a strong sense of community.
The spelling of "Palmerstown" has been a source of local contention and even led to a plebiscite in the village.
Here's a breakdown of the situation:
The Issue:
Two Spellings: "Palmerstown" with a 'w' is the historical and traditional spelling of the village, reflecting its origin from the pilgrim "palmer." However, "Palmerston" (without the 'w') became common in official usage, particularly on road signs and by some government agencies.
Local Identity: Residents felt that the 'w'-less spelling eroded their village's historical identity and connection to its past. They argued that "Palmerston" was associated with the area in Dublin City and caused confusion.
The Plebiscite:
2009 Vote: An initial attempt to restore the 'w' in 2009 through a vote of the wider area failed due to low turnout.
2014 Village Vote: In 2014, a local councillor organised a plebiscite specifically for Palmerstown Village residents. This time, the vote was overwhelmingly in favour of officially reinstating the 'w'.
Outcome:
Official Recognition: South Dublin County Council acknowledged the results of the plebiscite. While the surrounding area may still sometimes be referred to as "Palmerston," the village itself is officially recognised as "Palmerstown."
Ongoing Changes: Efforts have been made to update signage and official documents to reflect the correct spelling. However, you might still encounter the 'w'-less version from time to time.
Significance:
The "Palmerstown" spelling dispute highlights the importance of local identity and historical preservation for communities. It demonstrates how even seemingly small details like a single letter can carry significant meaning for residents.
Note: Palmerston [different spelling] is a small area located in Rathmines, on the south side of Dublin City. It's primarily known for a park, Palmerston Park, and the surrounding residential streets. It has no historical connection to Palmerstown Village.
Throughout the centuries, Palmerstown has seen its fair share of notable residents and events:
Early History: In 1188, Pope Clement III officially recognised the priory's land grants, which included the parish of Palmerstown. A renowned scholar, Thomas Hibernicus, also resided in Palmerstown in the 13th century.
Post-Dissolution: Following the dissolution of monasteries in 1539, the hospital's property, including a large house, church, mill, and kiln, was granted to Sir John Allen, the Irish Chancellor.
17th Century: Sir Maurice Eustace, a prominent figure in Irish law and politics, became the primary owner of Palmerstown. After his death, the estate passed to Sir John Temple, Solicitor-General for Ireland under Charles II.
18th Century: The prominent Anglo-Irish politician, John Hely-Hutchinson, held ownership of Palmerstown. He also served as Provost of Trinity College Dublin.
Modern Era: Palmerstown experienced significant growth and development in the 20th century, transforming into a bustling suburb of Dublin.
Today, Palmerstown retains its village charm while offering modern amenities. It's a popular residential area with a strong sense of community.
The spelling of "Palmerstown" has been a source of local contention and even led to a plebiscite in the village.
Here's a breakdown of the situation:
The Issue:
Two Spellings: "Palmerstown" with a 'w' is the historical and traditional spelling of the village, reflecting its origin from the pilgrim "palmer." However, "Palmerston" (without the 'w') became common in official usage, particularly on road signs and by some government agencies.
Local Identity: Residents felt that the 'w'-less spelling eroded their village's historical identity and connection to its past. They argued that "Palmerston" was associated with the area in Dublin City and caused confusion.
The Plebiscite:
2009 Vote: An initial attempt to restore the 'w' in 2009 through a vote of the wider area failed due to low turnout.
2014 Village Vote: In 2014, a local councillor organised a plebiscite specifically for Palmerstown Village residents. This time, the vote was overwhelmingly in favour of officially reinstating the 'w'.
Outcome:
Official Recognition: South Dublin County Council acknowledged the results of the plebiscite. While the surrounding area may still sometimes be referred to as "Palmerston," the village itself is officially recognised as "Palmerstown."
Ongoing Changes: Efforts have been made to update signage and official documents to reflect the correct spelling. However, you might still encounter the 'w'-less version from time to time.
Significance:
The "Palmerstown" spelling dispute highlights the importance of local identity and historical preservation for communities. It demonstrates how even seemingly small details like a single letter can carry significant meaning for residents.
MILL LANE PALMERSTOWN
EXPLORING THE MILL LANE IN PALMERSTOWN [DESPITE THE CHALLENGE OF RESTRICTED ACCESS]
I would describe Mill Land as a complex consisting of a number of branches some with limited public access.
Despite its rich industrial, ecclesiastical, and architectural heritage spanning centuries, much of Old Palmerstown's historical significance remains hidden from public view. Many sites of interest in the area are located on private property, presenting a challenge for those wishing to explore, especially if one has a large professional camera.
During my recent visit on 22nd October 2024, I was able to access the old church ruins and graveyard, but further exploration towards the old bridge proved impossible. This bridge, constructed in 1881 by Edward Cecil Guinness (Lord Iveagh), was built to transport water from the Liffey (via a nearby pumping station) to the striking water tower on his Farmleigh Estate. I remain hopeful that future visits will allow me to access to this fascinating structure.
My journey began at the imposing gates of Stewart's Hospital, situated on the Old Lucan Road (formerly part of the Galway Road). While public access through these gates is restricted, "Buck House", a gate lodge dating back to 1850, can be glimpsed from the road.
At the junction of Mill Lane and the Old Lucan Road stands "the Coach House". While its name suggests its original purpose, it now serves as part of Stewart's Hospital, offering sheltered employment for individuals with learning disabilities. Nearby, a weathered milestone, likely over two centuries old, stands as a silent testament to the area's history, its inscription sadly eroded by time [I forgot to photograph it as I was distracted by someone asking me about my camera ... it was a worthwhile conversation].
Continuing down Mill Lane, I encountered another entrance to Stewart's Hospital, again barring public access. This unfortunately restricted my exploration of at least one branch of the lane.
Past Palmerstown FC, the road takes a sharp left turn. Just before this bend lies a terrace of cottages built in 1885, remnants of the original Palmerstown Village. The end house is believed to have been the village tavern. A narrow path, May And Shanks Way, at its gable end leads to a gap (often obstructed) which provides access to a "disputed" right of way. This path, once the route to the ferry service connecting old Palmerstown Village to the Strawberry Beds, holds historical significance. It passes the ruins of Stacgory Church and its ancient cemetery, with origins tracing back to the Norman invasion. The original Norman church was replaced by another (possibly in 1220), with the current ruins dating from around 1670.
Although I didn't explore the Liffey Valley on this occasion, it offers captivating views, including the elegant white latticework bridge spanning the river. This bridge, commissioned by Lord Iveagh in 1881, played a crucial role in supplying water to his Farmleigh Estate.
Additional Information about Mill Lane and Stewart's Hospital:
A self-appointed local historian told me with great confidence the hospital was founded in 1867 by Martha Stewart. But, to be fair, much of the information provided was usefully if not a hundred percent accurate.
Mill Lane: This historic lane takes its name from the watermills that once thrived along the Liffey in Palmerstown. These mills played a vital role in the local economy, processing everything from grain to textiles. Evidence of this industrial past can still be found in the remnants of mill buildings and associated structures.
Stewart's Hospital: Founded in 1867 by Dr. Henry Hutchinson Stewart, a prominent Dublin physician and philanthropist, this institution initially catered to orphaned and destitute girls. It later evolved into a school and residential care facility for children with intellectual disabilities. The hospital grounds encompass a significant portion of Mill Lane, including several of its branches, contributing to the access restrictions in the area. The hospital continues to provide vital services and support to this day.
I would describe Mill Land as a complex consisting of a number of branches some with limited public access.
Despite its rich industrial, ecclesiastical, and architectural heritage spanning centuries, much of Old Palmerstown's historical significance remains hidden from public view. Many sites of interest in the area are located on private property, presenting a challenge for those wishing to explore, especially if one has a large professional camera.
During my recent visit on 22nd October 2024, I was able to access the old church ruins and graveyard, but further exploration towards the old bridge proved impossible. This bridge, constructed in 1881 by Edward Cecil Guinness (Lord Iveagh), was built to transport water from the Liffey (via a nearby pumping station) to the striking water tower on his Farmleigh Estate. I remain hopeful that future visits will allow me to access to this fascinating structure.
My journey began at the imposing gates of Stewart's Hospital, situated on the Old Lucan Road (formerly part of the Galway Road). While public access through these gates is restricted, "Buck House", a gate lodge dating back to 1850, can be glimpsed from the road.
At the junction of Mill Lane and the Old Lucan Road stands "the Coach House". While its name suggests its original purpose, it now serves as part of Stewart's Hospital, offering sheltered employment for individuals with learning disabilities. Nearby, a weathered milestone, likely over two centuries old, stands as a silent testament to the area's history, its inscription sadly eroded by time [I forgot to photograph it as I was distracted by someone asking me about my camera ... it was a worthwhile conversation].
Continuing down Mill Lane, I encountered another entrance to Stewart's Hospital, again barring public access. This unfortunately restricted my exploration of at least one branch of the lane.
Past Palmerstown FC, the road takes a sharp left turn. Just before this bend lies a terrace of cottages built in 1885, remnants of the original Palmerstown Village. The end house is believed to have been the village tavern. A narrow path, May And Shanks Way, at its gable end leads to a gap (often obstructed) which provides access to a "disputed" right of way. This path, once the route to the ferry service connecting old Palmerstown Village to the Strawberry Beds, holds historical significance. It passes the ruins of Stacgory Church and its ancient cemetery, with origins tracing back to the Norman invasion. The original Norman church was replaced by another (possibly in 1220), with the current ruins dating from around 1670.
Although I didn't explore the Liffey Valley on this occasion, it offers captivating views, including the elegant white latticework bridge spanning the river. This bridge, commissioned by Lord Iveagh in 1881, played a crucial role in supplying water to his Farmleigh Estate.
Additional Information about Mill Lane and Stewart's Hospital:
A self-appointed local historian told me with great confidence the hospital was founded in 1867 by Martha Stewart. But, to be fair, much of the information provided was usefully if not a hundred percent accurate.
Mill Lane: This historic lane takes its name from the watermills that once thrived along the Liffey in Palmerstown. These mills played a vital role in the local economy, processing everything from grain to textiles. Evidence of this industrial past can still be found in the remnants of mill buildings and associated structures.
Stewart's Hospital: Founded in 1867 by Dr. Henry Hutchinson Stewart, a prominent Dublin physician and philanthropist, this institution initially catered to orphaned and destitute girls. It later evolved into a school and residential care facility for children with intellectual disabilities. The hospital grounds encompass a significant portion of Mill Lane, including several of its branches, contributing to the access restrictions in the area. The hospital continues to provide vital services and support to this day.
AIB COMPLEX CORNELSCOURT
AIB BUSINESS BANKING CENTRE [CORNELSCOURT VILLAGE DUBLIN]
Cornelscourt is home to a major AIB complex.
The AIB complex in Cornelscourt is a striking landmark in south Dublin, easily recognisable by its modern, angular design. Located prominently on the N11, it's a significant presence in the area, serving a dual purpose:
1. A Hub for Business: This is primarily a Business Banking Centre, catering to the needs of AIB's corporate and business clients. It likely houses dedicated teams of relationship managers, financial advisors, and other specialists who provide tailored services and support to these customers. This focus on business banking makes it a key location for AIB and highlights the importance of this customer segment.
2. A Modern Workplace: The building itself is a testament to modern architecture and workplace design. Replacing an older, outdated structure, it boasts a spacious, light-filled interior and a distinctive exterior with a "twisted arrangement of floor plates." This unique design, by Kavanagh Tuite Architects, aimed to create a high-quality building with strong environmental performance, reflecting AIB's commitment to sustainability and providing a modern, efficient working environment for its employees.
Why it's of interest:
Architectural Significance: Its unique design makes it a standout building in the area and an interesting example of contemporary Irish architecture.
Economic Importance: As a Business Banking Centre, it plays a vital role in supporting businesses in the region and contributes to the economic activity of south Dublin.
Historical Context: The site has an interesting history, having previously housed Ireland's first experimental drive-through bank in 1990. The current building represents a significant evolution of the site and its function.
While not a primary data centre as claimed by some, the AIB complex in Cornelscourt remains an important facility for the bank and a notable landmark in the area. Its focus on business banking and its modern design make it a point of interest for those interested in architecture, business, and the development of the Cornelscourt area.
Cornelscourt is home to a major AIB complex.
The AIB complex in Cornelscourt is a striking landmark in south Dublin, easily recognisable by its modern, angular design. Located prominently on the N11, it's a significant presence in the area, serving a dual purpose:
1. A Hub for Business: This is primarily a Business Banking Centre, catering to the needs of AIB's corporate and business clients. It likely houses dedicated teams of relationship managers, financial advisors, and other specialists who provide tailored services and support to these customers. This focus on business banking makes it a key location for AIB and highlights the importance of this customer segment.
2. A Modern Workplace: The building itself is a testament to modern architecture and workplace design. Replacing an older, outdated structure, it boasts a spacious, light-filled interior and a distinctive exterior with a "twisted arrangement of floor plates." This unique design, by Kavanagh Tuite Architects, aimed to create a high-quality building with strong environmental performance, reflecting AIB's commitment to sustainability and providing a modern, efficient working environment for its employees.
Why it's of interest:
Architectural Significance: Its unique design makes it a standout building in the area and an interesting example of contemporary Irish architecture.
Economic Importance: As a Business Banking Centre, it plays a vital role in supporting businesses in the region and contributes to the economic activity of south Dublin.
Historical Context: The site has an interesting history, having previously housed Ireland's first experimental drive-through bank in 1990. The current building represents a significant evolution of the site and its function.
While not a primary data centre as claimed by some, the AIB complex in Cornelscourt remains an important facility for the bank and a notable landmark in the area. Its focus on business banking and its modern design make it a point of interest for those interested in architecture, business, and the development of the Cornelscourt area.
MONKSTOWN VILLAGE
Recently Monkstown Village was upgraded as described:
An improvement scheme has been completed for Monkstown Village which aims to improve road safety, traffic management and the public realm.
The min objectives of the scheme include:
Raised signalised and uncontrolled crossing points
A raised area in the centre of the village
Two way section in front of the church
One way (and left only) in front of Goggins
One way on Clifton Avenue (towards the sea)
Build outs to slow vehicle turning movements
Narrowing of the carriageway through the village
Additional parking on Clifton Avenue
Upgraded surfaces
Landscaping
Public Reaction and Success of the Monkstown Village Improvement Scheme
The Monkstown Village Improvement Scheme has generally been met with positive public reaction and is considered a success in achieving its objectives.
Improved pedestrian safety: The raised crossings and narrowed carriageways have made the village considerably safer for pedestrians, which has been widely praised.
Enhanced village atmosphere: The landscaping and upgraded surfaces have created a more pleasant environment, encouraging people to spend more time in the village.
Traffic calming success: The build-outs and one-way systems have successfully reduced vehicle speeds and improved traffic flow.
Increased footfall: Businesses have reported increased footfall, suggesting the scheme has boosted the local economy.
Some initial concerns: There were some initial concerns about the changes to traffic flow and parking, but these seem to have largely subsided.
Overall, the Monkstown Village Improvement Scheme is a good example of how thoughtful urban design can enhance both the safety and attractiveness of a village centre.
An improvement scheme has been completed for Monkstown Village which aims to improve road safety, traffic management and the public realm.
The min objectives of the scheme include:
Raised signalised and uncontrolled crossing points
A raised area in the centre of the village
Two way section in front of the church
One way (and left only) in front of Goggins
One way on Clifton Avenue (towards the sea)
Build outs to slow vehicle turning movements
Narrowing of the carriageway through the village
Additional parking on Clifton Avenue
Upgraded surfaces
Landscaping
Public Reaction and Success of the Monkstown Village Improvement Scheme
The Monkstown Village Improvement Scheme has generally been met with positive public reaction and is considered a success in achieving its objectives.
Improved pedestrian safety: The raised crossings and narrowed carriageways have made the village considerably safer for pedestrians, which has been widely praised.
Enhanced village atmosphere: The landscaping and upgraded surfaces have created a more pleasant environment, encouraging people to spend more time in the village.
Traffic calming success: The build-outs and one-way systems have successfully reduced vehicle speeds and improved traffic flow.
Increased footfall: Businesses have reported increased footfall, suggesting the scheme has boosted the local economy.
Some initial concerns: There were some initial concerns about the changes to traffic flow and parking, but these seem to have largely subsided.
Overall, the Monkstown Village Improvement Scheme is a good example of how thoughtful urban design can enhance both the safety and attractiveness of a village centre.
QUAKER MEETING HOUSE
The Knox Memorial Hall in Monkstown, Dublin, is a parochial hall serving the nearby parish church. It was commissioned by Mrs. Chaloner Knox in memory of her husband, Captain Edward Chaloner Knox, and her nephew, Lieutenant Colonel Eustace Chaloner Knox.
The hall was built in the early 1900s and designed by architect R.C. Millar of Millar & Symes. It features a distinctive Ruabon brick facade on the street side, a half-timbered gable above a bow window showcasing the Knox family coat of arms, and pebble-dashed side walls with red-painted timber windows.
While the hall was originally intended to be a home for soldiers, Mrs. Knox changed her plans after learning of her nephew's philanthropic efforts in Canterbury. The hall now stands as a testament to the Knox family and serves the community of Monkstown.
Currently, the Knox Memorial Hall isn't the primary Parish Center; that's a separate building opened in 1995. However, the hall still likely plays a role in the community and may be used for various events or gatherings.
The hall was built in the early 1900s and designed by architect R.C. Millar of Millar & Symes. It features a distinctive Ruabon brick facade on the street side, a half-timbered gable above a bow window showcasing the Knox family coat of arms, and pebble-dashed side walls with red-painted timber windows.
While the hall was originally intended to be a home for soldiers, Mrs. Knox changed her plans after learning of her nephew's philanthropic efforts in Canterbury. The hall now stands as a testament to the Knox family and serves the community of Monkstown.
Currently, the Knox Memorial Hall isn't the primary Parish Center; that's a separate building opened in 1995. However, the hall still likely plays a role in the community and may be used for various events or gatherings.
KNOX HALL 1902
The Knox Memorial Hall in Monkstown, Dublin, is a parochial hall serving the nearby parish church. It was commissioned by Mrs. Chaloner Knox in memory of her husband, Captain Edward Chaloner Knox, and her nephew, Lieutenant Colonel Eustace Chaloner Knox.
The hall was built in the early 1900s and designed by architect R.C. Millar of Millar & Symes. It features a distinctive Ruabon brick facade on the street side, a half-timbered gable above a bow window showcasing the Knox family coat of arms, and pebble-dashed side walls with red-painted timber windows.
While the hall was originally intended to be a home for soldiers, Mrs. Knox changed her plans after learning of her nephew's philanthropic efforts in Canterbury. The hall now stands as a testament to the Knox family and serves the community of Monkstown.
Currently, the Knox Memorial Hall isn't the primary Parish Center; that's a separate building opened in 1995. However, the hall still likely plays a role in the community and may be used for various events or gatherings.
The hall was built in the early 1900s and designed by architect R.C. Millar of Millar & Symes. It features a distinctive Ruabon brick facade on the street side, a half-timbered gable above a bow window showcasing the Knox family coat of arms, and pebble-dashed side walls with red-painted timber windows.
While the hall was originally intended to be a home for soldiers, Mrs. Knox changed her plans after learning of her nephew's philanthropic efforts in Canterbury. The hall now stands as a testament to the Knox family and serves the community of Monkstown.
Currently, the Knox Memorial Hall isn't the primary Parish Center; that's a separate building opened in 1995. However, the hall still likely plays a role in the community and may be used for various events or gatherings.
TWO CHURCHES
Detailed Look
St. Mary's Church [Catholic]
Designed by renowned architect John Semple, St. Mary's is a beautiful example of Gothic Revival architecture. Its tall spire is a landmark in Monkstown.
The church boasts stunning stained glass windows, a historic pipe organ, and a bell tower with six bells.
Today, St. Mary's is an active parish church with regular services, community events, and concerts. It also plays a role in local education, with strong links to the nearby Monkstown Educate Together National School.
Monkstown Parish Church [Church Of Ireland]
Designed by John Hungerford Pollen, this church also showcases the Gothic Revival style, though with a slightly later construction date than St. Mary's
Inside, you'll find a beautiful high altar, intricate stained glass windows, and the traditional Stations of the Cross.
Monkstown Parish Church is a vibrant community hub, offering regular masses, various groups and activities for all ages, and community events
In Summary
Both churches in Monkstown are fine examples of Gothic Revival architecture, each with its unique charm and history. They remain active centres of their respective communities, offering spiritual guidance, community engagement, and opportunities for cultural enrichment.
Additional Notes
While both churches are active today, it is worth noting that overall church attendance in Ireland has been declining in recent decades. Despite this trend, these churches continue to play vital roles in the Monkstown community, adapting to the changing times while upholding their traditions
St. Mary's Church [Catholic]
Designed by renowned architect John Semple, St. Mary's is a beautiful example of Gothic Revival architecture. Its tall spire is a landmark in Monkstown.
The church boasts stunning stained glass windows, a historic pipe organ, and a bell tower with six bells.
Today, St. Mary's is an active parish church with regular services, community events, and concerts. It also plays a role in local education, with strong links to the nearby Monkstown Educate Together National School.
Monkstown Parish Church [Church Of Ireland]
Designed by John Hungerford Pollen, this church also showcases the Gothic Revival style, though with a slightly later construction date than St. Mary's
Inside, you'll find a beautiful high altar, intricate stained glass windows, and the traditional Stations of the Cross.
Monkstown Parish Church is a vibrant community hub, offering regular masses, various groups and activities for all ages, and community events
In Summary
Both churches in Monkstown are fine examples of Gothic Revival architecture, each with its unique charm and history. They remain active centres of their respective communities, offering spiritual guidance, community engagement, and opportunities for cultural enrichment.
Additional Notes
While both churches are active today, it is worth noting that overall church attendance in Ireland has been declining in recent decades. Despite this trend, these churches continue to play vital roles in the Monkstown community, adapting to the changing times while upholding their traditions
CLIFTON AVENUE
Clifton Avenue is a residential street situated in the picturesque coastal suburb of Monkstown, County Dublin, Ireland. Located just a stone's throw away from the scenic Monkstown Village and the DART station, it offers residents convenient access to a variety of amenities, including shops, restaurants, cafes, and pubs.
The avenue itself is characterised by its charming blend of architectural styles, primarily featuring elegant period homes interspersed with some modern developments. This mix lends a unique visual appeal to the street, reflecting the area's historical richness while embracing contemporary living.
Residents of Clifton Avenue enjoy the benefits of a serene and well-established neighbourhood, coupled with the proximity to the vibrant heart of Monkstown Village. The nearby coastline provides opportunities for leisurely strolls, while the efficient public transportation links facilitate easy access to Dublin city centre.
The avenue itself is characterised by its charming blend of architectural styles, primarily featuring elegant period homes interspersed with some modern developments. This mix lends a unique visual appeal to the street, reflecting the area's historical richness while embracing contemporary living.
Residents of Clifton Avenue enjoy the benefits of a serene and well-established neighbourhood, coupled with the proximity to the vibrant heart of Monkstown Village. The nearby coastline provides opportunities for leisurely strolls, while the efficient public transportation links facilitate easy access to Dublin city centre.
SOUTH RICHMOND STREET
I visited South Richmond Street yesterday as I had discovered that a new Indian restaurant "Desi Crew" was to open 24 September which is good news as many restaurants on East side of the street have been forced to close or relocate due to massive redevelopment in the immediate as well as the general area. I photographed the new restaurant and hope to have lunch there on Tuesday all going well.
South Richmond Street: Transformation Amidst Ongoing Redevelopment
As of September 21st, 2024, South Richmond Street in Dublin continues its metamorphosis. While many derelict buildings have disappeared, replaced by completed or near-complete construction projects, the overall area remains in a state of flux.
One major development, the €40m boutique hotel at Portobello Harbour, is now operational as the NYX Hotel. This 6-storey structure boasts 175 bedrooms, along with amenities such as a bar, restaurant, gym, meeting rooms, and a business library.
Plans for a €2.6 million redesign of Portobello Plaza, aimed at addressing anti-social behaviour that arose during the Covid-19 pandemic, have been announced by Dublin City Council. The project envisions pedestrianising Richmond Row from the Rathmines Road canal bridge to Portobello Harbour, passing in front of the Lower Deck pub. However, the project has faced criticism for its perceived lack of greenery and abundance of concrete. It also appears to be entangled in a dispute with the newly opened NYX Hotel, potentially delaying construction for up to 18 months.
The broader landscape of South Richmond Street has seen significant change in recent years. Several restaurants and shops have closed, including the Bernard Shaw, whose departure elicited mixed reactions from local residents. The once vibrant hub of street art, Richmond Villas (now Richmond Street South), is currently dominated by the sprawling construction site for Charlemont Square, Amazon's future Dublin headquarters. It's anticipated that the laneway, along with the Bernard Shaw and nearby buildings, will be demolished to make way for this development.
Amazon, already employing over 2,500 people in Ireland, plans to add another 1,000 jobs over the next two years, with many positions based in Dublin, including the Portobello area. The Charlemont Square project, though potentially delayed due to the pandemic, is a mixed-use development comprising 79 social housing units, 184 private residential units, commercial office space, and retail units.
Historical Context
An 1837 Ordnance Survey map reveals only one building on the western side of Richmond Street (excluding the Portobello Hotel), corresponding to the former Caroline Records shop at number 34. The nearby Portobello Hotel, designed by James Colbourne, opened in 1807. In 1858, it became St. Mary's Asylum for blind girls, run by Catholic nuns. Despite initial controversy over funding and religious differences, the asylum thrived until its sale in 1868 to Mr. Isaac Cole, who restored it to its original hotel function.
The hotel, popular with officers from the nearby Portobello Barracks, also boasted proximity to the Royal Dublin Society grounds. However, its catering facilities lagged behind. In 1871, a local businessman publicly urged Mr. Cole to provide affordable dining options, highlighting the area's lack of restaurants at the time.
DESI CREW
If you are interested in a different style of Indian Dining then the opening of Desi Crew as 27 South Richmond Street should be interest. I am planning to have lunch there next Tuesday and will update you soon after.
South Richmond Street is a popular destination for restaurants, with a variety of cuisines to choose from. Camden Street is also a great place to find restaurants, with many options for casual dining.
KENSINGTON LODGE
Kensington Lodge, located on Grove Park in Rathmines, Dublin, is quite a notable building. Here are some interesting points about it:
Architectural Significance: Built in 1882, it's a beautiful example of Queen Anne-style architecture, designed by William Isaac Chambers for himself. It's particularly recognised for its early use of terracotta mouldings in Dublin, a detail that was highlighted in press coverage at the time.
Historical Context: It was built on the Grove Park estate, which was being developed at the time into building sites. Its construction showcases a period of architectural innovation and experimentation in Dublin.
Present Day: It remains a striking landmark on Grove Park, admired by locals and passersby.
While it's a private residence, its exterior is a testament to Dublin’s rich architectural heritage. If you're ever in Rathmines, it's worth taking a detour down Grove Park to appreciate Kensington Lodge's unique charm and historical significance.
MERCANTILE HOTEL
The Mercantile Hotel on Dame Street, while currently undergoing a significant redevelopment and refurbishment, is owned and will be operated by the Mercantile Group. This project involves the amalgamation of the existing Mercantile Hotel with the adjacent Dame House, expanding its capacity and offerings.
Prior to this redevelopment, the site consisted of the original Mercantile Hotel and the Dame House, which was an office building. The project aims to create a larger, more modern hotel with additional rooms, dining, and bar facilities.
The proliferation of hotel construction in Dublin's city centre, particularly in areas like Dublin 1, 2, and 7, can be attributed to several factors:
Tourism boom: Dublin has experienced a significant increase in tourist arrivals in recent years. This has created a high demand for accommodation, driving hotel development.
Economic growth: Ireland's strong economic performance has led to an increase in business travel, further fuelling the need for hotel rooms.
Limited supply: The existing hotel stock in the city centre was struggling to meet the growing demand, creating opportunities for new developments.
Attractive investment: The hotel sector is viewed as a lucrative investment opportunity, attracting both domestic and international investors.
Rick's Burgers was indeed a late-night spot located at the corner of Dame Street and George's Street. While it wasn't technically part of Dame House, it occupied a space within the same building complex. The redevelopment plans for the Mercantile Hotel involved incorporating the Dame House building, which unfortunately meant the closure of Rick's Burgers in late 2020.
KODAK BUILDING
The Kodak Building, an iconic landmark in Rathmines, Dublin, stands as a testament to the Art Deco architectural style. Constructed in 1932, it was designed by the renowned Irish architectural firm, Donnelly, Moore, and Keatinge.
Initially, the building served as both a factory and warehouse for Kodak Ireland, reflecting the company's prominence in the photography industry at the time. Its striking design, featuring a distinctive tower and horizontal steel windows embedded in concrete walls, aimed to present a modern and sophisticated image for the company.
Kodak's operations in the building ceased in the late 20th century, marking a shift in the company's global strategy and the evolving landscape of the photography industry. Following its closure as a Kodak facility, the building underwent a comprehensive refurbishment in 1998, led by Paul Keogh Architects. This transformation repurposed the space into modern office accommodation, breathing new life into the historic structure.
Today, the Kodak Building remains a sought-after commercial address, housing various businesses, including an advertising agency. Its ownership has likely changed hands over the years, but specific details about the current owner are not be publicly available.
ST MATTHEWS CHURCH
St. Matthew's Church, Irishtown: A Historic Dublin Landmark
St. Matthew's Church, nestled in the heart of Irishtown, Dublin, is a testament to the enduring spirit of community and faith. This historic church, with its distinctive architecture and rich history, has played a vital role in the lives of generations of parishioners.
Architectural Significance
The present St. Matthew's Church was constructed between 1704 and 1706, replacing an earlier chapel. The design, attributed to Sir Christopher Wren or his school, reflects a classic early 18th-century style. Its simple yet elegant form, with its distinctive bell tower, creates a landmark presence in the Irishtown landscape.
Inside, the church retains much of its original character. The spacious interior, with its high ceilings and arched windows, provides a sense of serenity and contemplation. Notable features include the beautifully crafted stained-glass windows and the historic organ, which continues to fill the church with music during services.
Historical Context
St. Matthew's Church was founded to serve the growing population of Ringsend, then a busy port area. The church's early years were intertwined with the maritime activities of the district, with sailors, fishermen, and merchants among its regular congregation.
Over the centuries, the church has witnessed significant events in Irish history. It is believed that both Robert Emmet and Wolfe Tone, key figures in the Irish Rebellion of 1798, worshipped here.
In recent years, St. Matthew's Church has undergone extensive renovations to preserve its heritage for future generations. The restoration project included repairs to the roof, stonework, and stained-glass windows, ensuring the church's continued presence as a spiritual and cultural hub in the community.
Community and Worship
St. Matthew's Church remains an active and vibrant parish within the Church of Ireland. Regular services, including Holy Communion and Morning Prayer, are held throughout the week, welcoming both parishioners and visitors.
The church also serves as a focal point for community activities, hosting various events and initiatives throughout the year. From music concerts to charity fundraisers, St. Matthew's Church continues to foster a sense of belonging and connection among its members.
hibits, and interactive displays. The museum is currently owned and operated by the Irish government.
LEXICON LIBRARY
The development of the LexIcon Library and Cultural Centre in Dun Laoghaire was a significant project that transformed the area into a vibrant cultural hub. The concept behind the LexIcon was to create a multi-functional space that would cater to the diverse needs of the community. The centre houses a state-of-the-art library, performance spaces, exhibition galleries, and a café, making it a destination for learning, entertainment, and social interaction.
Moran Park, which is adjacent to the LexIcon, underwent a major redevelopment as part of the project. Previously, the park was a green space featuring a pond and a bowling green. However, over time, the park had become a magnet for anti-social behaviour, including drug dealing. The redevelopment aimed to revitalise the park and create a safe and welcoming environment for the community. The pond, which was originally a store of water for steam trains, was removed, and the park was redesigned with new landscaping, seating areas, and improved lighting.
The Christ the King sculpture, which stands prominently in the park, has a long history in Dun Laoghaire. The sculpture was originally located on the grounds of the Royal Marine Hotel. However, it was relocated to its current position in Moran Park during the redevelopment. The sculpture, which depicts Jesus Christ with outstretched arms, is a landmark in the area and a symbol of hope and peace.
The National Maritime Museum of Ireland, which is also located in the vicinity of the LexIcon, is housed in the historic Mariners' Church. The museum tells the story of Ireland's rich maritime heritage through a collection of artefacts, exhibits, and interactive displays. The museum is currently owned and operated by the Irish government.
MARIANA DUARTE SANTOS
There is a mural on York Road in Dún Laoghaire by Mariana Duarte Santos. This mural was created as part of the Dún Laoghaire Anseo project, which aims to enhance the town's public spaces with art.
While I don't have specific details about the imagery or themes depicted in the mural, I can tell you a bit about Mariana Duarte Santos' artistic style. She often draws inspiration from old photographs and films, creating a sense of nostalgia and reanimating forgotten images. Her work often connects the history of a place with the present through the medium of street art.
IRISHTOWN GOSPEL HALL
The inscription is a bit misleading as it was originally a school which was established in 1904.
Irishtown Gospel Hall: From Schoolhouse to Spiritual Centre
The Irishtown Gospel Hall, standing on Irishtown Road, is a testament to adaptive reuse and community spirit. The building wasn't originally designed as a place of worship; it began life in 1904 as St. Matthew's National Schools. This is reflected in its solid granite construction and distinctive red brick dressings, typical of school buildings of that era.
Design and Construction
The architect behind the original schoolhouse was J.F. Fuller, a name associated with several educational and ecclesiastical buildings in Dublin. The construction was likely funded by a combination of public funds and contributions from local philanthropists, as was common for National Schools at the time.
Transformation into a Gospel Hall
At some point in the 20th century, the building ceased functioning as a school and was repurposed as a Gospel Hall. This likely reflects shifting demographics and educational needs in the Irishtown area. The congregation that occupied the hall for many years, the Abundant Grace Christian Assembly, had previously been based in the more elaborate Merrion Hall in the city centre.
Present Day Ownership
While records on the precise ownership of the building are not readily available, it is likely held by a religious trust or organisation associated with the Abundant Grace Christian Assembly. However, in recent years, the building has also been us
BRIGHTON VALE
Brighton Vale: A Coastal Gem in Monkstown
Brighton Vale, a charming residential area nestled along the scenic coastline in Monkstown, County Dublin, offers breathtaking vistas of Dublin Bay. Its tranquil atmosphere, elegant Victorian and Edwardian houses, and proximity to the sea create an idyllic setting. The area is known for its exclusivity and high property values, with some homes commanding substantial prices. For instance, Number 9 Brighton Vale sold for €1.9 million at the end of March 2017, showcasing the desirability of this sought-after location.
The Martello Tower at Seapoint: A Common Misconception
Standing sentinel over Brighton Vale is the Martello Tower, also known as the Seapoint Martello Tower or Martello Tower Number 14. This imposing circular fortification, built in the early 19th century, was part of a network of defensive structures erected along the Irish coast to thwart a potential Napoleonic invasion.
While the Seapoint Martello Tower holds its own unique historical significance, it is often mistakenly associated with the renowned Irish author James Joyce. This misconception likely arises from its proximity to Sandycove, where the actual James Joyce Tower and Museum resides.
Despite not being Joyce's dwelling, the Seapoint Martello Tower remains an important landmark. Its thick walls, cannon placements, and strategic location once offered a formidable defense against enemy ships. Today, the tower serves as a reminder of Ireland's past and its role in European history, attracting visitors who are drawn to its historical allure and picturesque setting.
The Allure of Brighton Vale
The combination of Brighton Vale's serene ambiance, historical charm, and the presence of the Martello Tower, even with its common misattribution, creates a unique and appealing destination. The area's exclusivity and high property values further contribute to its desirability, attracting those seeking a prestigious coastal lifestyle. Whether strolling along the promenade, enjoying the views from the nearby cliffs, or simply basking in the tranquility of this coastal haven, Brighton Vale offers a captivating experience steeped in history and natural beauty.
SEAPOINT AVENUE
Seapoint Avenue: A Transformation from Rat Run to Pedestrian and Cyclist Haven
Seapoint Avenue, a scenic coastal road in Dún Laoghaire, has undergone a remarkable transformation in recent years. Once notorious as a "rat run" for motorists seeking a quick route along the coast, it has now been reconfigured into a bicycle and pedestrian-friendly haven.
This transformation, however, was not without its challenges. The initial proposal to reconfigure the avenue met with significant resistance from some residents and motorists who feared increased traffic congestion and longer travel times. Concerns were raised about the impact on businesses and the potential inconvenience for those reliant on cars.
Despite these objections, the project moved forward, driven by a vision to prioritise sustainable modes of transport and enhance the quality of life for residents and visitors alike. The reconfiguration involved widening footpaths, creating dedicated cycle lanes, implementing traffic calming measures, and improving pedestrian crossings.
The results have been overwhelmingly positive. Seapoint Avenue now boasts a vibrant atmosphere, where people can stroll, cycle, and enjoy the stunning coastal views without the constant threat of traffic. The wider footpaths and cycle lanes provide ample space for everyone, while traffic calming measures have significantly reduced vehicle speeds, creating a safer environment for all road users.
The success of Seapoint Avenue's transformation serves as a powerful example of how urban spaces can be reimagined to prioritise people over cars. While initial resistance is often inevitable, the long-term benefits of creating more sustainable and liveable environments far outweigh any short-term inconveniences.
By prioritising active travel and creating safe and inviting spaces for pedestrians and cyclists, cities like Dún Laoghaire can enhance the quality of life for their residents, promote sustainable transport options, and contribute to a healthier and more vibrant community.
MONKSTOWN CASTLE
MONKSTOWN CASTLE [I HAD NOT PLANNED TO VISIT MONKSTOWN TODAY]
I had planned to visit Greystones today but when I arrived at Pearse Station I discovered that because of planned track maintenance trains terminated at Dun Laoghire so I decided to explore the area between Blackrock and Dun Laoghaire but especially Monkstown.
Monkstown Castle: A Testament to Time
Nestled in the picturesque coastal village of Monkstown, County Dublin, Monkstown Castle stands as a remarkable testament to Ireland's rich and storied past. This 13th-century fortified structure, though relatively small in stature, holds a wealth of historical significance and architectural intrigue.
A Glimpse into History
Constructed around 1200, Monkstown Castle is believed to have been built by the monks of St. Mary's Abbey in Dublin. Its primary purpose was to serve as a fortified residence and granary, protecting the monks' valuable stores from potential raiders. The castle's strategic location, overlooking the Irish Sea, also offered a vantage point for monitoring maritime activity and defending against coastal incursions.
Architectural Features
Monkstown Castle boasts a distinctive architectural style, characterised by its robust stone walls, crenellated battlements, and narrow arrow slits. The castle's interior, although relatively modest in size, originally featured a series of interconnected chambers.
While the castle has undergone several renovations and restorations over the centuries, it retains much of its original medieval character. In the 17th century, a two-storey extension was added to the castle's eastern side, providing additional living space and enhancing its defensive capabilities.
Present Day
Today, Monkstown Castle remains a cherished landmark in the local community, serving as a reminder of the area's historical roots. The site of the castle is open to the public and is an open ruin. Visitors can freely explore the exterior grounds and appreciate the castle's architectural features, while imagining its past life as a bustling medieval stronghold. Although the castle's interior is not accessible, its imposing presence and picturesque surroundings continue to captivate visitors and history enthusiasts alike.
The castle's enduring legacy is a testament to its remarkable resilience and historical importance. It stands as a proud symbol of Monkstown's rich heritage, inviting us to delve into the fascinating tapestry of Ireland's past.
PAWS THE CAT
My first proper job, as an electronics engineer, was with M.J. Flood on Pearse Street and I really liked the The Dublin Yeast Company: A Legacy Faded, A Building Awaiting Revival
Established in 1890 on College Street, the Dublin Yeast Company was more than just a supplier of yeast and bakery products; it was a cherished landmark in Dublin's commercial and culinary history. The quaint Victorian storefront, complete with a beloved resident cat affectionately known as "Paws," offered a warm and familiar welcome to passersby.
For decades, the company thrived, serving as Ireland's main purveyor of yeast and bakery supplies. However, the latter half of the 20th century saw a decline in demand for fresh yeast, and with the rise of mass-produced bread and supermarkets, the traditional bakery supplies offered by the Dublin Yeast Company became less sought-after.
The shop persevered for many years, sustained by loyal customers and the dedication of its owner, John Moreland. Sadly, with Mr. Moreland's passing in 2018, the shop closed its doors, leaving a void felt deeply by many Dubliners. The absence of both the shop and its iconic cat evoked a sense of loss and nostalgia.
Since then, the building has remained vacant and fallen into disrepair. Complexities around ownership, planning regulations, and preservation concerns contributed to this prolonged period of dereliction. However, recent developments offer a glimmer of hope. Planning permission has been granted for its conversion into a café/bar and reception area with three apartments, while preserving the cherished Victorian shopfront.
While the Dublin Yeast Company's physical presence may have faded, its legacy endures. The building's impending revitalisation signals a new chapter, balancing modernisation with the preservation of its rich history. The Dublin Yeast Company may be gone, but its memory, intertwined with the charm of "Paws" and the aroma of freshly baked goods, will forever be etched in the hearts of those who cherished this Dublin institution.
PEARSE STREET
My first proper job, as an electronics engineer, was with M.J. Flood on Pearse Street and I really liked the location but because of traffic and parking issues the company had to relocate away from the city centre and as I hated the new location I decided to resign my position even though I really liked my job and the company and the staff.
Pearse Street: A Historic Dublin Thoroughfare
Pearse Street, stretching from College Street in the west to MacMahon Bridge in the east, holds a prominent place in Dublin's urban fabric. As one of the city's longest streets, it showcases a diverse range of residential and commercial properties, reflecting its evolving role throughout history.
Historical Significance:
The street's name honours the Irish revolutionaries, Patrick and William Pearse. Before its current name, it was known as Moss Lane and later Channel Row, reflecting its origins as a route connecting the city centre to the Grand Canal Dock, primarily for commercial traffic. It was then named Great Brunswick Street after the House of Brunswick, which held the British and Irish crown from 1714 to 1901.
Landmarks and Architectural Heritage:
Pearse Street boasts a rich architectural tapestry, with buildings spanning various periods and styles. Some notable landmarks include:
The Garda Station: Situated at the western end, this imposing structure, designed by Andrew Robinson in the Scottish Baronial style, features distinctive "keystone cops" as corbels.
The Central Fire Station: A former headquarters of the Dublin Fire Brigade, this Italian-Romanesque building designed by C. J. McCarthy, stands as a reminder of the city's firefighting heritage.
Number 27 Pearse Street: This early 19th-century terraced house gained historical significance as the home and workshop of James Pearse, a monumental sculptor and father of Padraig Pearse.
Modern-Day Pearse Street:
Today, Pearse Street continues to be a bustling thoroughfare, serving as a vital artery for traffic and a hub of activity. It houses a variety of businesses, including shops, restaurants, offices, and cultural institutions. The street also features several residential developments, offering a mix of housing options.
Challenges and Future:
Like many urban areas, Pearse Street faces challenges such as traffic congestion and the need to balance preservation with modernization. Ongoing efforts aim to improve traffic flow, enhance pedestrian and cycling infrastructure, and revitalise certain areas while respecting the street's historical character.
Pearse Street remains a vibrant and dynamic part of Dublin's landscape. Its historical significance, architectural heritage, and diverse mix of activities make it a street worth exploring and appreciating.
M.J. Flood, a prominent Irish company with a rich legacy spanning several decades.
Early Beginnings
M.J. Flood was founded in 1935 by Michael James Flood, with its initial focus on the sales and servicing of typewriters. During these early years, the company established a strong reputation for its customer service and technical expertise, laying the foundation for future growth.
Expansion and Diversification
The 1970s marked a pivotal turning point for M.J. Flood as it ventured into the photocopier market. The company secured distribution rights for Mitsubishi (later Konica) photocopiers, which proved instrumental in driving its expansion. In the subsequent decades, M.J. Flood continued to diversify its product offerings, entering the office furniture industry in the 1980s and expanding into IT services in the 1990s.
Growth and Milestones
Throughout its journey, M.J. Flood experienced significant growth, marked by several key milestones. The company's turnover reached £1 million in 1976, and it expanded its operations by opening branches across Ireland, including Athlone and Belfast. In 2020, M.J. Flood further diversified its portfolio by entering the security industry.
Present Day
Today, M.J. Flood stands as Ireland's largest indigenous supplier of office printers, managed print services, and security systems. The company's headquarters are located in Baldonnell Business Park, Dublin, with eight regional branches across the country. M.J. Flood remains committed to delivering exceptional service and innovative solutions to its clients, adapting to the ever-changing technological landscape.
Key Factors in M.J. Flood's Success
Customer Focus: Throughout its history, M.J. Flood has prioritised customer satisfaction, building long-term relationships based on trust and reliability.
Adaptability: The company has consistently demonstrated its ability to adapt to evolving market trends and technological advancements, ensuring its continued relevance.
Strong Leadership: The guidance of visionary leaders like Michael John Power, grandson of the founder, has played a crucial role in steering the company's growth and success.
Employee Dedication: M.J. Flood's dedicated workforce has been instrumental in delivering exceptional service and maintaining the company's high standards.
Conclusion
M.J. Flood's journey from a typewriter sales and service company to a leading provider of print, IT, and security solutions reflects its resilience, adaptability, and commitment to excellence. The company's legacy is a testament to the vision of its founder and the generations of employees who have contributed to its success. As M.J. Flood continues to evolve and innovate, it remains a significant player in the Irish business landscape.
SANDYMOUNT VILLAGE
Irishtown Nature Park, situated along the Poolbeg Peninsula, is a man-made haven for nature enthusiasts, offering a surprising contrast to the urban landscape that surrounds it. Spanning 21.6 acres, this park, built on a former rubbish dump and wasteland, is a testament to the power of community action and environmental restoration. Its lush greenery and thriving ecosystems belie its humble beginnings, offering a testament to the resilience of nature and the transformative potential of human intervention.
The park provides a welcome escape, with walking trails winding through diverse habitats and offering stunning views of Dublin Bay. Visitors can access the park via two entrances: one off Beach Road, opposite Marine Drive, and another on Pigeon House Road, near the Poolbeg Generating Station.
While the park may seem small compared to other green spaces in Dublin, it packs a punch in terms of biodiversity. The trails meander through grasslands, wetlands, and coastal scrub, providing habitat for a variety of birds, insects, and small mammals. Birdwatchers, in particular, will appreciate the opportunity to observe a range of species, including waders, gulls, and even the occasional raptor.
Despite its proximity to industrial sites, the park offers a sense of tranquillity and isolation. The sound of the waves lapping against the shore and the calls of birds create a soothing atmosphere, transporting visitors away from the hustle and bustle of the city.
Irishtown Nature Park serves as a reminder of the importance of preserving natural spaces within urban environments. It provides a vital sanctuary for wildlife and offers residents and visitors alike a chance to connect with nature and experience its restorative benefits.
NATURE PARK
Irishtown Nature Park, situated along the Poolbeg Peninsula, is a man-made haven for nature enthusiasts, offering a surprising contrast to the urban landscape that surrounds it. Spanning 21.6 acres, this park, built on a former rubbish dump and wasteland, is a testament to the power of community action and environmental restoration. Its lush greenery and thriving ecosystems belie its humble beginnings, offering a testament to the resilience of nature and the transformative potential of human intervention.
The park provides a welcome escape, with walking trails winding through diverse habitats and offering stunning views of Dublin Bay. Visitors can access the park via two entrances: one off Beach Road, opposite Marine Drive, and another on Pigeon House Road, near the Poolbeg Generating Station.
While the park may seem small compared to other green spaces in Dublin, it packs a punch in terms of biodiversity. The trails meander through grasslands, wetlands, and coastal scrub, providing habitat for a variety of birds, insects, and small mammals. Birdwatchers, in particular, will appreciate the opportunity to observe a range of species, including waders, gulls, and even the occasional raptor.
Despite its proximity to industrial sites, the park offers a sense of tranquillity and isolation. The sound of the waves lapping against the shore and the calls of birds create a soothing atmosphere, transporting visitors away from the hustle and bustle of the city.
Irishtown Nature Park serves as a reminder of the importance of preserving natural spaces within urban environments. It provides a vital sanctuary for wildlife and offers residents and visitors alike a chance to connect with nature and experience its restorative benefits.
AVIVA STADIUM
I mention the stadium as I decided to avoid the city centre because it was packed with visitors from England making it difficult to get a table in a cafe or restaurant
Aviva Stadium: From Rugby Roots to Multi-Purpose Venue
Aviva Stadium stands on hallowed ground, having risen from the ashes of the old Lansdowne Road stadium, a historic rugby union venue. The redevelopment transformed it into a modern, multi-purpose arena, capable of hosting not only rugby but also soccer, concerts, and other major events.
England-Ireland Soccer Rivalry and Security Concerns
The rarity of England-Ireland soccer matches in Dublin adds another layer of complexity. Unlike the more frequent rugby encounters, these soccer games can attract a different type of crowd, including potential hooligans. This stems from past incidents of crowd trouble, most notably the infamous abandoned match in 1995. Such history necessitates a heightened security presence, including collaboration between Irish and British police forces to identify and manage potential troublemakers.
UEFA Nations League Match and Result
The match on September 7th was part of the UEFA Nations League, with England securing a 2-0 victory over Ireland. The goals, scored by former Ireland players Declan Rice and Jack Grealish, added a touch of irony to the result.
Presence of the UK Prime Minister
The attendance of the UK Prime Minister at the match underscored its significance beyond the sporting realm. It served as a reminder of the complex relationship between Ireland and the UK, particularly in the context of Brexit and ongoing discussions around Northern Ireland. The visit also aimed to foster positive diplomatic relations and showcase the shared passion for sport between the two nations.
Conclusion
The England-Ireland soccer match at Aviva Stadium on September 7th was undoubtedly a multi-faceted event. Beyond the sporting rivalry, it touched on historical tensions, security concerns, political symbolism, and the enduring power of sport to connect people, even amidst complex relationships.
INDUSTRIAL INFRASTRUCTURE
A visit to Sandymount today certainly reveals a rapidly changing landscape. The Glass Bottle complex, currently under construction, is undeniably a dominant feature, altering the familiar skyline of this coastal Dublin suburb. It's no surprise that I taken aback by its scale and presence.
This ambitious development, replacing the former Irish Glass Bottle site, is one of the largest residential projects in Dublin. Its sheer size and prominent location, right on Sandymount Strand, naturally makes it a striking addition to the area. While the project promises much-needed housing and amenities, its impact on the local character and skyline is undeniable.
The Glass Bottle development raises questions about the balance between urban development and preserving the unique atmosphere of established neighbourhoods. Some residents may embrace the new housing and revitalisation it brings, while others might lament the loss of open space and the change in the visual landscape.
It's important to acknowledge that large-scale developments like this can evoke mixed emotions. It's understandable to feel surprised or even a little disoriented by the rapid transformation of a familiar area.
However, the Glass Bottle project also represents an opportunity for Sandymount. It aims to create a vibrant, mixed-use community, providing new homes, commercial spaces, and public amenities. As the construction progresses, it will be interesting to see how this development shapes the future of Sandymount and how it integrates with the existing community and environment.
INDUSTRIAL INFRASTRUCTURE
Today's stroll from Sandymount Village to Pigeon House Road offered a glimpse into Dublin's industrial heritage, juxtaposed with modern developments. The candy-striped chimneys of the Poolbeg Generating Station, once a coal-fired power plant, dominate the skyline. These iconic landmarks, now decommissioned, are set to be preserved and repainted, a testament to their significance in Dublin's history.
The Poolbeg Generating Station, operational from 1971 to 2010, played a crucial role in powering the city. Its massive chimneys, towering over 200 meters, became synonymous with Dublin's industrial landscape. Though the plant no longer generates electricity, the decision to retain and maintain the chimneys reflects their cultural and architectural value.
Nearby, the modern Poolbeg Incinerator represents Dublin's commitment to sustainable waste management. This facility processes waste to generate electricity, reducing reliance on landfills and promoting renewable energy sources. It stands as a stark contrast to the retired power station, symbolising Dublin's shift towards a greener future.
The juxtaposition of these landmarks tells a story of Dublin's evolution. The preservation of the candy-striped chimneys acknowledges the city's industrial past, while the incinerator represents its progress toward a more sustainable future. The ongoing repainting of the chimneys serves as a visual reminder of Dublin's rich history and its commitment to preserving its iconic landmarks for generations to come.
BABY AUSTIN
Based on my memory of my Grandfather's first car, the car parked outside the Dropping Well Pub is an Austin 7 which he referred to as his Baby Austin.
The prominent "Austin" badge on the front grille, along with the overall shape and design of the vehicle, including the distinctive headlights and wire wheels, are characteristic of this iconic model.
The Austin 7, affectionately known as the "Baby Austin," was a hugely popular car produced by the Austin Motor Company from 1922 to 1939. Its small size, affordability, and reliability made it a favorite among the British public, and it played a significant role in democratising car ownership in the early 20th century.
Seeing one parked outside the historic Dropping Well Pub was a delightful sight, adding a touch of vintage charm and a nod to the area's rich heritage.
The Austin Motor Company: A Driving Force in British Automotive History
The Austin Motor Company, founded in 1905 by Herbert Austin, played a pivotal role in shaping the British automotive industry and left an enduring mark on the global automotive landscape.
Early Years and Expansion:
1905: The Birth of Austin: Herbert Austin, an engineer with a vision, established the company in Longbridge, Birmingham, initially utilising a disused printing works.
Focus on Luxury: Early Austin cars were marketed towards the affluent, gaining a reputation for quality and craftsmanship.
World War I Production: The company's manufacturing prowess was harnessed during the war, producing munitions and vehicles for the British military.
Post-War Growth: Following the war, Austin expanded its model range and production capacity, catering to a wider market.
Iconic Models and Innovations:
The Austin 7: Launched in 1922, this small, affordable car revolutionised the British automotive market, making car ownership accessible to a broader segment of the population.
The Austin Mini: Introduced in 1959, the Mini became an icon of British design and engineering, known for its compact size, innovative space utilisation, and fun driving experience.
Other Notable Models: Throughout its history, Austin produced a wide range of vehicles, including the Austin Healey sports cars, the Austin A30, the Austin 1100/1300, and the Austin Maxi.
Mergers and Transformations:
1952: Formation of BMC: Austin merged with Morris Motors to form the British Motor Corporation (BMC), consolidating their market presence and resources.
1968: British Leyland: BMC merged with Leyland Motors to create British Leyland, a conglomerate that faced challenges due to its size and complex structure.
1980s: Decline and Demise: The Austin brand struggled during the 1980s, facing competition from foreign manufacturers and internal challenges within British Leyland. The brand was eventually phased out in 1987.
Legacy and Influence:
Accessibility and Innovation: Austin played a crucial role in democratising car ownership in Britain, making automobiles more affordable and accessible to the masses.
Design and Engineering Excellence: The company produced numerous iconic models that showcased innovative design and engineering solutions.
Global Impact: Austin cars were exported worldwide, contributing to the company's international recognition and influence.
Cultural Icon: The Austin Mini, in particular, became a symbol of British culture and style, capturing the spirit of a generation.
Conclusion:
The Austin Motor Company, despite its eventual demise, left an indelible mark on the automotive world. Its commitment to innovation, accessibility, and design excellence helped shape the British automotive industry and inspired generations of car enthusiasts. While the Austin brand may no longer exist, its legacy lives on through the iconic models and the memories they evoke.
Austin 7, Baby Austin, Dropping Well Pub, Dublin, vintage car, automotive heritage, nostalgia, iconic car, Herbert Austin, compact car, affordable car, simple design, fuel efficiency, democratisation of car ownership.
The prominent "Austin" badge on the front grille, along with the overall shape and design of the vehicle, including the distinctive headlights and wire wheels, are characteristic of this iconic model.
The Austin 7, affectionately known as the "Baby Austin," was a hugely popular car produced by the Austin Motor Company from 1922 to 1939. Its small size, affordability, and reliability made it a favorite among the British public, and it played a significant role in democratising car ownership in the early 20th century.
Seeing one parked outside the historic Dropping Well Pub was a delightful sight, adding a touch of vintage charm and a nod to the area's rich heritage.
The Austin Motor Company: A Driving Force in British Automotive History
The Austin Motor Company, founded in 1905 by Herbert Austin, played a pivotal role in shaping the British automotive industry and left an enduring mark on the global automotive landscape.
Early Years and Expansion:
1905: The Birth of Austin: Herbert Austin, an engineer with a vision, established the company in Longbridge, Birmingham, initially utilising a disused printing works.
Focus on Luxury: Early Austin cars were marketed towards the affluent, gaining a reputation for quality and craftsmanship.
World War I Production: The company's manufacturing prowess was harnessed during the war, producing munitions and vehicles for the British military.
Post-War Growth: Following the war, Austin expanded its model range and production capacity, catering to a wider market.
Iconic Models and Innovations:
The Austin 7: Launched in 1922, this small, affordable car revolutionised the British automotive market, making car ownership accessible to a broader segment of the population.
The Austin Mini: Introduced in 1959, the Mini became an icon of British design and engineering, known for its compact size, innovative space utilisation, and fun driving experience.
Other Notable Models: Throughout its history, Austin produced a wide range of vehicles, including the Austin Healey sports cars, the Austin A30, the Austin 1100/1300, and the Austin Maxi.
Mergers and Transformations:
1952: Formation of BMC: Austin merged with Morris Motors to form the British Motor Corporation (BMC), consolidating their market presence and resources.
1968: British Leyland: BMC merged with Leyland Motors to create British Leyland, a conglomerate that faced challenges due to its size and complex structure.
1980s: Decline and Demise: The Austin brand struggled during the 1980s, facing competition from foreign manufacturers and internal challenges within British Leyland. The brand was eventually phased out in 1987.
Legacy and Influence:
Accessibility and Innovation: Austin played a crucial role in democratising car ownership in Britain, making automobiles more affordable and accessible to the masses.
Design and Engineering Excellence: The company produced numerous iconic models that showcased innovative design and engineering solutions.
Global Impact: Austin cars were exported worldwide, contributing to the company's international recognition and influence.
Cultural Icon: The Austin Mini, in particular, became a symbol of British culture and style, capturing the spirit of a generation.
Conclusion:
The Austin Motor Company, despite its eventual demise, left an indelible mark on the automotive world. Its commitment to innovation, accessibility, and design excellence helped shape the British automotive industry and inspired generations of car enthusiasts. While the Austin brand may no longer exist, its legacy lives on through the iconic models and the memories they evoke.
Austin 7, Baby Austin, Dropping Well Pub, Dublin, vintage car, automotive heritage, nostalgia, iconic car, Herbert Austin, compact car, affordable car, simple design, fuel efficiency, democratisation of car ownership.
SPIRIT OF THE DOCKLANDS
AND THE HALFPENNY BRIDGE
THE BETA TEST MAY NOT WORK
LIFFEY CRUISE
The origins of the name "Back Lane" are shrouded in mystery, with several theories put forward based on historical context and city planning. Regardless of its name, the lane is home to a significant landmark: Tailor's Hall.
The Back Lane Parliament: In 1792, Tailor's Hall, situated on Back Lane, became the meeting place for the Catholic Committee. They gathered to draft a petition to King George III, seeking relief from the discriminatory Penal Laws imposed on Catholics. This gathering was dubbed the "Back Lane Parliament" and marked a pivotal moment in the fight for Catholic emancipation in Ireland.
The Tailors' Guild: Tailor's Hall itself served as a crucial hub for the Guild of Merchant Tailors, which played a vital role in Dublin's economic and social fabric for centuries.
Architectural Significance:
Tailor's Hall: This beautifully restored 18th-century building remains a prominent feature on Back Lane. It now serves as the headquarters for An Taisce, the National Trust for Ireland.
Important Note: While Tailor's Hall has a rich history and was once open to the public as a pub/tavern, it is currently closed for general access. As the headquarters for An Taisce, the building may be open for pre-arranged tours or special events. Those interested in exploring its interior should contact An Taisce directly for further information.
The Back Lane Parliament: In 1792, Tailor's Hall, situated on Back Lane, became the meeting place for the Catholic Committee. They gathered to draft a petition to King George III, seeking relief from the discriminatory Penal Laws imposed on Catholics. This gathering was dubbed the "Back Lane Parliament" and marked a pivotal moment in the fight for Catholic emancipation in Ireland.
The Tailors' Guild: Tailor's Hall itself served as a crucial hub for the Guild of Merchant Tailors, which played a vital role in Dublin's economic and social fabric for centuries.
Architectural Significance:
Tailor's Hall: This beautifully restored 18th-century building remains a prominent feature on Back Lane. It now serves as the headquarters for An Taisce, the National Trust for Ireland.
Important Note: While Tailor's Hall has a rich history and was once open to the public as a pub/tavern, it is currently closed for general access. As the headquarters for An Taisce, the building may be open for pre-arranged tours or special events. Those interested in exploring its interior should contact An Taisce directly for further information.
TAILORS HALL
A HISTORICAL HIGHLIGHT ON BACK LANE
TAILOR'S HALL
The origins of the name "Back Lane" are shrouded in mystery, with several theories put forward based on historical context and city planning. Regardless of its name, the lane is home to a significant landmark: Tailor's Hall.
The Back Lane Parliament: In 1792, Tailor's Hall, situated on Back Lane, became the meeting place for the Catholic Committee. They gathered to draft a petition to King George III, seeking relief from the discriminatory Penal Laws imposed on Catholics. This gathering was dubbed the "Back Lane Parliament" and marked a pivotal moment in the fight for Catholic emancipation in Ireland.
The Tailors' Guild: Tailor's Hall itself served as a crucial hub for the Guild of Merchant Tailors, which played a vital role in Dublin's economic and social fabric for centuries.
Architectural Significance:
Tailor's Hall: This beautifully restored 18th-century building remains a prominent feature on Back Lane. It now serves as the headquarters for An Taisce, the National Trust for Ireland.
Important Note: While Tailor's Hall has a rich history and was once open to the public as a pub/tavern, it is currently closed for general access. As the headquarters for An Taisce, the building may be open for pre-arranged tours or special events. Those interested in exploring its interior should contact An Taisce directly for further information.
The Back Lane Parliament: In 1792, Tailor's Hall, situated on Back Lane, became the meeting place for the Catholic Committee. They gathered to draft a petition to King George III, seeking relief from the discriminatory Penal Laws imposed on Catholics. This gathering was dubbed the "Back Lane Parliament" and marked a pivotal moment in the fight for Catholic emancipation in Ireland.
The Tailors' Guild: Tailor's Hall itself served as a crucial hub for the Guild of Merchant Tailors, which played a vital role in Dublin's economic and social fabric for centuries.
Architectural Significance:
Tailor's Hall: This beautifully restored 18th-century building remains a prominent feature on Back Lane. It now serves as the headquarters for An Taisce, the National Trust for Ireland.
Important Note: While Tailor's Hall has a rich history and was once open to the public as a pub/tavern, it is currently closed for general access. As the headquarters for An Taisce, the building may be open for pre-arranged tours or special events. Those interested in exploring its interior should contact An Taisce directly for further information.
MOTHER REDCAP'S
A HISTORICAL AND ARCHAEOLOGICAL SITE ON BACK LANE
MOTHER REDCAP'S
Mother Redcap's, a former market and pub complex situated on Back Lane, holds a unique place in Dublin's history. Its transformation over the years, from a bustling shoe factory to a vibrant market, and the subsequent archaeological discoveries, reveal a multi-layered narrative of the city's past.
A Story of Transformation:
Originally built in the late 19th century as a shoe factory for James Winstanley, the complex played a vital role in Dublin's industrial landscape. In 1988, the site was repurposed as an indoor market and pub, becoming known for its diverse range of vendors and lively atmosphere. However, this era came to an end in the early 2000s when Mother Redcap's closed its doors.
Unearthing the Past:
Extensive archaeological excavations in 2006 unveiled a treasure trove of historical deposits, dating from the Hiberno-Norse period (c. 900 AD) to the post-medieval era. These discoveries included evidence of a Hiberno-Norse defensive bank, medieval cultivation, post-medieval occupation, and the remains of Kildare Hall, a historic building that once graced the site.
Preserving Heritage:
Although the market and pub are no longer in operation, the archaeological significance of Mother Redcap's cannot be overstated. The site stands as a testament to the layers of history that have shaped Dublin, highlighting the importance of preserving and understanding its heritage. While redevelopment plans for the site exist, the archaeological findings underscore the need for a balanced approach that respects the site's historical value.
The Winstanley Legacy:
The original Winstanley Shoe Factory was a major contributor to Dublin's industrial growth. Founded by James Winstanley, an English clogger who settled in Dublin in 1852, the factory thrived, producing thousands of pairs of shoes weekly and employing hundreds of workers, mostly from the Liberties area. Winstanley, an active community member and alderman, played a crucial role in the city's development.
From Factory to Marketplace:
The factory's strategic location on Back Lane, coupled with its use of modern machinery and production techniques, allowed it to flourish. However, by the 1980s, the factory closed due to changes in the global footwear industry. The site's subsequent transformation into Mother Redcap's Market and pub breathed new life into the area, but this too was short-lived.
A Window into Dublin's Past:
Despite the closures, the legacy of the Winstanley Shoe Factory and Mother Redcap's lives on. The archaeological remains unearthed in 2006 provide valuable insights into the site's long and varied history, reminding us of Dublin's rich industrial and cultural heritage.
A Story of Transformation:
Originally built in the late 19th century as a shoe factory for James Winstanley, the complex played a vital role in Dublin's industrial landscape. In 1988, the site was repurposed as an indoor market and pub, becoming known for its diverse range of vendors and lively atmosphere. However, this era came to an end in the early 2000s when Mother Redcap's closed its doors.
Unearthing the Past:
Extensive archaeological excavations in 2006 unveiled a treasure trove of historical deposits, dating from the Hiberno-Norse period (c. 900 AD) to the post-medieval era. These discoveries included evidence of a Hiberno-Norse defensive bank, medieval cultivation, post-medieval occupation, and the remains of Kildare Hall, a historic building that once graced the site.
Preserving Heritage:
Although the market and pub are no longer in operation, the archaeological significance of Mother Redcap's cannot be overstated. The site stands as a testament to the layers of history that have shaped Dublin, highlighting the importance of preserving and understanding its heritage. While redevelopment plans for the site exist, the archaeological findings underscore the need for a balanced approach that respects the site's historical value.
The Winstanley Legacy:
The original Winstanley Shoe Factory was a major contributor to Dublin's industrial growth. Founded by James Winstanley, an English clogger who settled in Dublin in 1852, the factory thrived, producing thousands of pairs of shoes weekly and employing hundreds of workers, mostly from the Liberties area. Winstanley, an active community member and alderman, played a crucial role in the city's development.
From Factory to Marketplace:
The factory's strategic location on Back Lane, coupled with its use of modern machinery and production techniques, allowed it to flourish. However, by the 1980s, the factory closed due to changes in the global footwear industry. The site's subsequent transformation into Mother Redcap's Market and pub breathed new life into the area, but this too was short-lived.
A Window into Dublin's Past:
Despite the closures, the legacy of the Winstanley Shoe Factory and Mother Redcap's lives on. The archaeological remains unearthed in 2006 provide valuable insights into the site's long and varied history, reminding us of Dublin's rich industrial and cultural heritage.
BACK LANE
AN UNCOMPLICATED NAME FOR A LANE
BACK LANE
This Saint Vincent de Paul night shelter was constructed to designs by Thomas Francis McNamara in 1915 to provide low-cost accommodation for working men, and later became a night shelter as homelessness became more apparent. Its substantial scale and form, with a regular fenestration arrangement creating a well-balanced, symmetrical façade, make it an imposing addition to Back Lane. The statue of Saint Vincent De Paul is notable, adding artistic and contextual interest. The building is of considerable social importance as an early twentieth-century example of purpose-built charitable accommodation.
The origins of the name "Back Lane" are shrouded in mystery, with several theories put forward based on historical context and city planning. Regardless of its name, the lane is home to a significant landmark: Tailor's Hall.
The Back Lane Parliament: In 1792, Tailor's Hall, situated on Back Lane, became the meeting place for the Catholic Committee. They gathered to draft a petition to King George III, seeking relief from the discriminatory Penal Laws imposed on Catholics. This gathering was dubbed the "Back Lane Parliament" and marked a pivotal moment in the fight for Catholic emancipation in Ireland.
The Tailors' Guild: Tailor's Hall itself served as a crucial hub for the Guild of Merchant Tailors, which played a vital role in Dublin's economic and social fabric for centuries.
Architectural Significance:
Tailor's Hall: This beautifully restored 18th-century building remains a prominent feature on Back Lane. It now serves as the headquarters for An Taisce, the National Trust for Ireland.
Important Note: While Tailor's Hall has a rich history and was once open to the public as a pub/tavern, it is currently closed for general access. As the headquarters for An Taisce, the building may be open for pre-arranged tours or special events. Those interested in exploring its interior should contact An Taisce directly for further information.
The origins of the name "Back Lane" are shrouded in mystery, with several theories put forward based on historical context and city planning. Regardless of its name, the lane is home to a significant landmark: Tailor's Hall.
The Back Lane Parliament: In 1792, Tailor's Hall, situated on Back Lane, became the meeting place for the Catholic Committee. They gathered to draft a petition to King George III, seeking relief from the discriminatory Penal Laws imposed on Catholics. This gathering was dubbed the "Back Lane Parliament" and marked a pivotal moment in the fight for Catholic emancipation in Ireland.
The Tailors' Guild: Tailor's Hall itself served as a crucial hub for the Guild of Merchant Tailors, which played a vital role in Dublin's economic and social fabric for centuries.
Architectural Significance:
Tailor's Hall: This beautifully restored 18th-century building remains a prominent feature on Back Lane. It now serves as the headquarters for An Taisce, the National Trust for Ireland.
Important Note: While Tailor's Hall has a rich history and was once open to the public as a pub/tavern, it is currently closed for general access. As the headquarters for An Taisce, the building may be open for pre-arranged tours or special events. Those interested in exploring its interior should contact An Taisce directly for further information.
FRANCIS STREET
THERE IS STILL SOME STREET ART
STILL SOME STREET ART
Francis Street in Dublin has a vibrant history of street art, with a noticeable shift towards more "commercial" or commissioned pieces in recent years. This trend is likely driven by businesses seeking to deter random graffiti and enhance their storefronts.
Vini.Bustamante, a well-known street artist, has contributed significantly to the area's artistic landscape. Their work can be spotted on various buildings, adding a colourful and dynamic touch to the street.
One notable location for high-quality street art was the Tivoli Theatre Car Park. This space became a haven for artists, showcasing diverse styles and themes. However, the recent redevelopment of the car park into a hotel has unfortunately resulted in the loss of this unique artistic hub.
Despite this loss, Francis Street continues to evolve as a canvas for creative expression. The presence of commissioned street art adds a layer of vibrancy to the area, attracting visitors and fostering a sense of community pride. However, the debate continues regarding the balance between commercial interests and the organic, unfiltered nature of street art.
Vini.Bustamante, a well-known street artist, has contributed significantly to the area's artistic landscape. Their work can be spotted on various buildings, adding a colourful and dynamic touch to the street.
One notable location for high-quality street art was the Tivoli Theatre Car Park. This space became a haven for artists, showcasing diverse styles and themes. However, the recent redevelopment of the car park into a hotel has unfortunately resulted in the loss of this unique artistic hub.
Despite this loss, Francis Street continues to evolve as a canvas for creative expression. The presence of commissioned street art adds a layer of vibrancy to the area, attracting visitors and fostering a sense of community pride. However, the debate continues regarding the balance between commercial interests and the organic, unfiltered nature of street art.
NEW PUBLIC SPACE
POCKET PARK AT ST LUKE'S AVENUE
NEW POCKET PARK
ST LUKE'S AVENUE [THE NEW PUBLIC SPACE IN FRONT OF THE OLD CHURCH]
In recent years, Dublin City Council has undertaken a number of improvements to the public realm around the former St. Luke’s Church (Thomas Burgh House). These include the creation of a new public park with new steps and ramp entrances, replacing what was previously a green verge.
History of St. Luke’s Church:
Built between 1715 and 1716.
Situated between The Coombe and Newmarket.
Originally the Parish Church of the St. Nicholas Without and St. Luke’s Parish, now part of the Select Vestry St. Patrick’s Cathedral Group of Parishes.
Closed for public worship in 1975, with the parish now worshipping in St. Catherine and St. James Church, Donore Avenue.
Badly damaged by fire in 1986 and remained unused and in a ruinous condition until 2003.
A protected structure and recorded monument within the Dublin zone of archaeological potential.
Conservation and Restoration Efforts:
A Conservation Plan for St. Luke’s Church was commissioned by Dublin City Council in conjunction with the Heritage Council in 2003.
The plan aimed to address the church’s deteriorating physical condition and ensure its survival.
In 1994, Dublin City Council purchased the site and initiated restoration plans.
The surrounding graveyard has been partially redeveloped into a pocket park.
A tender for the church building’s restoration was awarded in 2006, involving the insertion of a new building into the restored ruins.
Current Status:
The former St. Luke's Church (Thomas Burgh House) is being redeveloped into office spaces.
Significant improvements have been made to the surrounding public realm, including the creation of a new public park and enhancements to Newmarket Street.
A disused drainage chamber at the base of Newmarket Street has been removed and replaced with paving and planted areas.
The stepped entrance into Newmarket Street has been remodelled and widened.
These developments demonstrate a commitment to revitalising the Coombe area and enhancing its public spaces, while preserving its historical significance through the adaptive reuse of the former St. Luke's Church.
In recent years, Dublin City Council has undertaken a number of improvements to the public realm around the former St. Luke’s Church (Thomas Burgh House). These include the creation of a new public park with new steps and ramp entrances, replacing what was previously a green verge.
History of St. Luke’s Church:
Built between 1715 and 1716.
Situated between The Coombe and Newmarket.
Originally the Parish Church of the St. Nicholas Without and St. Luke’s Parish, now part of the Select Vestry St. Patrick’s Cathedral Group of Parishes.
Closed for public worship in 1975, with the parish now worshipping in St. Catherine and St. James Church, Donore Avenue.
Badly damaged by fire in 1986 and remained unused and in a ruinous condition until 2003.
A protected structure and recorded monument within the Dublin zone of archaeological potential.
Conservation and Restoration Efforts:
A Conservation Plan for St. Luke’s Church was commissioned by Dublin City Council in conjunction with the Heritage Council in 2003.
The plan aimed to address the church’s deteriorating physical condition and ensure its survival.
In 1994, Dublin City Council purchased the site and initiated restoration plans.
The surrounding graveyard has been partially redeveloped into a pocket park.
A tender for the church building’s restoration was awarded in 2006, involving the insertion of a new building into the restored ruins.
Current Status:
The former St. Luke's Church (Thomas Burgh House) is being redeveloped into office spaces.
Significant improvements have been made to the surrounding public realm, including the creation of a new public park and enhancements to Newmarket Street.
A disused drainage chamber at the base of Newmarket Street has been removed and replaced with paving and planted areas.
The stepped entrance into Newmarket Street has been remodelled and widened.
These developments demonstrate a commitment to revitalising the Coombe area and enhancing its public spaces, while preserving its historical significance through the adaptive reuse of the former St. Luke's Church.
THE FROG KING
Vini Bustamante, a Brazilian/Portuguese artist based in Dublin 8, created an artwork titled “Frog King.” This vibrant piece features frogs and exudes a magical and mystical quality. As an Art Director at BBDO Dublin, Vini is undoubtedly immersed in creativity and seeking inspiration. According to the information on the box the artist operates under the name Raphael Silva.
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