A MURAL BY EMIC
STRENGTH IN FRAGILITY A MURAL BY EMIC [WHERE CROSBIE ROW MEETS NICHOLAS STREET IN LIMERICK]
Strength in Fragility: A Mural and a History
Crosbie Row, the section just off Nicholas Street in Limerick, is home to a striking mural entitled "Strength in Fragility" by the artist EMIC. Commissioned during the challenging times of the COVID-19 pandemic, the mural stands as a testament to the resilience and community spirit of the people of Limerick. It should be mentioned that Crosbie Row historically formed a distinct area, with two sides of a square facing Nicholas Street and Newgate Lane. This suggests a more expansive space than a typical lane or row.
The Mural: EMIC's mural is a vibrant and poignant depiction of hope and solidarity. It portrays individuals supporting each other, symbolising the interconnectedness of the community. The artist's use of color and imagery evokes a sense of optimism and strength, reminding viewers of the power of human connection in overcoming adversity. "Strength in Fragility" serves as a visual reminder of the collective spirit that helped Limerick navigate the pandemic and continues to bind its people together.
The Artist: EMIC is a talented street artist known for their captivating murals that often carry social and emotional themes. Their work can be found in various locations, adding splashes of color and meaning to urban landscapes. With a distinctive style that blends realism and abstract elements, EMIC creates art that resonates with viewers on a personal level. "Strength in Fragility" is a prime example of their ability to capture the essence of human experience and translate it into a powerful visual narrative.
Crosbie Row was named after a Limerick clergyman, Dean Maurice Crosbie (1771-1809). Historical records confirm this connection, highlighting the influence of prominent figures in shaping the city's landscape.
A Village within the City: Crosbie Row was once a distinct community within Limerick's old walled city. It was primarily inhabited by fisher folk, creating a unique social and occupational enclave. This "village" atmosphere contributed to the rich tapestry of life in old Limerick.
The Shadow of the Gaol: The area surrounding Crosbie Row was also marked by the presence of the old City Gaol, built in the early 19th century. This imposing structure, designed by the renowned architect John Nash, cast a long shadow over the neighbourhood. Interestingly, the gaol's façade was incorporated into the new City Hall building in the 1990s, preserving a piece of architectural history.
CONSTANCE SMITH
CONSTANCE SMITH A LIMERICK LADY IN HOLLYWOOD [THE SUBSET MURAL ON NICHOLAS STREET IN LIMERICK]
Constance Smith: A Limerick Lady in Hollywood
This striking mural on Nicholas Street immortalises Constance Smith, a Limerick woman who made her mark on Hollywood. Born in 1928, Smith became a renowned actress, gracing the silver screen in numerous films throughout the 1950s. Despite facing challenges and setbacks, she fiercely carved out a successful career, refusing to compromise her Limerick roots by changing her name to appease industry demands.
Subset: The Artists Behind the Mural
This captivating portrait is the work of Subset, a renowned Dublin-based collective known for their thought-provoking street art. Their murals often feature strong female figures and social commentary, making Constance Smith a fitting subject for their artistic vision. Subset's work can be found throughout Ireland, adding vibrancy and cultural relevance to urban spaces.
Nicholas Street: A Walk Through History
Nicholas Street itself is steeped in history. As part of Limerick's medieval quarter, it has witnessed centuries of change and development. Once a bustling commercial hub, it retains its historic charm with its narrow lanes and preserved architecture. Today, it's a popular destination for visitors seeking to explore Limerick's rich past and vibrant present.
Treaty City Brewery: A Modern Hub
The mural graces the wall of Treaty City Brewery, a fitting backdrop for a tribute to a strong Limerick woman. The brewery, located at 24-25 Nicholas Street, is a popular spot for locals and tourists alike, offering a taste of local craft beer and a warm, welcoming atmosphere.
Why "Treaty City"?
Limerick is often referred to as the "Treaty City" due to the Treaty of Limerick, signed in 1691, which brought an end to the Williamite War in Ireland. Although the treaty was subsequently violated, the name persists as a reminder of the city's resilience and historical significance.
BRASS BAND MURAL
ST JOHN'S BRASS AND REED BAND ON GARRYOWEN ROAD [THERE IS AN ATTRACTIVE MURAL AT THE SIDE OF THE BUILDING]
St John's Brass and Reed Band on Garryowen Road
A striking mural graces the side of St John's Brass and Reed Band's building on Garryowen Road in Limerick. Established in 1865, it's one of Limerick's oldest bands, contributing to the city's cultural development for over 150 years.
The band's home at 2 Garryowen Road shares its name with the famous Garryowen Football Club. This rugby union club, a mainstay of Limerick's sporting heritage, is known for its iconic "Garryowen kick" – a high kick designed to give the kicking team time to compete for the ball.
To celebrate the band's long history, Draw Out, a Limerick-based urban art initiative, commissioned Dublin-based artists Decoy and Without to create the mural. It features Jimmy McCormack, the band's current President, and former member Kevin Greaney, based on a 1958 photograph.
Decoy, known for his abstract shapes and patterns, and Without, with his background in sculpture and design, combined their unique styles to produce a vibrant and evocative artwork.
Draw Out, supported by Creative Ireland, Made in Limerick, and Limerick Arts Office, aims to create public art that inspires community engagement and celebrates local heritage. This mural is one of 29 original pieces across Limerick City, each reflecting the distinctive character of its area.
THE FISHERMEN MURAL
THE FISHERMEN MURAL BY FINTAN McGEE [ON ROCHES STREET LIMERICK JULY 2017]
Back in the summer of 2017, I wandered the streets of Limerick City, camera in hand, captivated by the explosion of colour that had taken over its walls. Limerick's street art scene was thriving, and I was determined to document it. At the time, identifying the artists and their works proved a bit of a puzzle, but through some online sleuthing, I've since been able to map out seventeen incredible murals.
One that particularly stands out is Fintan Magee's "The Fishermen" on Roches Street. This piece, with its ethereal figures seemingly intertwined with the flowing water, perfectly captures Magee's signature style. He's an Australian artist with strong Irish roots, and his work often explores themes of human connection, nature, and the ephemeral.
Magee's murals have a dreamlike quality, drawing you in with their flowing lines and muted colours. In "The Fishermen," the figures almost appear to be sculpted from water, their forms echoing classical art while remaining distinctly modern. It's a beautiful reminder of the interconnectedness between humanity and the natural world.
But this mural is more than just a beautiful artwork. It's also a tribute to a unique part of Limerick's heritage: the Abbey Fishermen. These fishing families, with names like Clancy, MacNamara, Hayes, and Shanny, lived and worked along the Shannon for centuries, their lives intertwined with the river's rhythms.
They fished the waters in their traditional "brochauns" – specialised boats that have been used on the Shannon since at least the 16th century. Their fishing rights and practices, passed down through generations, were deeply connected to the history of the Abbey area and even linked to ancient Irish law.
Sadly, much of the Abbey Fishermen's way of life has faded with time. Many of their homes have been demolished, and their fishing traditions have diminished. But Fintan Magee's mural keeps their memory alive, reminding us of the people who shaped Limerick's relationship with the Shannon.
While exploring Roches Street, keep an eye out for these notable buildings:
22 Roches Street: This building, now home to Hackett's printing company, has a fascinating past as a 19th-century corn store. Its architecture reflects the street's history as a centre of commerce and industry.
31 Roches Street: This striking red brick building dates back to the mid-19th century and is a well-preserved example of Victorian commercial architecture. It has housed a variety of shops throughout its history, most recently McMahon's Cycle World. Though currently unoccupied, its ornate shopfront and original features offer a glimpse into Limerick's commercial past.
Magee's "The Fishermen" is just one of many incredible murals that have transformed Limerick's urban landscape. If you're ever in the city, be sure to take a stroll and discover these hidden gems for yourself. You won't be disappointed!
A Few Facts about Fintan Magee:
He's gained international recognition for his large-scale murals, which can be found in cities all over the world.
His artistic influences range from classical masters like Caravaggio to contemporary street artists.
He often incorporates elements of nature into his work, creating a sense of harmony between humans and their environment.
BY MARCIN KOLORSKI
CAPTAIN NEMO BY MARCIN KOLORSKI [AT THE CLONTARF PUMP HOUSE]
Artist:Marcin Kolorski
Artwork title:'Cruise with captain Nemo'
Location:Vernon Avenue, Clontarf Road, Dublin 3
Year:2017 - 2019
Artwork description: Onboard Nautilus with Captain Nemo Looking at the box from the street we have continuation/connection to the sea, bay and sailing yachts, while looking at the box from the water side, we see somehow from the deck of mentioned Nautilus.
Biography: "I am a Polish artist and graphic designer living in Dublin. By profession, I deal with, what is understood in general as graphic design. However, within my personal interests are many other aspects of art (such as movie/video art, painting). My artworks are displayed at the Museum of Posters in Warsaw, Tehran as well as in private collections."
WELCOME - FAILTE
CONQUERED TIDE BY KAT ENNIS [AT LAST I FOUND SOME INFORMATION ABOUT THIS]
Today 23 November 2024 I was provided with information relating to this example of Paint-A-Box street art. Photographed August 2017.
Artist: Kat Ennis
Artwork title: 'Conquered Tide'
ocation: Alfie Byrne Road, Clontarf Road, Dublin 3
Year: 2017
Council: Dublin City Council
Artwork description:
"Conquered Tide" is a piece of artwork that I hope portrays a part of Dublin that for many is an area one comes to get away from the city, a place of bracing winds and solitude - also, a place that many people see for the first time viewing from the ferries coming across the Irish Sea. I used to go and watch the ferries come in from the bull wall as a child, the pigeon towers were like an anchor pulling them in across the water, welcoming those on board." - Kat Ennis
About the Artist:
Kat Ennis is an Irish installation artist living just outside of Dublin. With an Honours Degree in Fine Art from IT Sligo, she works across various mediums, from portraiture and line drawings to large-scale installations and graphic pieces. She has also contributed work to the Incognito show in aid of The Jack and Jill Foundation.
Finding the Artwork:
This painted utility box can be found at Alfi Byrne Road along Clontarf Road in Dublin 3. It offers a unique perspective on the coastal landscape, capturing the feeling of the sea and the arrival of ferries into Dublin port.
STREET ART 2017 - PAINTED CABINET AT ALFI BYRNE ROAD CLONTARF [WELCOME - FAILTE]
Street Art and Unexpected Encounters in Clontarf
I stumbled upon this lovely painted cabinet in Clontarf, and it turns out there's a story behind it! A local gentleman told me it was painted by a young schoolgirl from County Meath. We got chatting about the Dublin Canvas project – he even showed me his own impressive artwork proposal!
CITY TRIPPING
CITY TRIPPING BY ELLEN WEBB [PAINT-A-BOX STREET ART AT CONQUER HILL ROAD IN CLONTARF]
As described by the artist: "City Tripping is a soft, pastel-coloured painting that depicts my idea of travelling throughout Dublin. It is bright and cheerful, designed to give commuters something positive to reflect on as they wait for their bus. As a traveller of public transport daily, I would love to see this artwork in a place that many buses pass by."
This was located across the road from Clontarf Garage.
Conquer Hill Road itself holds a fascinating connection to Ireland's past. The name harks back to the epic Battle of Clontarf in 1014 AD, where Brian Boru's forces clashed with Viking and Leinster armies. While the exact location of the battle is still debated, Conquer Hill Road lies within the broader battlefield area. It's possible that the hill offered a strategic advantage during the fighting or was the site of a key skirmish.
BY CLAIRE O'HAGAN
By the way, the artist Claire O'Hagan is doing some really interesting things now with oil painting, exploring themes around the body and feminism. You can check out her work at https://www.claireohagan.com
TARA STREET MURALS
This was my first opportunity to photograph these murals on the southbound platform at Tara Street DART station but on my return home I could not access the photographs on my iPhone as all but one had disappeared. Yesterday [15 November 2024] after updating to iOS 18.2 Beta 3 I got a message that a number of photographs could be recovered and here they are.
In June 2023, to mark Pride Month, Irish Rail unveiled a vibrant new mural by Dublin-based French artist Claire Prouvost. The mural spans 65 square meters of the arches on the southbound platform of the station.
About the Mural:
Theme: The artwork celebrates diversity, love, and everyday life, with a focus on the LGBTQIA+ community.
Style: Prouvost's style is inspired by Cubism, with bold colours, geometric shapes, and a sense of movement. The mural features interconnected figures and symbols representing the diversity of people who pass through the station.
Interactive Elements: QR codes are installed near the mural, allowing viewers to learn more about the artist, the project, and the themes it explores.
About the Artist:
Claire Prouvost is a French visual artist who has made Dublin her home. She is known for her large-scale murals and public art installations. Her work often explores themes of human connection, social inclusion, and the vibrancy of urban life. Prouvost has collaborated with brands like Gucci, Lavazza, Guinness, and Brown Thomas.
About Tara Street Station:
Tara Street Station is a busy railway station in Dublin city centre. It serves as a major transportation hub for commuters and visitors, connecting to various destinations across Ireland. The station's location in the heart of the city makes it a prominent public space, and the addition of Prouvost's mural enhances its visual appeal and contributes to Dublin's vibrant arts scene.
As of right now, the most recent beta version of Apple iOS is iOS 18.2 beta 3. This was released to developers on November 8th, 2024, and shortly after to public beta testers. It's possible that a newer beta version (iOS 18.2 beta 4) might be released soon, as Apple seems to be moving quickly with the iOS 18.2 updates.
Apple initially stated that Apple Intelligence features would not be available in the EU until April 2025. This delay was attributed to compliance issues with the EU's Digital Markets Act (DMA), which aims to regulate Big Tech companies and promote competition. However, Apple later clarified that these features would be available in Ireland and the UK by December 2024. This suggests that Apple has found a way to address the DMA concerns for these specific markets, possibly due to their close ties with the US and the English language.
Possible reasons for Ireland's inclusion in the earlier release:
English Language: Apple Intelligence relies heavily on language processing, and English is one of the primary languages it supports. This might make it easier for Apple to deploy these features in English-speaking countries like Ireland and the UK.
Data Privacy Regulations: While Ireland is an EU member, it might have slightly different data privacy regulations or interpretations compared to other EU countries. This could potentially facilitate an earlier rollout of Apple Intelligence.
Economic and Political Considerations: Ireland has a strong economic relationship with the US, and Apple has a significant presence in the country. These factors might have influenced Apple's decision to prioritise Ireland in the rollout.
It's important to note:
This is still a developing situation, and Apple's plans could change.
The exact reasons for Ireland's inclusion in the earlier release timeline haven't been officially confirmed by Apple.
It remains to be seen how the DMA will impact the full functionality of Apple Intelligence in Ireland and other EU countries in the long term.
I will keep an eye on any further updates or announcements from Apple regarding the rollout of Apple Intelligence in Ireland and the EU. In the meantime, it's good news for Irish users that they might get to experience these new features sooner than initially expected!
DOMINICK STREET DREAMS
I have a suspicion that the whole redevelopment proposal is aspirational - I say this because for decades the City Council has promised that the Social Flats complexes on Dominick Street were to be redeveloped. To be fair the blocks across the street have been demolished and redeveloped but it took decades. In my opinion, the apartments that are current scheduled to be refurbished are in no way suitable.
Dominick Street Lower: A Model for Climate-Resilient Social Housing
In line with Dublin City Council's ambitious climate action plan, Climate Neutral Dublin 2030, three blocks of flats on Dominick Street Lower are undergoing a deep retrofit. This project aims to showcase how older social housing can be transformed into low-carbon, climate-resilient homes while maintaining high quality and comfort for residents.
More Than Just Bricks and Mortar
This initiative goes beyond simply improving energy efficiency. It's about creating a sustainable and vibrant community. Here's how:
"Your Back Garden": The vacant car park in Dominick Lane is being transformed into a temporary communal garden for residents to enjoy during the retrofit process. This green space provides a much-needed oasis in the urban landscape and fosters a sense of community.
Celebrating Sustainability Through Art: To highlight the project's commitment to climate action, DCC commissioned a striking mural on the construction hoarding. This vibrant artwork animates the street and raises awareness about sustainable living.
The Mural and Artists
The mural, titled "Dominick Street Dreams", is a collaborative creation by four talented artists:
Kathrina Rupit: Known for her bold graphic style and vibrant colours, often incorporating elements of nature and fantasy.
Claire Prouvost: A Dublin-based French artist specialising in large-scale murals that celebrate diversity and human connection, with a distinctive Cubist influence.
Friz: A street artist whose work explores themes of social justice and environmentalism, often using stencils and spray paint.
Emily Robyn Archer: An illustrator and muralist with a whimsical style, known for creating playful characters and imaginative scenes.
Together, these artists have produced a captivating mural that reflects the spirit of community, sustainability, and renewal. It's a testament to Dublin City Council's commitment to integrating art into urban regeneration projects.
The Original Vision: A Public-Private Partnership
The initial plan for Dominick Street's regeneration involved a Public-Private Partnership (PPP). This meant the Dublin City Council would collaborate with a private developer to overhaul the entire area, including the social housing flats.
The Developer's Exit
The private developer involved in the PPP was Bernard McNamara. Unfortunately, his company ran into significant financial difficulties during the Irish property crash in the late 2000s. This led to:
Project Stall: The Dominick Street regeneration project stalled as McNamara's company struggled.
PPP Collapse: Ultimately, the PPP collapsed, leaving the project in limbo.
The Aftermath and New Approach
Following the collapse of the PPP, Dublin City Council had to reassess its approach to the Dominick Street regeneration. This led to:
Phased Redevelopment: Instead of a single, large-scale project, the Council opted for a phased approach, tackling different parts of Dominick Street separately.
Focus on Social Housing: The initial focus shifted to redeveloping the social housing complexes on the east side of Dominick Street Lower, which had been vacated due to their poor condition.
New Partnerships: The Council sought new partnerships and funding sources to move forward with the regeneration.
Delays and Challenges
Even with this revised approach, the Dominick Street regeneration faced further delays and challenges:
Funding Constraints: Securing adequate funding for social housing projects remained a challenge in the post-crash economic climate.
Planning and Design: The planning and design process for complex urban regeneration projects can be time-consuming, involving consultations, approvals, and revisions.
Relocating Residents: Finding suitable alternative accommodation for residents of the existing flats was a crucial step that sometimes caused delays.
Current Status
As of now, the east side of Dominick Street Lower has been successfully redeveloped, with new social housing units, a community centre, and commercial spaces. However, the original vision for a comprehensive regeneration of the entire Dominick Street area, including the refurbishment of the remaining flats, remains unfulfilled. It should be noted that the commercial spaces are vacant.
The Future of Dominick Street Lower Flats
The future of the flats on the west side of Dominick Street Lower remains uncertain. While the Dublin City Development Plan 2016-2022 mentions their refurbishment, the lack of recent concrete information raises concerns about the timeline and feasibility of this project.
ST PETER'S LANE STREET ART
I visited the area about an hour later and someone had dumped a office furniture and a number of old televisions in one of the lanes.
St Peter's Lane is a small, somewhat forgotten lane in Phibsborough, Dublin 7. Connecting Cabra Park and St. Peter's Road, it's tucked away in a network of similar lanes, which can make it a bit tricky to find.
For a time, the lack of clear signage led to some confusion about its actual name. Many locals, myself included, referred to it as Cabra Lane. However, recently installed signs have confirmed its official name as St Peter's Lane.
Unfortunately, this little lane has faced persistent challenges with fly-tipping. Despite various attempts to combat this issue, including community clean-ups, street art competitions, and the creation of impressive murals, the problem seems to return in a frustratingly cyclical manner.
It's a real shame because the street art initiatives have brought moments of colour and vibrancy to the lane. Some truly talented artists have contributed their skills to create high-quality murals, temporarily transforming the area. But, sadly, the illegal dumping often reappears, undermining these positive efforts.
STREET ART BY @ZAPARTONE
STREET ART ON LIBERTY LANE [BY @ZAPARTONE]
This was located on Liberty Lane when I visited in 2022 so it may be long gone. As I had to leave because of anti-social behaviour this is the only usable photograph that I captured.
Liberty Lane, tucked away in Dublin's historic Liberties district, is a narrow lane running between Lower Kevin Street and Camden Row. While it may appear unassuming at first glance, it's actually a dynamic hub of urban creativity and a fascinating reflection of the city's past.
A Canvas for Street Art: Liberty Lane: Dublin's Ever-Changing Urban Canvas
The walls of Liberty Lane are a constantly evolving tapestry of street art. Local and international artists alike have transformed this space into an open-air gallery, showcasing a diverse range of styles and techniques. From large-scale murals to intricate stencils and tags, the artwork is vibrant, thought-provoking, and ever-changing.
Located in one of Dublin's oldest neighbourhoods, Liberty Lane is steeped in history. The Liberties was once a bustling centre for various trades and industries, and remnants of this past can be seen in the surrounding architecture. While the lane now primarily serves as a service access route for businesses, some historians believe it was once much longer, possibly extending to the Grand Canal. This theory, though debated, adds another layer of intrigue to this hidden corner of Dublin.
Adding to the unique character of Liberty Lane is its proximity to St. Kevin's Churchyard. The historic graveyard wall runs alongside the lane, creating a striking contrast between the old and the new, the serene and the vibrant. This juxtaposition highlights the ever-evolving nature of the city, where history and contemporary culture intersect.
If you're interested in experiencing Dublin's vibrant street art scene and exploring a lesser-known corner of the city, Liberty Lane is well worth a visit. Be sure to bring your camera to capture the colourful artwork, and take some time to wander through the surrounding streets of the Liberties, where you'll find plenty more hidden gems to discover.
SAFE HOME
SAFE HOME OR SLAN ABHAILE IF YOU ARE SPEAKING IRISH [PAINT-A-BOX AT THE OVAL IN PALMERSTOWN]
Artist: Andrew McCarthy
Artwork Title: 'Safe Home'
Location: 'The Oval', Palmerstown, Dublin 14
Year: 2018
Council: South Dublin County Council
McCarthy aimed to create a piece deeply connected to the local area. As a former pupil of a nearby primary school, his memories of walking home in his old snorkel jacket and carrying a heavy schoolbag inspired him. The simplicity of those days comes through in the artwork. Now an adult living in the area, McCarthy also observes that the track can become heavily congested as it sits before the final set of lights leading to the N4 motorway. This element is also captured in the work.
The boy depicted in the piece walks in the direction of the track, and the 'Slain Abhaile' symbolises a wish for a safe journey home for everyone.
Biography:
Andrew McCarthy works as a Graphic Designer for Freeney's Graphics. His specialisation lies in vehicle and wall graphics, a profession he greatly enjoys. Many of his designs can be seen on vehicles throughout Dublin. With a lifelong passion for drawing and painting, McCarthy is presently working on a collection of original pieces. He anticipates launching his own website by the end of the summer.
The Oval at Palmerstown is a crèche and Montessori school located at 2 Palmerstown Avenue, Dublin 20. It is committed to the best interests of children, respecting their rights, needs, and interests.
The Oval Crèche and Montessori School offers a variety of programs including a Toddler Room, Pre-Montessori, Montessori, and After-School programs. They also participate in the ECCE Government Preschool Scheme, which applies to children aged between 3 years 2 months and 4 years 6 months on 1st September in any given year.
The school’s ethos is centred around happy children, friendly caring staff, happy parents, and positive interactions. They aim to support the learning and development of each individual child by providing an integrated, balanced, broad, and stimulating curriculum.
The Oval Crèche and Montessori School is based in Palmerstown, Dublin, and is easily accessible for local residents. It provides a safe, secure, and stimulating environment that embraces all children and values their race, gender, age, disability, culture, class, and religion.
WHAT A HOOT
This striking paint-a-box mural, located on Malahide Road near Griffith Avenue, features a captivating long-eared owl, a native Irish species. Artist Alan McArthur cleverly uses geometric patterns to evoke the owl's feathers, capturing the essence of its silent nocturnal flight.
A Dublin-based graphic designer, McArthur honed his distinctive geometric style through his work as deputy creative director at Ashville Media and various freelance projects. He graduated from the National College of Art and Design (NCAD) in 2004 with a degree in Visual Communications.
TWO FOR JOY
A few weeks ago I captured a delightful piece of street art! "Two for Joy" by Emer Maguire and it a colourful addition to Lower Rathmines Road.
Emer Maguire and "Two for Joy"
Emer Maguire is a self-taught artist who enjoys painting and creating art as a hobby. Her "Two for Joy" piece was created as part of the Dublin Canvas programme in 2023. It features two stylised magpies set against a vibrant yellow sky, designed to mimic a stained glass window. The inspiration came from the nearby Church of Mary Immaculate Refuge of Sinners. The black railings behind the birds helps the artwork blend seamlessly with its surroundings.
Dublin Canvas
Dublin Canvas is a fantastic initiative that transforms traffic signal boxes into vibrant works of art. It's a brilliant way to brighten up the streetscape and support local artistic talent. Since its inception, Dublin Canvas has brought colour and creativity to over 200 traffic signal boxes across the city. This programme has certainly made paint-a-box street art a common and much-loved sight in Dublin. It not only enhances the urban environment but also provides a platform for artists to showcase their work.
Magpie Rhymes and Superstitions
The magpie rhyme referenced by the artwork is a well-known piece of folklore, particularly in the UK and Ireland:
One for sorrow,
Two for joy,
Three for a girl,
Four for a boy,
Five for silver,
Six for gold,
Seven for a secret, never to be told.
This rhyme, and the superstitions around magpies, are deeply rooted in British and Irish culture. While variations of the rhyme exist, the core theme of magpies as omens of good or bad luck remains consistent.
Global Magpie Folklore
Interestingly, magpie folklore isn't confined to the Anglo world. Similar beliefs and superstitions around magpies can be found in various cultures across Europe and Asia.
In Korea, magpies are considered birds of good omen, symbolising happiness, good news, and fidelity.
In China, magpies are associated with joy, good fortune, and marital bliss. They are often depicted in art and literature as symbols of happiness.
In Sweden, a magpie seen chattering near the house is said to foretell a visitor.
While the specific interpretations and rhymes may differ, the widespread association of magpies with fortune, luck, and omens suggests a deeper connection between humans and these intelligent birds across various cultures.
HALLOWEEN MURALS BY ERAQUARIO
A BRAZILIAN STREET ARTIST
HALLOWEEN MURALS BY ERAQUARIO
HALLOWEEN MURALS BY ERAQUARIO [A BRAZILIAN STREET ARTIST]
Eraquario is a Brazilian illustrator & street artist.
Unfortunately, information about the Brazilian illustrator and street artist Eraquario is limited. While their work is visually striking and has been featured in some online galleries and articles, detailed biographical information or critical analysis is scarce.
Here's what I could gather:
Style: Eraquario's style appears to be a blend of vibrant colours, bold lines, and abstract forms, often incorporating elements of nature and human figures. Their street art often interacts with the urban environment, adding a splash of colour and imagination to otherwise mundane spaces.
Locations: Eraquario's work has been documented in Dublin, Ireland, and presumably in Brazil, although specific locations are not widely publicised.
Themes: Based on available images, their work might touch on themes of nature, urban life, and human connection, but this is speculative without artist statements.
Online Presence: Eraquario seems to maintain a low online profile, with limited presence on social media or personal websites.
[Update] A friend of mine saw my photograph of this and dismissed it as not being original as it was a stencil. I have never given the matter any consideration I decided to investigate the subject but I will leave it to you to reach your own conclusions []
In street art, a stencil is a thin sheet of material, like paper or cardboard, with a design cut out of it. This sheet is then placed against a surface, and spray paint is applied over it. When the stencil is removed, the design is left behind on the surface.
Stencils are produced by:
Creating the design: The artist first creates the design they want to use. This can be done by hand or using a computer.
Cutting the stencil: The design is then carefully cut out of the chosen material using a sharp knife or scalpel.
Preparing the surface: The surface the stencil will be used on is cleaned and prepared.
Applying the stencil: The stencil is then placed against the surface and held in place with tape or adhesive.
Spray painting: Spray paint is applied over the stencil, ensuring an even coat.
Removing the stencil: Once the paint is dry, the stencil is carefully removed, revealing the design.
Do stencils indicate that the artwork is not original or totally the artist's work? Not necessarily. While stencils allow for easy reproduction of a design, the original design itself is still the artist's creation. Additionally, the way the stencil is used, the colours chosen, and the placement of the artwork all contribute to the final piece, making it unique.
However, some may argue that using stencils reduces the originality and skill involved in creating street art compared to freehand painting. Ultimately, whether or not a stencil-based artwork is considered original depends on the individual's perspective.
Many famous street artists, like Banksy, use stencils extensively in their work, and their art is highly valued and recognised.
BY TRACEY DALTON
In September 2023, I returned to capture Tracey Dalton's vibrant "Paint-A-Box" street art on Griffith Avenue, this time with a different approach. My previous attempt, using a Sony FX30, was hampered by its electronic shutter. While I appreciate the FX30's discreetness (especially compared to my attention-grabbing Sony A7RIV with grip), the slightest movement within the frame rendered images unusable.
Determined to do justice to the artwork, I opted for my A7RIV with the Sigma 24-105mm F4 lens. This combination, while bulkier, delivers exceptional image quality. However, the trade-off was the inevitable curious glances from passers-by.
Dalton's artwork beautifully encapsulates the spirit of Griffith Avenue, renowned for being one of the longest tree-lined avenues in Europe. Stretching through the neighbourhoods of Drumcondra and Marino, the avenue's canopy transforms with the seasons, offering a picturesque backdrop for leisurely strolls. In autumn, Dublin's Griffith Avenue is particularly enchanting, with leaves turning shades of gold, russet, and crimson, creating a captivating spectacle of colour.
Tracey Dalton, a design lecturer and researcher at the School of Creative Arts, TU Dublin, brings her extensive experience in interior design to her street art. With a career spanning 25 years, her artistic flair and keen eye for detail are evident in this striking piece.
SHEPHERD'S WARNING
This is located near the Met Éireann building.
This is a fantastic piece of street art and the title "Shepherd's Warning" is incredibly apt given its proximity to Met Éireann.
Here's why it works so well:
The proverb: "Shepherd's Warning" plays on the old weather proverb "Red sky at night, shepherd's delight; red sky in the morning, shepherd's warning." This saying suggests that a red sky at sunset often indicates good weather the following day, while a red sky at sunrise can be a sign of impending storms or bad weather.
Met Éireann's role: Met Éireann's primary function is to forecast the weather, essentially providing "shepherd's warnings" (or delights!) to the entire nation. They alert people to potential weather hazards, allowing them to prepare and stay safe.
Visual connection: The artwork itself features an image of the Met Éireann building, further strengthening the link between the title and the organisation's purpose. It's a clever way to connect the art to its location and the service provided there.
Artistic interpretation: By using the phrase "Shepherd's Warning", the artists, Anna and Isobel Mahon, may also be subtly commenting on the increasing importance of heeding weather warnings in the face of climate change. Extreme weather events are becoming more frequent, and paying attention to forecasts and warnings is crucial for public safety.
The "paint-a-box" project, which sees many traffic signal boxes transformed into vibrant works of art, adds another layer of meaning. It's about bringing colour and creativity to unexpected places, much like Met Éireann brings vital information to the public, often in ways that are engaging and accessible.
Met Éireann is Ireland's national meteorological service. It's a division of the Department of Housing, Local Government and Heritage, and is responsible for providing weather information and related services for the country.
Here are some key things to know about Met Éireann:
What they do: They provide a wide range of services, including:
Weather forecasts: Regularly updated forecasts for the general public, specific sectors (like farming and aviation), and marine areas. You can find these forecasts on their website, app, social media, and through various media outlets.
Weather warnings: Issuing warnings for severe weather events like heavy rain, strong winds, snow, and ice. These warnings help people to prepare and stay safe during potentially dangerous weather.
Climate monitoring: Monitoring and recording weather data to understand long-term climate trends in Ireland. This information is crucial for research, planning, and policy-making related to climate change.
Research and development: Conducting research to improve forecasting accuracy and develop new meteorological services.
How they do it: Met Éireann uses a variety of tools and technologies to monitor and forecast weather, including:
Weather stations: A network of stations across Ireland that collect data on temperature, rainfall, wind speed, and other variables.
Radar: Radar systems that track precipitation and provide information on its intensity and movement.
Weather balloons: Launched regularly to gather data on atmospheric conditions at different altitudes.
Satellite imagery: Images from satellites that provide a view of weather patterns from space.
Computer models: Sophisticated computer models that use all the available data to predict future weather conditions.
Current weather situation: Met Éireann has issued warnings for heavy rainfall in parts of Ireland this weekend, particularly in southern counties. They are also monitoring the potential impact of Hurricane Kirk, which may bring more wind and rain next week.
Here's some information about the unique building of Met Éireann in Dublin:
It was designed by celebrated Irish architect Liam McCormick, most renowned for his church architecture. The building was completed in 1979 and is a four-story office building.
Its truncated-pyramid shape is notable. This shape was chosen to allow staff to get better views of the sky and to limit overshadowing of the houses behind.
The building's facade is made of metal sheets. This was a replacement for the original limestone facade, which was found to be unsuitable for the Irish climate. The metal facade gives the building a futuristic look.
The building is a popular tourist attraction. It is included in the Open House Dublin tour and is often visited by school groups and other visitors.
It is home to the Met Éireann headquarters and a number of other offices. These offices include the Met Éireann library, the Met Éireann archives, and the Met Éireann canteen.
Here are some additional details about the building:
The building is located at 65-67 Glasnevin Hill, Dublin 9.
It is open to the public on weekdays from 9:15 AM to 5:30 PM.
Tours of the building are available for groups of 10 or more people.
CATS OF KELLS
Stroll down Dublin's Pearse Street and encounter a delightful surprise: "Cats of Kells," a vibrant mural that playfully reimagines the iconic Book of Kells through the eyes of a cat. This whimsical artwork, created by recent transplants Olga Kunichenko and Irina Munina, pays homage to Ireland's rich artistic heritage while infusing it with a modern, lighthearted touch.
Two school friends who recently made Ireland their home, Olga and Irina, each bring their unique perspectives to the piece. Olga, a graphic designer, lends her eye for detail and composition, while Irina, a researcher, ensures the artwork's historical accuracy and cultural relevance. Together, they've created a purr-fectly charming addition to Dublin's streetscape, showcasing their love for their new city and its artistic traditions.
MURAL BY DECOY
Decoy, a talented muralist and street artist based in Dún Laoghaire, has made a significant mark on Dublin's urban landscape. He has collaborated extensively with the renowned Dublin collective Subset, contributing to their transformative Grey Area Project, which breathed new life into the city's grey walls.
During Dún Laoghaire Anseo 2021, Decoy unveiled his captivating piece, "Dragon Class." This abstract artwork pays homage to Dún Laoghaire's rich maritime heritage, capturing the essence of its sea-faring fleet.
In 2022, Decoy created a poignant memorial dedicated to the victims of the RMS Leinster disaster of 1918. The artwork's focal point is Robert Anthony, a Lamp Trimmer on the ill-fated ship who tragically lost his life. Robert hailed from Holyhead, a town with deep historical ties to Dún Laoghaire.
BY TRACEY MOCA
According to the artist: "My name is Tracey Moca or HeArt Designs. I’m an artist from Dublin and a graduate of NCAD. I create murals and paintings with acrylic on wood including street art for Mad About Galway, Creative Ireland, 20x20 Women In Sport."
Sadly, the Lambert Puppet Theatre no longer exists.
Here's a brief overview of its history:
Founded in 1972 by Eugene Lambert and his family, it was Ireland's only purpose-built puppet theatre.
Hosted an international puppet festival annually and produced beloved children's television series like "Wanderly Wagon."
Suffered an arson attack in 2015 causing significant damage, but it was rebuilt and reopened.
Closed permanently in 2018.
Although the physical theatre is no longer there, the Lambert legacy lives on through the memories of generations of Irish children who were entertained and inspired by their puppet shows and TV programs.
NORMAL PEOPLE
NORMAL PEOPLE BY EVE FITZSIMONS [PAINT-A-BOX STREET ART IN DUBLIN]
This is located at the LUAS tram stop on College Green and unfortunately there is no information available to me at present except that Eve Fitzsimons is the artist.
College Green, situated in the heart of Dublin, is a historic and vibrant public space that embodies the city's rich heritage and bustling energy. This iconic plaza, triangular in shape, is bordered by several landmarks that define Dublin's architectural and cultural landscape.
On its northern side stands the imposing Bank of Ireland building, a testament to Dublin's past as it once housed the Irish Parliament. To its east lies the prestigious Trinity College Dublin, Ireland's oldest university, renowned for its beautiful campus and academic excellence. And along its southern edge, a series of elegant 19th-century buildings complete the plaza's distinctive character.
College Green is not merely a static space; it pulsates with the rhythm of Dublin life. It serves as a popular meeting point, a thoroughfare for locals and tourists alike, and a stage for various events and gatherings, from political rallies to cultural celebrations. The plaza's central location, at the intersection of several major streets, including Dame Street, Grafton Street, and Westmoreland Street, further amplifies its significance as a vital hub within the city.
In recent years, College Green has undergone revitalisation efforts aimed at enhancing its pedestrian-friendliness and accessibility. These projects have focused on creating a more welcoming and vibrant public space that prioritises the needs of pedestrians and cyclists, while also respecting its historical context.
A visit to Dublin is incomplete without experiencing the charm and dynamism of College Green. Whether you're admiring the architectural grandeur of its surrounding buildings, soaking in the lively atmosphere, or simply people-watching, this plaza offers a unique glimpse into the heart and soul of Dublin.
Today I uses a Zeiss Batis 85mm Lens so let's take a comprehensive look at the Zeiss Batis 85mm lens and how it compares to the Sony 85mm GM, including the Sony's notable autofocus noise issue for video.
Zeiss Batis 85mm f/1.8
Strengths:
Exceptional sharpness across the frame, even wide open at f/1.8
Compact and lightweight, comfortable for long shoots or travel
Fast and quiet autofocus, suitable for candid moments and video
Weather-sealed for protection against dust and moisture
Unique OLED display shows focus distance and depth of field
Considerations:
Maximum aperture of f/1.8 limits low-light performance and shallow depth of field compared to the Sony GM
Slight vignetting, correctable in post-processing
Sony FE 85mm f/1.4 GM
Strengths:
Wider maximum aperture of f/1.4 excels in low light and produces creamy bokeh
Outstanding image quality with exceptional sharpness, contrast, and colour
Beautiful bokeh from the 11-blade aperture
Fast and accurate autofocus for reliable subject tracking
Dust and moisture resistant for challenging conditions
Considerations:
Larger and heavier than the Batis, less portable for extended use
Higher price point
Noticeably loud autofocus motor, unsuitable for video recording with on-camera audio
Comparison
Image Quality: Both lenses produce stunning images. The Sony GM has an edge in bokeh and low-light performance due to its wider aperture.
Autofocus: Both have fast and accurate autofocus. The Batis might be slightly faster, but the Sony GM is known for its reliability. However, the Sony GM's loud autofocus motor is a major drawback for video.
Size and Weight: The Batis is significantly smaller and lighter, a more portable option.
Price: The Batis is more affordable than the Sony GM.
Versatility: The Batis's quiet autofocus makes it suitable for both stills and video, while the Sony GM's loud motor limits its use for video.
Conclusion
The choice depends on your needs and budget.
The Zeiss Batis 85mm is an excellent all-around 85mm lens, offering portability, fast and quiet autofocus, and sharp images. It's versatile for various genres, including portraits, events, and video.
The Sony FE 85mm f/1.4 GM is a top-tier portrait lens with exceptional image quality and beautiful bokeh, ideal for professionals and enthusiasts who prioritise stills photography. However, its loud autofocus motor makes it unsuitable for video work with on-camera audio.
Consider your priorities and shooting style when deciding. If you need a versatile lens for stills and video, the Batis is a strong contender. If you focus primarily on stills and want the absolute best image quality, the Sony GM might be the choice, despite its limitations for video.
Remember, both lenses are capable of producing outstanding results. Choose the one that best fits your needs and shooting style.
THE PIGEON HOUSE
This is complicated: There's a recent Paint-A-Box street art piece in Stoneybatter that directly references "The Pigeon House." It's located on Manor Place and depicts a flock of pigeons preparing to away from a rooftop, likely symbolising the birds' departure from the house after the legal action described below. This artwork serves as a visual reminder of the "Pigeon House" saga and its impact on the neighbourhood. It also demonstrates how street art can reflect local events and contribute to community dialogue.
"The Pigeon House" on Manor Street in Stoneybatter, Dublin, has been a point of local interest and some contention for a number of years.
Background:
The house earned its nickname due to the large number of pigeons that congregated on its rooftop and surrounding area.
This was largely attributed to a resident who regularly fed the birds.
While some residents enjoyed the birds and considered them a quirky part of the neighbourhood, others found them to be a nuisance due to their droppings and noise.
Key Points and Events:
In 2017, the Dublin Inquirer published an article highlighting the mixed feelings among locals about the pigeons and their impact on the area.
In 2019, Dublin City Council took legal action against the resident for allegedly causing a nuisance by feeding the pigeons. This led to debate about the balance between individual freedoms and community well-being.
The council's action also inspired a documentary film called "Pigeons of Discontent" which explored the issue from various perspectives.
In 2022, the council ultimately dropped the case against the resident.
Overall, the "Pigeon House" on Manor Street represents a complex situation where the love for animals clashes with concerns about public health and cleanliness. It serves as a reminder of the challenges cities face in balancing the needs of wildlife and human residents.
NOTE: While the Dublin City Council did take legal action against the resident in 2019, there's conflicting information available about the final outcome of the case.Some sources report that the council dropped the case in 2022, as mentioned previously. However, other sources indicate that the case may have been resolved through a settlement or some other legal process. Without definitive confirmation from official records or reliable news reports, it's challenging to say with certainty what the ultimate outcome was.
STREET ART AT BUA
Two days ago I noticed a pop-up specialty coffee shop near my home at the Broadstone Plaza and when I revisited the plaza today and I noticed that they had added what could be added as street art.
Bua Coffee is a specialty coffee shop located in Glasnevin, Dublin. It's known for its focus on high-quality coffee and its friendly atmosphere.
Here are a few things I know about Bua Coffee:
Origins: The shop was founded by Neil and Bud, who share a passion for great coffee and a desire to create a local business in their area. The name "Bua" means "victory" or "win" in Irish, reflecting their aspirations for the venture.
Coffee Focus: Bua Coffee prioritises serving excellent coffee. They likely source their beans carefully and pay close attention to the brewing process. You can probably expect a range of coffee drinks, from classic espressos and cappuccinos to more specialised brews.
Community Vibe: The shop seems to have fostered a sense of community. Reviews and articles mention the friendly staff and welcoming environment.
Recent Expansion: The team behind Bua Coffee recently opened another specialty coffee shop called Joli in Stoneybatter (which I photographed today). This suggests that their first venture has been successful and they are expanding their reach within Dublin.
Overall, Bua Coffee sounds like a great place for coffee lovers in Dublin. If you're in the Glasnevin area, it's worth checking out for a quality cup of coffee and a pleasant atmosphere.
MURAL BY NINA VALKHOFF
As the laneway is narrow it was difficult to photograph this large mural in Drogheda when I visited to town a few days ago.
While the people of Drogheda may not have the best mural in the world they do have the best one in Ireland!
The results are in for Street Art Cities best of 2022 global competition and Muralist Nina Valkhoff’s “Étaín” mural has placed 38th out of 100 of the Best Murals across the globe! However, there is still cause for celebration as the mural has ranked highest out of the four Irish nominations
Street Art Cities is the largest street art community in the world.
Forgotten buildings, laneways and entire urban areas can lend themselves to colour and vibrant storytelling when murals are installed and used to ignite old stories, as is the case with Étaín and the five other mythological murals that make up the DRAWDA Urban Art Project.
History Of Meat Market Lane
Origin of the Name: As the name suggests, Meat Market Lane was once the central location for Drogheda's meat market. It housed wooden sheds or "shambles" where butchers sold their wares.
18th Century Relocation: In 1778, a decision was made to move the meat vendors from open stalls on West Street to a more organised space along the north side of Dyer Street. This led to the establishment of the meat market in what is now known as Meat Market Lane.
Transition and Modern Times: Over time, the meat market's function diminished, and the lane evolved into a passage connecting West Street and Dyer Street. In recent years, it has seen revitalisation efforts, including the addition of the "Étaín" mural as part of the DRAWDA Urban Art Project. It now houses some businesses, including a restaurant.
Meat Market Lane runs parallel to West Street, one of Drogheda's main thoroughfares.
It connects West Street to Dyer Street, providing a convenient pedestrian walkway between the two.
It is located close to Drogheda Town Centre, a popular shopping destination.
Significance
Meat Market Lane serves as a reminder of Drogheda's rich commercial history, reflecting the town's evolution over centuries.
The presence of the "Étaín" mural and its connection to the DRAWDA Urban Art Trail highlight the lane's growing importance in Drogheda's cultural scene.
Nina’s mural is part of the DRAWDA multidisciplinary public arts programme, launched in Drogheda, Co. Louth between November 2021, and April 2022, culminating in an Urban Art Trail throughout Drogheda that focuses on key figures and moments from our mythological past.
Nina Valkhoff is a talented muralist and painter based in Rotterdam, Netherlands. She's been creating large-scale murals for over two decades and is known for her distinctive style, often featuring endangered species surrounded by vibrant flora.
Some notable aspects of her work include:
Focus on nature: Her murals frequently depict animals and plants, often highlighting endangered species to raise awareness about conservation.
Large-scale projects: She specialises in large-scale murals that transform urban landscapes, adding colour and visual interest to buildings and walls.
Vibrant colour palette: Her work is characterised by a bold use of colour, creating eye-catching and dynamic compositions.
International recognition: She has created murals in various countries and her work has been featured in the Street Art Cities' "Best of 2022" global competition.
In addition to the "Étaín" mural in Drogheda, some of her other notable works include murals for the STRAAT Museum in Amsterdam and collaborations with institutions like the Mauritshuis museum.
If you'd like to learn more about Nina Valkhoff and her art, you can visit her website or search for her work on social media platforms.
MURAL BY VERA BUGATTI
The Bridge of Peace, Drogheda's second-furthest-west crossing, was constructed in the 1970s as part of an inner bypass. For years, its undercroft was a pilgrimage site for me, capturing the vibrant pulse of street art that bloomed annually each August. Locals proudly proclaimed it the world's longest-running graffiti art event, a canvas for renowned international artists since 1993.
My yearly visits abruptly ceased in 2012, the undercroft's walls disappointingly bare. A return in 2023 brought further dismay; the once-vibrant space lay silent. Yet, as I wandered Drogheda's streets, a delightful surprise awaited. Murals, rivalling Waterford's finest, adorned the town, breathing new artistic life into its fabric.
DRAWDA, a collaborative project between Love Drogheda BIDS, Droichead Arts Centre, and Louth County Council, is the force behind this urban renaissance. Curated by Dee Walsh and mythologist Anthony Murphy, the trail recently welcomed its seventh addition: Vera Bugatti's captivating mural on Dominick Street.
The mural portrays the Cailleach, a powerful figure in Irish mythology, the divine sorceress and mother goddess intertwined with the creation of the land and ancient monuments. Bugatti, an Italian artist with a background in Conservation of Cultural Heritage, seamlessly blends her artistic vision with historical and iconological research.
Her impressive portfolio includes features in numerous street art publications and international projects across Europe, the Americas, Asia, and the Middle East. Bugatti views urban art as an extension of her artistic expression, reflecting on environmental concerns, human disturbances, and social issues.
OLD STONES MURAL
On College Street, across from the Cathedral, there is a building Seanclocha Cheatharlach, on which is a mural named the Old Stones Mural. To the best of my knowledge this featured in the 2021 Carlow Fringe Arts Festival.
"Seanclocha Cheatharlach" is the Irish phrase for "The Old Stones of Carlow." It refers to the collection of ancient megalithic monuments and other historic stone structures found throughout County Carlow.
One prominent example related to this phrase is the Sean Clocha Cheatharlach/The Old Stones of Carlow Mural located in Carlow town. This mural celebrates the rich prehistoric heritage of the region by depicting some of its most iconic ancient sites, such as the Brownshill Dolmen and other megalithic tombs.
So, while "Seanclocha Cheatharlach" literally translates to "The Old Stones of Carlow," it encompasses both the actual ancient monuments themselves and the cultural appreciation and recognition of these significant historical landmarks, as exemplified by the mural.
THE OLD STONES OF CARLOW
Remember when the air was sweet
From the Tavern to the Weir
With the smell of sugar beet
Each September of the year.
Sowed the seed – Siol Sa Chre
Ploughed the furrow – Raon Treabhtha
On our land – In Ar OTalamh
Was golden grain – Arbhair Oir
Through the years the Stoney Street of Carlow
Stand against the wind and rain
From the Slaney River to the Barrow
These old Carlow Stones will remain
Yellow are the primroses
Green the leaf on the tree
Red were the hearts of our heroes
Who gave their lives for liberty.
As already mentioned the "Old Stones of Carlow" refers to the numerous ancient megalithic monuments and other historic stone structures scattered throughout County Carlow. These remnants of Ireland's prehistoric past offer a fascinating glimpse into the lives and beliefs of the people who inhabited this land thousands of years ago.
Some of the most notable "Old Stones" include:
Brownshill Dolmen: This massive portal tomb, also known as the Kernanstown Cromlech, features one of the largest capstones in Europe, estimated to weigh over 100 tons.
Cloch-an-Phoill (The Stone of the Hole): A large granite pillar with a distinctive hole, believed to have been used for ritual purposes.
The Nine Stones: A mysterious stone circle near the village of Ballon, shrouded in local folklore and legends.
High Crosses: Carlow boasts several well-preserved high crosses, intricately carved stone monuments dating back to the early Christian period.
These "Old Stones" serve as tangible reminders of Carlow's rich and layered history, offering a unique connection to the distant past. They continue to inspire awe and wonder, attracting visitors from around the world who seek to explore the mysteries and secrets they hold.
The Carlow Fringe Arts Festival is a vibrant celebration of creativity and culture, showcasing a diverse range of artistic expressions. This annual festival, held in the heart of Carlow, Ireland, transforms the town into a hub of artistic energy, attracting both local and international visitors.
The festival's programme is a delightful mix of visual arts, music, theatre, literature, and film, offering something to captivate every artistic taste. Visitors can immerse themselves in thought-provoking exhibitions, enjoy soul-stirring musical performances, and experience the magic of live theatre. The festival also provides a platform for emerging artists to showcase their talents, fostering a sense of community and artistic growth.
Beyond the performances and exhibitions, the Carlow Fringe Arts Festival creates a unique atmosphere of shared artistic experiences. The streets come alive with impromptu performances, workshops, and interactive installations, inviting everyone to participate and engage with the arts. Whether you're a seasoned art enthusiast or simply curious to explore new creative horizons, the Carlow Fringe Arts Festival promises an unforgettable experience.
"Seanclocha Cheatharlach" is the Irish phrase for "The Old Stones of Carlow." It refers to the collection of ancient megalithic monuments and other historic stone structures found throughout County Carlow.
One prominent example related to this phrase is the Sean Clocha Cheatharlach/The Old Stones of Carlow Mural located in Carlow town. This mural celebrates the rich prehistoric heritage of the region by depicting some of its most iconic ancient sites, such as the Brownshill Dolmen and other megalithic tombs.
So, while "Seanclocha Cheatharlach" literally translates to "The Old Stones of Carlow," it encompasses both the actual ancient monuments themselves and the cultural appreciation and recognition of these significant historical landmarks, as exemplified by the mural.
THE OLD STONES OF CARLOW
Remember when the air was sweet
From the Tavern to the Weir
With the smell of sugar beet
Each September of the year.
Sowed the seed – Siol Sa Chre
Ploughed the furrow – Raon Treabhtha
On our land – In Ar OTalamh
Was golden grain – Arbhair Oir
Through the years the Stoney Street of Carlow
Stand against the wind and rain
From the Slaney River to the Barrow
These old Carlow Stones will remain
Yellow are the primroses
Green the leaf on the tree
Red were the hearts of our heroes
Who gave their lives for liberty.
As already mentioned the "Old Stones of Carlow" refers to the numerous ancient megalithic monuments and other historic stone structures scattered throughout County Carlow. These remnants of Ireland's prehistoric past offer a fascinating glimpse into the lives and beliefs of the people who inhabited this land thousands of years ago.
Some of the most notable "Old Stones" include:
Brownshill Dolmen: This massive portal tomb, also known as the Kernanstown Cromlech, features one of the largest capstones in Europe, estimated to weigh over 100 tons.
Cloch-an-Phoill (The Stone of the Hole): A large granite pillar with a distinctive hole, believed to have been used for ritual purposes.
The Nine Stones: A mysterious stone circle near the village of Ballon, shrouded in local folklore and legends.
High Crosses: Carlow boasts several well-preserved high crosses, intricately carved stone monuments dating back to the early Christian period.
These "Old Stones" serve as tangible reminders of Carlow's rich and layered history, offering a unique connection to the distant past. They continue to inspire awe and wonder, attracting visitors from around the world who seek to explore the mysteries and secrets they hold.
The Carlow Fringe Arts Festival is a vibrant celebration of creativity and culture, showcasing a diverse range of artistic expressions. This annual festival, held in the heart of Carlow, Ireland, transforms the town into a hub of artistic energy, attracting both local and international visitors.
The festival's programme is a delightful mix of visual arts, music, theatre, literature, and film, offering something to captivate every artistic taste. Visitors can immerse themselves in thought-provoking exhibitions, enjoy soul-stirring musical performances, and experience the magic of live theatre. The festival also provides a platform for emerging artists to showcase their talents, fostering a sense of community and artistic growth.
Beyond the performances and exhibitions, the Carlow Fringe Arts Festival creates a unique atmosphere of shared artistic experiences. The streets come alive with impromptu performances, workshops, and interactive installations, inviting everyone to participate and engage with the arts. Whether you're a seasoned art enthusiast or simply curious to explore new creative horizons, the Carlow Fringe Arts Festival promises an unforgettable experience.
ART ON CENTAUR STREET
Centaur Street in Carlow: A Curious Name with a Storied Past, Divided by Haymarket
Centaur Street, nestled in the heart of Carlow town, is a thoroughfare that piques curiosity with its unusual name and distinctive layout. The street is divided into two sections by the triangular Haymarket, a central open space that adds a unique character to the area.
While the exact origin of the street's name remains shrouded in some mystery, local lore and historical records offer tantalising clues. One prevailing theory links the street's name to the Browne family, prominent landowners in Carlow during the 18th century. Their coat of arms featured a centaur, a mythical creature combining the upper body of a human with the lower body of a horse. It is believed that the street, once part of the Browne estate, was named in honour of this heraldic symbol.
Another intriguing possibility stems from the ancient Greek myth of the centaurs, who were renowned for their wild and untamed nature. Some speculate that the street's name might allude to the area's lively atmosphere or perhaps to its location near the River Barrow, which could have been perceived as a somewhat untamed natural force in earlier times.
Regardless of its precise origin, the name Centaur Street has endured for centuries, adding a touch of mystique to this historic Carlow thoroughfare. Today, it is home to a mix of businesses and residences, each contributing to the town's vibrant tapestry. Haymarket, with its central location, serves as a gathering place and a visual marker dividing the street into two distinct sections.
As you stroll along Centaur Street, take a moment to ponder its enigmatic name and the stories it might hold. Whether it echoes the legacy of a noble family or whispers of ancient myths, it serves as a reminder of Carlow's rich history and the enduring power of names to capture our imagination.
Centaur Street, nestled in the heart of Carlow town, is a thoroughfare that piques curiosity with its unusual name and distinctive layout. The street is divided into two sections by the triangular Haymarket, a central open space that adds a unique character to the area.
While the exact origin of the street's name remains shrouded in some mystery, local lore and historical records offer tantalising clues. One prevailing theory links the street's name to the Browne family, prominent landowners in Carlow during the 18th century. Their coat of arms featured a centaur, a mythical creature combining the upper body of a human with the lower body of a horse. It is believed that the street, once part of the Browne estate, was named in honour of this heraldic symbol.
Another intriguing possibility stems from the ancient Greek myth of the centaurs, who were renowned for their wild and untamed nature. Some speculate that the street's name might allude to the area's lively atmosphere or perhaps to its location near the River Barrow, which could have been perceived as a somewhat untamed natural force in earlier times.
Regardless of its precise origin, the name Centaur Street has endured for centuries, adding a touch of mystique to this historic Carlow thoroughfare. Today, it is home to a mix of businesses and residences, each contributing to the town's vibrant tapestry. Haymarket, with its central location, serves as a gathering place and a visual marker dividing the street into two distinct sections.
As you stroll along Centaur Street, take a moment to ponder its enigmatic name and the stories it might hold. Whether it echoes the legacy of a noble family or whispers of ancient myths, it serves as a reminder of Carlow's rich history and the enduring power of names to capture our imagination.
IMELDA MAY
Location: The artwork is situated on Meath Street, specifically on a traffic light control box.
Artist: The tribute was created by the artist Pawel Jasinski, who is known for his vibrant and detailed Paint-A-Box pieces around Dublin.
Artwork Description: The artwork features a striking portrait of Imelda May, capturing her iconic look with her signature quiff hairstyle and bold red lipstick.
Reception: The tribute has been widely praised for its artistic merit and its celebration of a beloved Irish musician. It has also become a popular spot for photos and selfies, contributing to the vibrancy of the Meath Street area.
Overall, the Paint-A-Box tribute to Imelda May serves as a beautiful and fitting homage to her contributions to Irish music and culture. It's a testament to the power of street art to brighten up public spaces and honour local icons.
Imelda May's musical journey is a captivating tale of passion, talent, and a unique blend of musical influences.
Early Years & Influences:
Born and raised in Dublin, May's love for music blossomed at a young age.
She drew inspiration from diverse genres including rockabilly, blues, jazz, and traditional Irish music.
Her powerful vocals, reminiscent of iconic singers like Billie Holiday, coupled with her energetic stage presence, quickly set her apart.
Rise to Fame:
May's breakthrough came with the release of her album "Love Tattoo" in 2008. The album's rockabilly sound, combined with her distinctive style, resonated with audiences and critics alike.
She gained international recognition with appearances on prestigious shows like "Later... with Jools Holland" and embarked on successful tours across the globe.
Musical Style & Evolution:
May is celebrated for her revival of the rockabilly genre, infusing it with her own contemporary flair. Her music seamlessly blends elements of rock, blues, and jazz, creating a sound that is both nostalgic and fresh.
Over the years, she has showcased her versatility by exploring different musical territories. Her albums like "Life Love Flesh Blood" (2017) and "11 Past the Hour" (2021) demonstrate a more introspective and soulful side, while still retaining her signature energy.
Multifaceted Artist:
In addition to being a singer-songwriter, May is also a skilled multi-instrumentalist, playing the bodhrán, guitar, bass guitar, and tambourine.
Her talents extend beyond music, as she has also presented television shows and is known for her captivating storytelling and engaging personality.
Impact & Legacy:
May has played a significant role in revitalising the rockabilly scene and inspiring a new generation of musicians.
Her music has garnered numerous awards and accolades, solidifying her position as one of Ireland's most beloved and respected artists.
Imelda May's musical career is a testament to her unwavering passion, artistic evolution, and ability to connect with audiences on a deep level. Her music continues to captivate and inspire, leaving an enduring mark on the world of music.
Artist: The tribute was created by the artist Pawel Jasinski, who is known for his vibrant and detailed Paint-A-Box pieces around Dublin.
Artwork Description: The artwork features a striking portrait of Imelda May, capturing her iconic look with her signature quiff hairstyle and bold red lipstick.
Reception: The tribute has been widely praised for its artistic merit and its celebration of a beloved Irish musician. It has also become a popular spot for photos and selfies, contributing to the vibrancy of the Meath Street area.
Overall, the Paint-A-Box tribute to Imelda May serves as a beautiful and fitting homage to her contributions to Irish music and culture. It's a testament to the power of street art to brighten up public spaces and honour local icons.
Imelda May's musical journey is a captivating tale of passion, talent, and a unique blend of musical influences.
Early Years & Influences:
Born and raised in Dublin, May's love for music blossomed at a young age.
She drew inspiration from diverse genres including rockabilly, blues, jazz, and traditional Irish music.
Her powerful vocals, reminiscent of iconic singers like Billie Holiday, coupled with her energetic stage presence, quickly set her apart.
Rise to Fame:
May's breakthrough came with the release of her album "Love Tattoo" in 2008. The album's rockabilly sound, combined with her distinctive style, resonated with audiences and critics alike.
She gained international recognition with appearances on prestigious shows like "Later... with Jools Holland" and embarked on successful tours across the globe.
Musical Style & Evolution:
May is celebrated for her revival of the rockabilly genre, infusing it with her own contemporary flair. Her music seamlessly blends elements of rock, blues, and jazz, creating a sound that is both nostalgic and fresh.
Over the years, she has showcased her versatility by exploring different musical territories. Her albums like "Life Love Flesh Blood" (2017) and "11 Past the Hour" (2021) demonstrate a more introspective and soulful side, while still retaining her signature energy.
Multifaceted Artist:
In addition to being a singer-songwriter, May is also a skilled multi-instrumentalist, playing the bodhrán, guitar, bass guitar, and tambourine.
Her talents extend beyond music, as she has also presented television shows and is known for her captivating storytelling and engaging personality.
Impact & Legacy:
May has played a significant role in revitalising the rockabilly scene and inspiring a new generation of musicians.
Her music has garnered numerous awards and accolades, solidifying her position as one of Ireland's most beloved and respected artists.
Imelda May's musical career is a testament to her unwavering passion, artistic evolution, and ability to connect with audiences on a deep level. Her music continues to captivate and inspire, leaving an enduring mark on the world of music.
BY HOLLY PEREIRA
There seems to be limited street art easily visible in Newbridge compared to other towns. However, there's evidence suggesting a recent surge in street art activity, particularly in the summer of 2023.
Recent street art additions:
George's Lane: The artwork in this photograph was likely part of this initiative. After some research I can confirm that this is by Holly Pereira and it could be described as being on Eyre Street.
Eyre Street: Murals by Holly Pereira and others were created here. I will visit again as I did not explore this street.
Military Road: Paul Woods contributed a mural on the Council Machinery Yard Wall.
Reasons for limited visibility:
New initiatives: The recent projects indicate a budding street art scene, so it may take time for more works to appear and gain visibility.
Location: Some murals might be in less prominent locations, making them harder to discover without specifically seeking them out.
Temporary nature: Street art can be ephemeral, with works painted over or removed over time.
Recent street art additions:
George's Lane: The artwork in this photograph was likely part of this initiative. After some research I can confirm that this is by Holly Pereira and it could be described as being on Eyre Street.
Eyre Street: Murals by Holly Pereira and others were created here. I will visit again as I did not explore this street.
Military Road: Paul Woods contributed a mural on the Council Machinery Yard Wall.
Reasons for limited visibility:
New initiatives: The recent projects indicate a budding street art scene, so it may take time for more works to appear and gain visibility.
Location: Some murals might be in less prominent locations, making them harder to discover without specifically seeking them out.
Temporary nature: Street art can be ephemeral, with works painted over or removed over time.
FATHER JACK
Father Jack Hackett is one of the most iconic and memorable characters from the beloved Irish sitcom Father Ted. He serves as a stark contrast to the show's more central characters, Father Ted Crilly and Father Dougal McGuire, embodying the extremes of old age, senility, and debauchery.
Key Traits and Contributions to the Show:
Catchphrases and Obsessions: Father Jack is infamous for his limited vocabulary, mostly consisting of expletives, nonsensical phrases ("Drink!", "Feck!", "Girls!"), and a constant craving for alcohol. These catchphrases and obsessions became synonymous with the character and are often quoted by fans of the show.
Physical Comedy: Father Jack's physicality adds a slapstick element to the show. His frequent outbursts, wild gestures, and unpredictable behaviour lead to many hilarious moments.
Unpredictability: Father Jack's actions are often completely random and illogical, contributing to the show's surreal and absurd humour.
Dark Humour: Father Jack's character allows the show to touch on sensitive topics like aging, addiction, and loneliness in a darkly comedic way.
Counterpoint to Ted and Dougal: Father Jack's outrageous behaviour highlights the relative normalcy of the other priests, even with their own quirks and flaws.
Overall Significance:
While Father Jack may seem like a one-dimensional caricature, his presence in Father Ted is crucial. He provides a source of constant chaos and unpredictable humour, balancing the show's more subtle wit and satire. His character also adds a layer of depth by highlighting the complexities and challenges of aging.
Father Jack's popularity among fans speaks to the effectiveness of his portrayal. He remains a beloved figure in comedy, remembered for his outrageous antics and iconic catchphrases.
Garlic Designs is associated with street art in Dublin. They are known for their large-scale murals, often featuring black and white imagery with bold splashes of colour. Their style is heavily influenced by street art and they aim to bring an urban perspective to traditional artistic subjects.
Some of their notable works include:
Summer Burst (Ronnie Drew) - A mural honouring the Irish musician Ronnie Drew, located in Dún Laoghaire.
Various murals across Dublin, as well as in other locations like LA, London, Amsterdam, and more.
You can find more information about Garlic Designs and their work on their website or social media pages.
Key Traits and Contributions to the Show:
Catchphrases and Obsessions: Father Jack is infamous for his limited vocabulary, mostly consisting of expletives, nonsensical phrases ("Drink!", "Feck!", "Girls!"), and a constant craving for alcohol. These catchphrases and obsessions became synonymous with the character and are often quoted by fans of the show.
Physical Comedy: Father Jack's physicality adds a slapstick element to the show. His frequent outbursts, wild gestures, and unpredictable behaviour lead to many hilarious moments.
Unpredictability: Father Jack's actions are often completely random and illogical, contributing to the show's surreal and absurd humour.
Dark Humour: Father Jack's character allows the show to touch on sensitive topics like aging, addiction, and loneliness in a darkly comedic way.
Counterpoint to Ted and Dougal: Father Jack's outrageous behaviour highlights the relative normalcy of the other priests, even with their own quirks and flaws.
Overall Significance:
While Father Jack may seem like a one-dimensional caricature, his presence in Father Ted is crucial. He provides a source of constant chaos and unpredictable humour, balancing the show's more subtle wit and satire. His character also adds a layer of depth by highlighting the complexities and challenges of aging.
Father Jack's popularity among fans speaks to the effectiveness of his portrayal. He remains a beloved figure in comedy, remembered for his outrageous antics and iconic catchphrases.
Garlic Designs is associated with street art in Dublin. They are known for their large-scale murals, often featuring black and white imagery with bold splashes of colour. Their style is heavily influenced by street art and they aim to bring an urban perspective to traditional artistic subjects.
Some of their notable works include:
Summer Burst (Ronnie Drew) - A mural honouring the Irish musician Ronnie Drew, located in Dún Laoghaire.
Various murals across Dublin, as well as in other locations like LA, London, Amsterdam, and more.
You can find more information about Garlic Designs and their work on their website or social media pages.
BLACKROCK BATHS
BY JOHN BEATTY
BY JOHN BEATTY
BLACKROCK BATHS BY JOHN BEATTY [JUNCTION FRASCATI ROAD AND GEORGE'S AVENUE BLACKROCK]
About the Artwork:
Subject: The painting depicts the iconic Blackrock Baths, a beloved local landmark that sadly fell into disrepair and was closed to the public.
Style: Beatty's style could be described as realistic impressionism. He captures the architectural details of the baths while also conveying the atmosphere and the sense of loss associated with their closure.
Significance: This artwork serves as a visual reminder of Blackrock's rich history and its connection to the sea. It also highlights the importance of preserving local landmarks and the role they play in shaping community identity.
About the Artist:
Local Connection: John Beatty is a Blackrock resident with a deep appreciation for his local surroundings.
His wife's family grew up in Blackrock and has fond memories of swimming in the baths.
Motivation: Beatty was inspired to create this artwork during lockdown, rediscovering his passion for art and wanting to pay homage to the Blackrock Baths and their significance in the community.
Other Works: While information on other specific works by Beatty might be limited, his "Blackrock Baths" painting clearly demonstrates his talent and his connection to his local area.
This "Paint-A-Box" street art project is a wonderful initiative that adds colour and vibrancy to the streets of Blackrock, while also providing a platform for local artists like John Beatty to showcase their work and connect with the community.
Frascati Road in Blackrock, Dublin, is more than just a thoroughfare. It is a reminder of a grand past, of the magnificent Frascati House that once stood proudly on its grounds. Built in 1739, this Georgian mansion was a testament to architectural elegance and historical significance. The house was expanded over the years, notably by the Fitzgerald family (Dukes of Leinster) who added flanking wings and bay windows to capture the stunning sea views.
Frascati House was more than just bricks and mortar; it was a living chronicle of Ireland's rich past. It housed notable figures like Lord Edward Fitzgerald, a prominent figure in the Irish Rebellion of 1798. The house and its surrounding estate were a haven of natural beauty and tranquility, a stark contrast to the urban sprawl that now surrounds Frascati Road.
In the 1970s, plans were announced to demolish Frascati House to make way for a shopping centre. This triggered a wave of protests from conservationists, historians, and local residents who recognised the immense cultural and historical value of the house. They argued that Frascati House was an irreplaceable part of Ireland's heritage and its demolition would be an act of vandalism.
Despite the passionate protests, Frascati House was demolished in 1983, leaving a void in Blackrock's landscape and in the hearts of those who fought to save it. The Frascati Shopping Centre, while a commercial success, stands as a constant reminder of the loss of a cherished landmark.
Today, Frascati Road bears the name of the grand house that once graced its presence. It serves as a poignant reminder of the ongoing struggle between preservation and progress, and the importance of safeguarding our historical and cultural treasures for future generations.
About the Artwork:
Subject: The painting depicts the iconic Blackrock Baths, a beloved local landmark that sadly fell into disrepair and was closed to the public.
Style: Beatty's style could be described as realistic impressionism. He captures the architectural details of the baths while also conveying the atmosphere and the sense of loss associated with their closure.
Significance: This artwork serves as a visual reminder of Blackrock's rich history and its connection to the sea. It also highlights the importance of preserving local landmarks and the role they play in shaping community identity.
About the Artist:
Local Connection: John Beatty is a Blackrock resident with a deep appreciation for his local surroundings.
His wife's family grew up in Blackrock and has fond memories of swimming in the baths.
Motivation: Beatty was inspired to create this artwork during lockdown, rediscovering his passion for art and wanting to pay homage to the Blackrock Baths and their significance in the community.
Other Works: While information on other specific works by Beatty might be limited, his "Blackrock Baths" painting clearly demonstrates his talent and his connection to his local area.
This "Paint-A-Box" street art project is a wonderful initiative that adds colour and vibrancy to the streets of Blackrock, while also providing a platform for local artists like John Beatty to showcase their work and connect with the community.
Frascati Road in Blackrock, Dublin, is more than just a thoroughfare. It is a reminder of a grand past, of the magnificent Frascati House that once stood proudly on its grounds. Built in 1739, this Georgian mansion was a testament to architectural elegance and historical significance. The house was expanded over the years, notably by the Fitzgerald family (Dukes of Leinster) who added flanking wings and bay windows to capture the stunning sea views.
Frascati House was more than just bricks and mortar; it was a living chronicle of Ireland's rich past. It housed notable figures like Lord Edward Fitzgerald, a prominent figure in the Irish Rebellion of 1798. The house and its surrounding estate were a haven of natural beauty and tranquility, a stark contrast to the urban sprawl that now surrounds Frascati Road.
In the 1970s, plans were announced to demolish Frascati House to make way for a shopping centre. This triggered a wave of protests from conservationists, historians, and local residents who recognised the immense cultural and historical value of the house. They argued that Frascati House was an irreplaceable part of Ireland's heritage and its demolition would be an act of vandalism.
Despite the passionate protests, Frascati House was demolished in 1983, leaving a void in Blackrock's landscape and in the hearts of those who fought to save it. The Frascati Shopping Centre, while a commercial success, stands as a constant reminder of the loss of a cherished landmark.
Today, Frascati Road bears the name of the grand house that once graced its presence. It serves as a poignant reminder of the ongoing struggle between preservation and progress, and the importance of safeguarding our historical and cultural treasures for future generations.
COAST WALK
BY EILIS NOLAN
BY EILIS NOLAN
COAST WALK BY EILIS NOLAN [PAINT-A-BOX STREET ART ON ROCK ROAD]
Artwork description by Eilis: In this piece, a dog is enjoying one of the many beautiful walks we have along the east coast of Ireland. I've based it on my dog, Scout, who is always excited for another adventure and reminds me how great it is to be outside.
Biography: I'm an animation graduate from IADT and a 2D designer. I love creating art with soft colours and big shapes, and I hope to be able to be part of a project that makes Dublin brighter.
Artwork description by Eilis: In this piece, a dog is enjoying one of the many beautiful walks we have along the east coast of Ireland. I've based it on my dog, Scout, who is always excited for another adventure and reminds me how great it is to be outside.
Biography: I'm an animation graduate from IADT and a 2D designer. I love creating art with soft colours and big shapes, and I hope to be able to be part of a project that makes Dublin brighter.
BILLY IN THE BOWL
BILLY DAVIS THE SERIAL KILLER
THE SERIAL KILLER
I have had difficult photographing this in the past because of rubbish bags or other obstacles getting in the way.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
THIS IS COWTOWN
STONEYBATTER AREA OF DUBLIN
THIS IS COWTOWN
I have had difficult photographing this in the past because of rubbish bags or other obstacles getting in the way.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
BLACK AND WHITE
A MURAL BY ORIEL
A MURAL BT ORIEL
This is near the North Brunswick Street corner on Church Street.
Over the last two or three years I have noticed more and more work by this Smithfield artist. Is work is different as it appears to prefer black and white or monochrome.
While there isn't one specific name for street art that is black and white or monochrome, it's definitely a recognised and celebrated style within the broader world of street art.
Here are some terms and descriptions often associated with it:
Monochrome Street Art: This is the most general term, simply meaning art done in shades of a single colour.
Black and White Street Art: This is a more specific type of monochrome, focusing on the contrast between black and white.
Grayscale Street Art: This refers to art that uses varying shades of gray, including black and white.
Chiaroscuro: This is a technique often used in monochrome art, particularly black and white, to create the illusion of depth and form through the use of light and shadow.
Several street artists are known for their monochromatic work, often using bold lines and high contrast to create striking visuals. Some even specialise in this style, exploring its unique possibilities and limitations.
This style of street art can evoke various emotions and themes, from starkness and simplicity to drama and intensity. It can also be used to create political or social commentary, with the high contrast often emphasising the message.
So, while there isn't a single, specific term, the use of black and white or monochrome in street art is a well-established and recognised style, often referred to by the general terms mentioned above.
Over the last two or three years I have noticed more and more work by this Smithfield artist. Is work is different as it appears to prefer black and white or monochrome.
While there isn't one specific name for street art that is black and white or monochrome, it's definitely a recognised and celebrated style within the broader world of street art.
Here are some terms and descriptions often associated with it:
Monochrome Street Art: This is the most general term, simply meaning art done in shades of a single colour.
Black and White Street Art: This is a more specific type of monochrome, focusing on the contrast between black and white.
Grayscale Street Art: This refers to art that uses varying shades of gray, including black and white.
Chiaroscuro: This is a technique often used in monochrome art, particularly black and white, to create the illusion of depth and form through the use of light and shadow.
Several street artists are known for their monochromatic work, often using bold lines and high contrast to create striking visuals. Some even specialise in this style, exploring its unique possibilities and limitations.
This style of street art can evoke various emotions and themes, from starkness and simplicity to drama and intensity. It can also be used to create political or social commentary, with the high contrast often emphasising the message.
So, while there isn't a single, specific term, the use of black and white or monochrome in street art is a well-established and recognised style, often referred to by the general terms mentioned above.
A WORK IN PROGRESS
NO INFORMATION AVAILABLE
WORK IN PROGRESS
As far as I can remember the first example of paint-a-box street art was at this location and it was by Anna Doran. The artwork has changed over the years and the most recent is underway [June 2024] and it is looking that it might be the best to date.
Pawel Jasinski, artist and designer, was born in Poland and works in Dublin. He has exhibited his paintings in several European countries including Poland, Ireland, Latvia and England. One of his works - portrait of Paul Brady, has been printed at the side of The Icon Factory Gallery in Temple Bar, Dublin.
In December 2017, The Hunt Museum in Limerick recognized his painting "Woman at Temple Bar" as the picture of the month. Pawel also exhibited his works in the legendary place of Polish culture - Piwnica pod Baranami in Krakow.
In December 2017, The Hunt Museum in Limerick recognized his painting "Woman at Temple Bar" as the picture of the month. Pawel also exhibited his works in the legendary place of Polish culture - Piwnica pod Baranami in Krakow.
A MURAL OF MICHAEL COLLINS
NEAR THE LUAS STOP ON ABBEY STREET
MICHAEL COLLINS
MURAL OF MICHAEL COLLINS ON ABBEY STREET BY BRUTTO A BRAZILIAN BORN STREET ARTIST
Brutto, Dublin Street Artist
Brutto is a Brazilian-born street artist making waves in Dublin with his unique style and thought-provoking works. Notably, he uses cling film as his canvas, creating ephemeral art that changes daily. His work often features powerful messages and social commentary, and he has garnered attention for his distinctive approach and the temporary nature of his art.
Michael Collins Mural by Brutto
A mural featuring a portrait of Michael Collins, a revered figure in Irish history, has recently appeared on one of Dublin's busiest streets. The artwork, created by Brazilian-born street artist Brutto, is accompanied by a poignant quote attributed to Collins:
"Give us the future... we've had enough of your past... give us back our country to live in – to grow in... to love."
This quote, a powerful expression of the Irish yearning for self-determination and a brighter future, resonates deeply with the nation's history. Collins, a leader in the fight for Irish independence from British rule, encapsulates the spirit of a people seeking to shape their own destiny.
Brutto's mural serves as a reminder of this struggle for freedom and the ongoing desire for a nation where the Irish can live, grow, and love without external constraints. The artwork has garnered considerable attention, not only for its powerful message but also for Brutto's unique use of cling film as his canvas.
Brutto first began creating street art in Dublin in 2014, but his distinctive style and medium have recently captured wider recognition. His ephemeral works, changing with each passing day, add a dynamic and thought-provoking element to the city's urban landscape.
Brutto, Dublin Street Artist
Brutto is a Brazilian-born street artist making waves in Dublin with his unique style and thought-provoking works. Notably, he uses cling film as his canvas, creating ephemeral art that changes daily. His work often features powerful messages and social commentary, and he has garnered attention for his distinctive approach and the temporary nature of his art.
Michael Collins Mural by Brutto
A mural featuring a portrait of Michael Collins, a revered figure in Irish history, has recently appeared on one of Dublin's busiest streets. The artwork, created by Brazilian-born street artist Brutto, is accompanied by a poignant quote attributed to Collins:
"Give us the future... we've had enough of your past... give us back our country to live in – to grow in... to love."
This quote, a powerful expression of the Irish yearning for self-determination and a brighter future, resonates deeply with the nation's history. Collins, a leader in the fight for Irish independence from British rule, encapsulates the spirit of a people seeking to shape their own destiny.
Brutto's mural serves as a reminder of this struggle for freedom and the ongoing desire for a nation where the Irish can live, grow, and love without external constraints. The artwork has garnered considerable attention, not only for its powerful message but also for Brutto's unique use of cling film as his canvas.
Brutto first began creating street art in Dublin in 2014, but his distinctive style and medium have recently captured wider recognition. His ephemeral works, changing with each passing day, add a dynamic and thought-provoking element to the city's urban landscape.
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