THE GATE KEEPER
The Lock Keeper statue near the 10th Lock on the Royal Canal in Ashtown always piqued my curiosity. Is this life-sized figure, seemingly frozen in time as he carries out his duties, a piece of public art commemorating the canal's heritage, or something else entirely?
The timing of its installation, coinciding with the opening of the Lock Keeper Pub just steps away, raises an intriguing question. Could this statue be a clever marketing ploy, a promotional device designed to draw attention to the new establishment and create a thematic link to the canal's history?
The absence of a plaque, any record of a public unveiling ceremony, and the lack of readily available information about the artist or commission all point towards this possibility. It's conceivable that the pub, or its landlord, commissioned the statue as a way to enhance the area and attract customers, rather than as a purely artistic endeavour.
If this is the case, it presents a fascinating example of how private businesses can utilise art to shape public spaces and even influence our perception of history. The statue, whether intended as public art or a promotional tool, undeniably adds to the character of the canal towpath and serves as a reminder of Ashtown's rich past, interwoven with its present-day development.
The Lock Keeper can be found at Lock 10, a double lock constructed in 1792 with quality stonework and attractive sloping edges. One of 46 along the 145km Royal Canal, which runs from the River Liffey to the River Shannon, Lock 10 stands as a testament to the skill of its builders. Originally built for freight and passenger transportation, the canal saw its last working barges cease operation in 1951 and was officially closed to traffic in 1960. The pub sits adjacent to the former Lock Keeper's House, a post rendered obsolete by the canal's closure.
Now beautifully maintained by Waterways Ireland, the lock, the sculpture, and the pub are easily accessible from Dublin City Centre. Arrive by canoe, enjoy a leisurely walk or cycle along the towpath, or take a scenic short train journey from Connolly Station to Ashtown.
EMBRACED LOOP
Embraced Loop is a striking corten steel sculpture located in the People's Gardens within Phoenix Park, Dublin, Ireland.
Here's what I know about it:
Purpose: It serves as the national monument for HIV and AIDS. It was created to express solidarity with all those affected by HIV and AIDS, past and present, to remember those lost to the disease, and to celebrate the lives of those who have lived with it and those who have supported them.
Design and Symbolism: The sculpture is an abstract form of the HIV symbol, the red ribbon, shaped into a parametric loop. This loop forms an embrace, symbolising solidarity and community, and providing a space for people to gather and reflect. The corten steel, which develops a deep rusty red patina over time, is a deliberate choice, connecting the sculpture to the red ribbon and signifying the enduring relevance of HIV/AIDS awareness.
Artist and Unveiling: "Embraced Loop" was designed by artists Anaisa Franco and Michael R. DiCarlo and manufactured by Corten Steel Ireland. It was unveiled in December 2023 by Taoiseach Leo Varadkar.
Accessibility: The sculpture incorporates wooden seating, offering visitors a place to rest and contemplate. The wood also serves a practical purpose, protecting clothing from the rust dust of the corten steel.
WHAT IS LIFE SCULPTURE
What is Life? by Charles Jencks at the National Botanic Gardens of Ireland
A Sculptural Exploration of the Cell and the Cosmos
Nestled within the serene landscape of the National Botanic Gardens in Dublin, Ireland, lies a thought-provoking sculpture entitled "What is Life?" by renowned architect and landscape designer Charles Jencks. Created in 2013, this intriguing artwork delves into the intricate connections between the microscopic world of the cell and the vast expanse of the cosmos.
Form and Symbolism
The sculpture takes the form of a large, swirling mound, reminiscent of a cell undergoing division. Constructed from earth and covered in lush green grass, it blends seamlessly with the natural surroundings while simultaneously standing out as a striking artistic statement. Embedded within the mound are a series of pathways and steps, inviting visitors to embark on a journey of discovery.
As visitors traverse the sculpture, they encounter a series of symbolic elements that draw parallels between cellular processes and cosmic events. Stone carvings depict DNA strands, chromosomes, and other cellular components, while strategically placed rocks represent planets and stars. This juxtaposition encourages contemplation on the fundamental building blocks of life and the vastness of the universe.
A Dialogue Between Science and Art
"What is Life?" is not merely a static sculpture; it is an interactive experience that encourages visitors to engage with scientific concepts through the lens of art. Jencks, known for his work in landscape architecture and his interest in cosmology, seamlessly blends these disciplines in this piece. The sculpture serves as a reminder of the interconnectedness of all things, from the smallest cell to the largest galaxy.
RED METAL YOKE
The Curious Case of the Red Metal Yokes
Ireland, and Dublin in particular, seems to have a peculiar fondness for large, red metal sculptures. Often abstract and untitled, these striking pieces dot the landscape, adding a splash of colour and a touch of mystery to public spaces. Locals have affectionately dubbed them "red metal yokes" - "yoke" being a versatile Irish term for anything from a TV remote to an unidentified object.
One such yoke stands proudly (or perhaps a bit wearily) in the Docklands. It's a veteran of the red metal sculpture scene, one of the first to be captured on camera many years ago. Today, it shows its age, the once vibrant red faded and chipped, begging for a fresh coat of paint.
This particular yoke is not alone. Across Ireland, and even in some other parts of the world, similar red metal sculptures can be found. Their origins are often shrouded in obscurity, their meanings open to interpretation. Some might see them as bold statements of modernity, others as playful disruptions of the urban fabric.
Whatever their purpose, these red metal yokes have become a quirky part of the Irish landscape. They spark conversations, inspire curiosity, and sometimes even draw a chuckle or two. And while the Docklands yoke might be in need of a touch-up, it's a reminder that even the most enigmatic artworks can leave a lasting impression.
Whether you love them or find them puzzling, there's no denying the red metal yokes have made their mark. They stand as a testament to the enduring power of public art to provoke thought, spark conversation, and add a dash of colour to our everyday lives.
BY RHONA BYRNE
RESTLESS - LIFFEY LOVE BY RHONA BYRNE [MADE FROM PLASTIC RECOVERED FRON THE LIFFEY]
Restless: Liffey Love - A Sculpture Born from the River's Embrace
Dublin's River Liffey has long been a source of inspiration and a vital artery for the city. Now, it's also given birth to a unique piece of art, one that serves as a powerful reminder of the need to care for our environment.
"Restless: Liffey Love" is a striking new sculpture unveiled on the banks of the Liffey. What makes it truly special is its origin: it was created entirely from recycled plastic waste pulled from the river itself.
Artist Rhona Byrne was inspired to create the piece after taking up sailing during the Covid lockdowns. She spent time on the Liffey Sweeper boat, witnessing firsthand the tireless efforts of the Irish Nautical Trust to clean up the river. The plastic collected over eight months was transformed into the colourful polymer material that forms the sculpture.
This collaborative project involved Dublin City Council, the Irish Nautical Trust, Paltech (a polymer engineering company), Billings Jackson (urban design firm), and SteelSmith (engineering and fabrication). It's a testament to what can be achieved when different groups come together with a shared vision.
The sculpture's launch was a joyful occasion, with the Liffey Loves singing group performing songs they'd written especially for the event. Deputy Lord Mayor Donna Cooney, who leads the group, was also on hand to officiate.
"Restless: Liffey Love" is more than just a beautiful artwork. It's a celebration of community, a call to action for environmental responsibility, and a testament to the power of creativity to transform even the most discarded materials into something meaningful.
TEMPLECRONEY STONE
TEMPLECRONEY STONE SCULPTED BY MICHELLE BYRNE
The plaque describes this stone sculpture map of Carlow town and the River Barrow as a sculpture created by artist Michelle Byrne. It was unveiled on November 29, 2013, and is located beside the Barrow River in Carlow.
The sculpture is titled "The Templecroney Stone," and it features a detailed and accurate depiction of Carlow town and the river as they appeared in 2013. The map was carved into the stone using an overlay technique, creating a permanent "image" of the town for future generations to appreciate.
Michelle Byrne is a member of the 9 Stones Artists group, and this sculpture reflects her recent foray into stone sculpting, showcasing her talent and creativity.
Based on my research, here's what I can tell you about 9 Stones Artists:
Formation and Location: 9 Stones Artists is a collective of professional artists formed in 2004. They are based in the foothills of the Blackstairs Mountains in South County Carlow, Ireland.
Members: The group consists of nine members:
Michelle Byrne
Cathy Fitzgerald
Annabel Konig
Anthony Lyttle
Remco de Fouw
Martin Lyttle
Jules Michael
Rachel Joynt
Gwen Wilkinson
Focus and Activities: The group engages in various collaborative projects and exhibitions, showcasing their individual artistic practices and exploring themes related to their environment and community. They have collaborated with book artist Ciara Healy on "The Book Project," which resulted in a book of hand-printed woodblock prints reflecting on their relationship to their practice and place of work.
Exhibitions and Recognition: Their work has been exhibited in various locations, including the VISUAL Centre for Contemporary Art in Carlow.
In essence, 9 Stones Artists is a dynamic collective of artists based in County Carlow, Ireland, dedicated to creative expression and collaboration.
SKY RIVERS GROUP
SKY RIVERS GROUP BY REMCO DE FOUW [PAYS HOMAGE TO IRISH SCIENTIST JOHN TYNDALL]
"Sky Rivers (after Tyndall) Group" by Remco de Fouw
As part of the Fáilte Ireland Destination Towns initiative aimed at revitalising Carlow town's tourism appeal, a Public Art Project was undertaken. Artist Remco de Fouw, a member of the 9 Stones Artists collective, was commissioned to create a focal art piece for the trail, titled "Sky Rivers (after Tyndall) Group."
Location & Description
This sculpture is prominently displayed in Carlow Town Park, serving as a significant landmark on the heritage trail. It's a thought-provoking work that merges the ancient practice of marking stones with the contemporary marvel of fiber-optic communication. The artwork uses different wavelengths of light to evoke a connection between these seemingly disparate concepts.
Inspiration and Significance
The title, “Sky Rivers (after Tyndall),” pays homage to the renowned Irish scientist John Tyndall, known for his work on light scattering and the greenhouse effect. The sculpture aims to be a meeting point, symbolically bridging the gap between ancient human expression and modern technological advancements.
Impact
Enhancing the Visitor Experience: As a focal point on the trail, the sculpture enriches the visitor experience, offering a point of interest and contemplation.
Cultural Significance: The artwork adds to Carlow's cultural landscape, showcasing the town's commitment to public art and its connection to its rich heritage.
Reflecting the 9 Stones Artists Ethos: Remco de Fouw's involvement in this project highlights the 9 Stones Artists' broader engagement with their local community and environment.
Overall, "Sky Rivers (after Tyndall) Group" stands as a testament to Carlow's dedication to preserving its heritage while embracing innovation. It serves as a beautiful and thought-provoking addition to the town's public spaces, inviting visitors and residents alike to reflect on the interplay between the past and the present.
John Tyndall, Irish scientist, physicist, light scattering, Tyndall effect, greenhouse effect, climate science, mountaineer, science communication, William Murphy, Infomatique,
Irish Scientist John Tyndall: A Pioneer of Light and Climate Science
John Tyndall (1820-1893) was a prominent Irish physicist whose contributions significantly impacted our understanding of light, heat, and the Earth's climate.
Key Contributions
Tyndall Effect: He is perhaps best known for explaining the Tyndall effect, which describes how light scatters when passing through a colloid (a mixture containing small suspended particles). This phenomenon explains why the sky is blue: blue light is scattered more readily by molecules in the atmosphere than other colours due to its shorter wavelength.
Greenhouse Effect: Tyndall conducted groundbreaking research on the absorption of infrared radiation by various gases, notably carbon dioxide and water vapor. His work laid the foundation for understanding the greenhouse effect and its role in regulating Earth's climate. He recognised the potential impact of human activities on the atmosphere and climate long before it became a widespread concern.
Other Contributions: Tyndall's scientific interests were wide-ranging. He made significant contributions to the study of glaciers, magnetism, and sound. He also invented a respirator for firefighters and developed a method for sterilising food known as Tyndallization.
Science Communicator
Tyndall was a gifted communicator who excelled at making complex scientific concepts accessible to the public. He delivered numerous popular lectures and wrote several books on science, which helped to popularise science in the 19th century.
Legacy
John Tyndall's work has had a lasting impact on science and society. His research on light scattering and the greenhouse effect continues to be relevant today, particularly in the context of climate change. His passion for science and his ability to communicate complex ideas continue to inspire scientists and the public alike.
Remco de Fouw Early Life and Education
Born in 1962, de Fouw's artistic journey began with an unconventional path. Initially trained as a carpenter, he later pursued his passion for sculpture at the National College of Art and Design (NCAD) in Dublin, graduating in 1991. This unique blend of technical skill and artistic vision has significantly influenced his work, evident in his ability to combine diverse materials and concepts into compelling forms.
Artistic Style and Themes
De Fouw's sculptures are characterised by their conceptual depth and their ability to interact with the surrounding environment. He often incorporates elements of nature, history, and science into his work, inviting viewers to contemplate the connections between these seemingly disparate realms. His use of diverse materials, such as stone, metal, wood, and even light, adds another layer of complexity and intrigue to his creations.
Notable Works and Commissions
Throughout his career, de Fouw has completed numerous public and private commissions across Ireland and the UK. Some of his notable works include:
"Quintessometry" at Waterford Regional Hospital
"First Conundrum" at Festival Square, Edinburgh International Conference Centre
"Gods Navel" at Charlotte plc, Southampton
"Silent Witness" at Meath County Buildings, Ashbourne
"Eye Witness" on the N26, Ballina
"A Fracture of Time," Castleblayney Bombing Memorial, County Monaghan
"Sky Rivers (after Tyndall) Group" in Carlow Town Park
These sculptures stand as testaments to de Fouw's ability to create site-specific works that resonate with their surroundings and engage the public.
Teaching and Recognition
In addition to his artistic practice, de Fouw also shares his knowledge and expertise as a part-time lecturer in sculpture and photography at the Institute of Technology Carlow. He has received various awards and accolades throughout his career, including the Alexandra Wejchert Sculpture Award in 1998 and numerous Arts Council Bursaries.
Contribution to the Arts
De Fouw's dedication to his craft and his commitment to public art have significantly contributed to the vibrancy of the Irish art scene. His work consistently challenges viewers to think critically about the world around them, fostering a deeper appreciation for the power of art to inspire and transform. As a member of the 9 Stones Artists collective, he continues to collaborate with fellow artists and engage with the local community, further enriching the cultural landscape of County Carlow.
Remco de Fouw's career is a testament to the transformative power of art and the e
nduring impact of an artist dedicated to his craft. Through his sculptures, he has created lasting landmarks that will continue to inspire and provoke thought for generations to come.
LIBERTY TREE SCULPTURE
The base is rather ugly which is a pity.
Bicentenary Commemoration
The bicentenary of the 1798 Rebellion was marked with solemn reflection and remembrance throughout County Carlow in 1998. The people of the county, along with the rest of Ireland, paid tribute to the courage and sacrifice of those who fought and died for religious and civil liberties during the tragic uprising.
The Liberty Tree Sculpture
As part of the commemorations, Carlow's local authorities commissioned a sculpture entitled "The Liberty Tree". The piece was created by Dublin-born, internationally acclaimed artist John Behan, who had once worked as an engineer at the Carlow Sugar Factory earlier in his life.
Honouring the Fallen
The sculpture serves as a poignant memorial to those massacred in the Battle of Carlow, whose remains lie in the Croppy Grave in Graiguecullen. Crafted from bronze and mounted on a circular base with a fountain, it features a haunting arrangement of skeletal figures encircling the silhouette of a tree.
Unveiling and Legacy
The unveiling ceremony, led by Councillor Rody Kelly, then Chairman of Carlow Urban District Council, took place on Saturday, June 13th, 1998. Today, the "Liberty Tree" stands as a prominent landmark in the heart of Carlow town, a constant reminder of the sacrifices made in the pursuit of freedom.
LEANING MAN
The Fishbourne townhouse at the Shamrock was demolished in the 1980s by Michael Doyle to extend Doyles' of the Shamrock hardware store. Today the area forms part of the entrance to the underground car park of the Shamrock Plaza building and the adjoining "Leaning Man" street sculpture.
The “Leaning Man” sculpture at Shamrock Plaza in Carlow town is a notable piece of public art. This sculpture, located in the heart of Shamrock Square, adds a unique artistic touch to the area. While specific details about the artist and the exact inspiration behind the sculpture are not widely documented, it has become a recognisable landmark in Carlow.
CORTEN STEEL
Architectural Design
Integration of Industrial Aesthetics: The Corten steel sign and the refurbished crane complement the overall architectural design of the Dublin Port Headquarters building, which embraces a modern, industrial aesthetic. The use of raw materials like Corten steel and exposed concrete reflects the port's functional and utilitarian nature.
Public Realm Enhancement: The placement of these features, along with the maritime-themed garden, creates a welcoming and engaging public space around the building. This approach contributes to the revitalisation of the Dublin Docklands area by making it more accessible and attractive to visitors and residents.
Symbolism and Identity: The ship-shaped sign and the heritage crane serve as visual reminders of Dublin Port's rich maritime history and its ongoing role in the city's economy and development. These features help create a sense of place and identity for the Dublin Port Headquarters building.
Sustainability: The use of Corten steel, a weathering steel that develops a protective rust-like patina, minimises maintenance requirements and contributes to the project's sustainability goals.
Historical Context
Dublin Docklands Regeneration: The development of the Dublin Port Headquarters building is part of a larger urban regeneration initiative aimed at transforming the formerly industrial Dublin Docklands into a vibrant mixed-use district. The preservation and repurposing of heritage elements like the crane acknowledge the area's industrial past while embracing its future potential.
Maritime Heritage: Dublin Port has played a vital role in the city's history and development for centuries. The ship-shaped sign and the heritage crane celebrate this maritime heritage and serve as a reminder of the port's contribution to Dublin's growth and prosperity.
Industrial Archaeology: The refurbished crane represents a piece of industrial archaeology, preserving a tangible link to the area's industrial past. Its integration into the new development demonstrates a commitment to preserving and interpreting the Docklands' rich industrial heritage.
STATUE OF OLD WOMAN
According to the only source that I could find this is a statue to commemorate Carlow artist Frank O'Meara, this is a woman he painted often, he became friends with her when he lived and worked in France, in Grez-sur-Loing near Paris. His sketches are in the Carlow Art Collection and free to see in Carlow College. However when I fact checked I received the following response: Unfortunately, the information about a statue of an old woman on Dublin Road in tribute to Frank O'Meara is incorrect. There is no known record or evidence of such a statue existing. O'Meara's family home was indeed at 37 Dublin Street in Carlow, but any tributes or memorials to him in the town are likely to be different in nature.
Frank O'Meara (1853-1888)
Early Life and Education:
Born in Carlow on March 30, 1853, to a family with a medical background.
Showed an early interest in art and began creating landscape drawings in his teens.
Moved to Paris around 1872 to study art at the Académie Julian and later under the renowned portrait painter Carolus-Duran.
Artistic Style and Career:
Became known for his Impressionist landscape paintings, capturing the fleeting effects of light and atmosphere.
Exhibited his works at prestigious venues like the Paris Salon, the Royal Hibernian Academy, and the Royal Glasgow Institute of the Fine Arts.
Despite his relatively short career, he gained recognition for his talent and artistic vision.
Tragic End:
O'Meara suffered from malaria for several years. He returned to Carlow in the spring of 1888 and passed away in October of that year at the young age of 35.
Legacy:Although his life was cut short, O'Meara left behind a collection of captivating paintings that continue to be admired today.His work is held in various public collections, including the Dublin City Gallery The Hugh Lane and the Ulster Museum.
Connection to Carlow
O'Meara's strong ties to Carlow are evident in his early works, which often depicted landscapes from the surrounding County Carlow.
His family home at 37 Dublin Street, Carlow, served as both his birthplace and the place where he tragically passed away.
He is buried in the family graveyard in Bennekerry, near Carlow town.
Frank O'Meara (1853-1888)
Early Life and Education:
Born in Carlow on March 30, 1853, to a family with a medical background.
Showed an early interest in art and began creating landscape drawings in his teens.
Moved to Paris around 1872 to study art at the Académie Julian and later under the renowned portrait painter Carolus-Duran.
Artistic Style and Career:
Became known for his Impressionist landscape paintings, capturing the fleeting effects of light and atmosphere.
Exhibited his works at prestigious venues like the Paris Salon, the Royal Hibernian Academy, and the Royal Glasgow Institute of the Fine Arts.
Despite his relatively short career, he gained recognition for his talent and artistic vision.
Tragic End:
O'Meara suffered from malaria for several years. He returned to Carlow in the spring of 1888 and passed away in October of that year at the young age of 35.
Legacy:Although his life was cut short, O'Meara left behind a collection of captivating paintings that continue to be admired today.His work is held in various public collections, including the Dublin City Gallery The Hugh Lane and the Ulster Museum.
Connection to Carlow
O'Meara's strong ties to Carlow are evident in his early works, which often depicted landscapes from the surrounding County Carlow.
His family home at 37 Dublin Street, Carlow, served as both his birthplace and the place where he tragically passed away.
He is buried in the family graveyard in Bennekerry, near Carlow town.
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