The Sigma 500mm F/5.6 DG DN OS Sports: A Closer Look at a Super-Telephoto Powerhouse.
I have the Sony FE 200-600mm f/5.6-6.3 G OSS which I got at a very good price but I have only used three or four times because of its size and as it attracts way too attention attention. I am now considering the possibility of getting the Sigma
Introduction
Sigma continues its impressive expansion into native E-mount lenses with the announcement of the Sigma 500mm F/5.6 DG DN OS Sports. This super-telephoto prime lens promises to entice wildlife, sports, and aviation photographers with its combination of reach, optical performance, and a relatively approachable price point compared to similar offerings.
Let's dive into its key features and considerations before it hits shelves.
Standout Specifications
Focal Length: 500mm grants immense reach for capturing distant subjects.
Maximum Aperture: f/5.6 offers a good balance between light gathering and lens size/weight.
Optical Design: Incorporates SLD (Special Low Dispersion) and exotic fluorite-type elements for exceptional sharpness and reduced chromatic aberrations.
Autofocus: Dual Hyper-Sonic Motors (HSM) promise fast, accurate focusing, crucial for tracking action.
Optical Stabilization (OS): Compensates for camera shake, essential at this focal length.
Sports Designation: Built with dust and splash resistance for demanding environments.
Weight and Dimensions: (Insert when available) – likely lighter and more compact than many equivalents.
Why Consider the Sigma 500mm?
Reach and Resolution: Ideal for photographing subjects where getting physically closer is impossible or undesirable. Expect high detail rendition.
Affordability (relative): Sigma often sets competitive prices, likely making this more accessible than first-party super-telephotos.
Travel Potential: If its size and weight align with expectations, it could be a more travel-friendly option.
Potential Alternatives
Sony FE 200-600mm f/5.6-6.3 G OSS: Offers zoom flexibility at a similar price, potentially sacrificing some outright reach.
Tamron 150-500mm f/5-6.7 Di III VC VXD: More affordable still, but also with zoom flexibility vs. the Sigma prime.
Used First-Party Lenses: Older, used 400mm or 500mm primes might be an alternative if top-tier autofocus isn't essential.
Important Considerations
Aperture: f/5.6 may necessitate higher ISOs in some lighting conditions.
Technique: 500mm demands good technique to maximize sharpness handheld. A sturdy tripod is highly recommended for extended use.
Subject Matter: Evaluate if you truly need this much reach for your primary photography interests.
Sigma's E-mount Track Record
Sigma has earned a reputation for producing high-quality, often more affordable lenses for Sony E-mount. Their Art series primes are particularly well-regarded. The Sports line prioritises performance and ruggedness, making this 500mm a logical addition.
Conclusion
While we await final specifications and real-world reviews, the Sigma 500mm F/5.6 DG DN OS Sports promises serious potential for Sony photographers needing a powerful super-telephoto lens. If Sigma delivers on performance and price, it could be a compelling choice.
NEWS: NIKON BUYS RED
Just yesterday, on March 6th, 2024, Nikon announced they are acquiring RED Digital Cinema. This is a big deal in the world of cinematography, with Nikon entering the professional filmmaking camera market for the first time.
Here's a breakdown of the situation:
Nikon gains expertise in high-end cameras: RED is a major player, known for its innovative digital cinema cameras used in Hollywood productions like "Guardians of the Galaxy" and "The Queen's Gambit" . Nikon brings its experience in image processing, optics, and user interface design.
The goal is to create even better cinema cameras: Both companies aim to leverage each other's strengths to develop new and improved professional cinematography tools .
This is a strategic move for Nikon: It allows them to expand into a new market segment and potentially compete with established players like Sony.
It's still early days, but the industry is buzzing with anticipation about what the future holds for this collaboration. We might see new, innovative cinema cameras emerge from this powerhouse partnership.
WHAT IMPACT WILL THE NIKON-RED ACQUISITION HAVE ON SONY
The Nikon-RED acquisition has potential to significantly impact Sony's position in the professional cinema camera market. Here's why:
Increased competition: Sony has enjoyed a strong position in the cinema camera market with its successful VENICE line of cameras. Nikon, now armed with RED's technology and expertise, becomes a serious competitor. For Sony, this means more pressure to innovate and remain ahead in terms of features and performance.
Potential loss of market share: Filmmakers and production houses always look for the best tools for their projects. If Nikon and RED produce compelling new cinema cameras, they could attract cinematographers who might have previously chosen Sony.
Pricing wars: Increased competition can potentially lead to price adjustments. If Nikon and RED offer competitive pricing for its new camera line, Sony might have to adjust to stay relevant.
Stimulated innovation: Competition is good for the industry. Sony might accelerate its research and development efforts to counter the new Nikon-RED powerhouse, ultimately benefiting filmmakers with new and improved technology across the board.
How significant the impact will be depends on several factors:
The quality and capabilities of Nikon/RED cameras: If they outperform Sony, there could be a marked shift in market dynamics.
Market reception: How filmmakers, studios, and rental houses respond to the new products will be crucial.
Sony's response: How quickly and effectively Sony can counter the competition with innovations of its own.
Overall: It's too early to predict the exact scale, but Nikon's acquisition of RED is likely to shake up the professional cinema camera landscape. Sony will have to adapt and keep pushing boundaries to maintain its dominance.