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RETRO WIND SHELTERS AND OTHER STRUCTURES IN CLONTARF DESIGNED IN 1934 BY HERBERT SIMMS

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2017 LEGACY PHOTO COLLECTIONS BY INFOMATIQUE

Herbert Simms and his Impact on Dublin’s Built Environment

Herbert George Simms (1898-1948) was a prominent Irish architect who left an indelible mark on Dublin’s urban landscape. Appointed as Dublin Corporation’s first dedicated Housing Architect in 1932, he spearheaded a massive public housing programme during a period of significant social and economic challenges. His work, characterised by a blend of functionality and aesthetics, addressed the urgent need for improved housing conditions while also contributing to the city’s architectural identity.

Simms’s tenure coincided with a period of intense slum clearance and urban renewal in Dublin. He oversaw the construction of an impressive 17,000 new homes, responding to the dire living conditions of the working class. His approach was comprehensive, encompassing not just the design of individual buildings but also the wider urban planning context. He was committed to providing high-quality housing that was both affordable and aesthetically pleasing.

One of Simms’s notable projects was the design and construction of a series of distinctive wind shelters along the Clontarf seafront in 1934. These shelters, with their elegant curves and Art Deco influences, serve as a testament to his design philosophy. They not only provide practical protection from the elements but also enhance the visual appeal of the promenade, contributing to a sense of place and identity.

These shelters, along with other structures like the bandstand and toilets, were part of a broader effort to improve public amenities and promote outdoor recreation. Their construction reflected a growing awareness of the importance of public spaces and the need for accessible leisure facilities for all.

Simms’s architectural legacy extends beyond Clontarf. His work can be seen in various housing projects across Dublin, including the iconic Oliver Bond flats and Pearse House. These buildings, with their distinctive brickwork and carefully considered layouts, continue to provide much-needed housing while also serving as reminders of Simms’s contribution to the city.

Simms’s impact on Dublin’s built environment lies not just in the quantity of housing he delivered but also in the quality of his designs. He demonstrated that public housing could be both functional and beautiful, enhancing the lives of residents and contributing to the city’s architectural heritage. His work continues to inspire and influence architects and urban planners today, serving as a reminder of the power of design to improve lives and shape communities.

https://streetphotos.gallery/Excellent_Picture_This_2017/WindSheltersByHerbertSimms/index.html

ST JOHN THE BAPTIST CATHOLIC CHURCH – CLONTARF ROAD AND CHURCH GATE AVENUE

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2017 LEGACY PHOTO COLLECTIONS BY WILLIAM MURPHY

St John the Baptist Church on Clontarf Road is a Catholic church with a rich history dating back to the 19th century.  

History & Architecture

Early Years: The church was designed by renowned Dublin ecclesiastical architect Patrick Byrne. The foundation stone was laid in 1835, and it opened in 1838, though it wasn’t fully completed until 1842.  
Growth and Expansion: The church underwent significant expansion in 1895, thanks to the generosity of Mr Owison Allingham. He funded a 17-foot extension, a new high altar, pulpit, altar rails, sacristy, and bell tower. His sister, Miss Allingham, decorated the church’s interior.

Parish Priests: Several notable parish priests have served St John the Baptist, including Fr Callanan (died 1846), Rev Cornelius Rooney (1846-1878), and Fr Patrick O’Neill (1879-1909). Fr Edward McCabe, a curate under Fr Callanan, went on to become Cardinal Archbishop of Dublin.

Parish Changes: The parish boundaries have shifted over time. Initially, Clontarf was part of a union of eight parishes. In 1879, this was split, with Clontarf then including Killester, Coolock, and Raheny. In 1909, Clontarf became a separate parish. With the growing population, chapels-of-ease were opened: St Anthony’s in 1927 and St Gabriel’s in 1956. These became independent parishes in 1966 but were reunited with St John the Baptist in 2009.  

Holy Faith Sisters: In 1890, the Sisters of Holy Faith established a convent and schools for girls and junior boys in Clontarf at the invitation of Fr O’Neill.  

EXPLORING DUBBER CROSS AREA AND NEARBY – THE DAY THAT I GOT LOST

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LEGACY PHOTO COLLECTION 2017

Charlestown was the homeland area name and much of the land there was owned by Mr. Melvin, the farmer. The locals that I encountered remembered the area well when it was all fields and distinctly rural.

In May 2017 I decided to get a bus at random and see where it brought me. I ended up at a place known as Dubber Cross near Charlestown Shopping Centre which is very close to the runways at Dublin Airport. You may notice landing jets in some of the images.

Charlestown Shopping Centre located in the northern end of Finglas. It opened in October 2007 and has two of the centre opened in October 2015. The second phase included a nine screen Odeon cinema and a Leisureplex which includes a Bowling alley and Quasar. However, I decided to explore the local area and to some extent got lost as my camera did not have GPS and my iPhoned had shutdown. To the best of my knowledge I photographed parts of Charlestown, Meakstown and Dubber Cross.

For those unfamiliar, townlands are ancient divisions of land, often with fascinating histories. Meakstown and Dubber Cross, nestled in northwest Dublin, are no exception. Meakstown sits east of the busy N2, while Dubber Cross lies just west, across the road. Both areas have witnessed significant changes over the years, evolving from rural landscapes to suburban neighbourhoods.

Dubber is in the Civil Parish of Santry, in the Barony of Coolock, in the County of Dublin. During my visit I meet a mother and her children and she told me that she was there to show the children their new house which was at the end of the lane. According to Google Maps the name of the lane is ‘Dubber Cottages’ but when I checked the sales information for Dubber House it was described as being located at the end of ‘Dubber Lane’. If her new house is Dubber House it is impressive.

Historically, Meakstown was known as “Baile Maidheac” in Irish, possibly meaning “Mac’s town”. Records show the area was once home to a substantial house and demesne lands, hinting at a more affluent past.

I had been lead to believe that Dubber Cross, derived its name from the Irish “Tobar na Croise” (Well of the Cross), a holy well that once existed nearby. However, after further research I believe that this is incorrect as there is a location named Tubber Cross in Ireland and it’s a village located on the border of County Clare and County Galway. Tubber Cross is known for its historical connections, including a holy well and St. Michael’s Church.  

Today, both Meakstown and Dubber Cross are predominantly residential areas. Since my 2017 visit, further development has taken place, with new housing estates and amenities springing up. Despite this modernisation, pockets of green space remain, offering a welcome respite from the urban bustle.

TODAY I WALKED UP INFIRMARY ROAD

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THERE IS MUCH ONGOING REDEVELOPMENT IN THE AREA

[NOTE] In previous posts as well as this post I referred to this street as Infirmary Hill rather than Infirmary Road]

Infirmary Road in Dublin is more than just a street with a steep incline near the Phoenix Park. While the name reflects the common European practice of denoting slopes as “hills,” this particular street holds a fascinating and layered history, intertwined with Ireland’s journey to independence.

Here’s what I know about the two significant sites on Infirmary Road:

The Royal Military Infirmary: This grand edifice, designed by renowned English architect James Gandon, stands proudly on the southeastern edge of Phoenix Park. Built between 1786 and 1788, it originally served as a state-of-the-art hospital for British soldiers stationed in Dublin. Today, this imposing structure, with its distinctive C-shaped footprint and central clock tower, houses the Irish Department of Defence’s Office of the Director of Public Prosecutions.

The former Military Support Complex: Further up Infirmary Road, nestled between Montpelier Hill and Montpelier Gardens, lies a site with a rich military past. While previously believed to be solely a Veterinary Hospital, recent archaeological assessments reveal a more complex picture. This site, dating back to at least the 18th century, served a variety of military functions, including stabling, accommodation, stores, and workshops. It likely played a vital role in supporting the logistical needs of the British Army in Dublin.

Evolution of the Site: The 19th century saw significant development on the site, with new buildings, boundary walls, and laneways added, suggesting an expansion of military activities. It continued to be used for various military purposes throughout the 20th century, adapting to changing needs, before eventually falling into decline.

A Window into the Past: Today, the derelict structures and buried archaeological remains offer a unique opportunity to explore Dublin’s military history. They hold the potential to reveal valuable insights into the daily lives and activities of the soldiers who once occupied this space.

Looking to the Future: Interestingly, the site is now earmarked for a social housing scheme. This presents both a challenge and an opportunity – to balance the needs of the present with the preservation of the past. Careful consideration must be given to ensure the archaeological heritage of the site is protected and integrated into any future development.

The decline of this military complex, along with other British military installations in Dublin, reflects a pivotal moment in Irish history. The War of Independence marked a struggle for self-determination, and the transformation of these sites can be seen as a physical manifestation of Ireland’s journey to independence.

42 FAIRVIEW STRAND – FROM POST OFFICE TO CINEMATHEQUE

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PHOTOGRAPHED OCTOBER 2024

The attractive building at 42 Fairview Strand has an interesting history, reflecting the changing needs of the community it serves. Originally built as a post office, it has been repurposed and will soon become the CoisCéim Cinematheque, a hub for dance on screen.

A Victorian Post Office:

Designed by Robert Cochrane and built by Patrick Sheridan, the building showcases Victorian architectural features. Constructed in the late nineteenth century during Fairview’s development as a desirable suburb for Dublin’s affluent citizens, it was intended to serve as a post office from the outset.

The building’s design is typical of the Victorian era, with a rich blend of materials like stone and ironwork, adding visual interest to the streetscape. The arrangement of windows and buttresses cleverly disguises the building’s size, ensuring it integrates well with its residential surroundings. The retention of original features, such as the early windows, adds to its historical charm.

Changing Roles:

While the exact dates of its operation as a post office remain unclear, the building later served as a hall. This suggests a period of transition when the building adapted to the evolving needs of the community.

More recently the building housed “The Bridal Boutique,” indicating its continued adaptation to commercial uses.

A New Chapter: CoisCéim Cinematheque:

In 2025, 42 Fairview Strand will embark on its newest chapter as the CoisCéim Cinematheque. This exciting project by CoisCéim Dance Theatre will transform the building into a dedicated space for showcasing dance films and virtual reality experiences.

The Cinematheque will offer a curated programme of screenings, featuring works by CoisCéim Dance Theatre and other international dance companies. It aims to provide a unique opportunity for local residents and the wider community to engage with dance in a new and accessible way.

The transformation of this historic building from a post office to a cultural hub reflects the dynamic nature of urban spaces and their ability to adapt to changing times. The CoisCéim Cinematheque promises to be a valuable addition to Fairview and the Dublin arts scene.

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