ANSEO MURAL WALK
On the 23 July 2024 I had intended to visit Blackrock but as I discovered the L25 bus service after travelling to Dundrum by tram I ended up in Dun Laoghaire and had the opportunity to photograph a selection of murals at random. This standard was high approaching of equal to what I would expect to see in Waterford.
I Have not uniquely identified the individual works as I intent to do that when I next visit the town. Also I may yet have to photograph some of the examples described below.
The Dún Laoghaire Anseo street art project, initiated in 2021, has transformed the seaside town of Dún Laoghaire into a vibrant open-air gallery. Funded by Dún Laoghaire-Rathdown County Council, with the support of Creative Ireland, the project aims to capture the essence of the town through a diverse collection of murals by established, emerging, and local artists.
The first phase of the project, in 2021, saw 16 walls adorned with stunning artwork by 14 different artists. The success of this initial phase led to a second edition in 2022, with 9 artists, including mentor-mentee pairs, adding their unique perspectives to the town's walls.
The Dún Laoghaire Anseo murals now form a captivating walking tour that winds through the town's streets, showcasing a diverse range of styles, themes, and techniques. Each mural tells a story, reflecting the town's maritime heritage, cultural diversity, and natural beauty.
While a comprehensive list of all the murals, artists, and locations is not readily available, here are a few highlights:
"The Mariner" by James Earley: This large-scale mural, located on the side of the Royal Marine Hotel, depicts a sailor gazing out to sea, a nod to Dún Laoghaire's rich maritime history.
"The Lighthouse" by Aches: This striking mural, found on the side of a building near the East Pier, features a lighthouse bathed in vibrant colours, a symbol of hope and guidance.
"The Waves" by Maser: This dynamic mural, located on a wall near the People's Park, captures the energy and movement of the sea, a constant presence in the town's life.
The Dún Laoghaire Anseo project is an ongoing initiative, with plans for future phases and new murals to be added to the collection. It has already become a beloved feature of the town, attracting visitors from near and far to explore its unique artistic landscape.
I Have not uniquely identified the individual works as I intent to do that when I next visit the town. Also I may yet have to photograph some of the examples described below.
The Dún Laoghaire Anseo street art project, initiated in 2021, has transformed the seaside town of Dún Laoghaire into a vibrant open-air gallery. Funded by Dún Laoghaire-Rathdown County Council, with the support of Creative Ireland, the project aims to capture the essence of the town through a diverse collection of murals by established, emerging, and local artists.
The first phase of the project, in 2021, saw 16 walls adorned with stunning artwork by 14 different artists. The success of this initial phase led to a second edition in 2022, with 9 artists, including mentor-mentee pairs, adding their unique perspectives to the town's walls.
The Dún Laoghaire Anseo murals now form a captivating walking tour that winds through the town's streets, showcasing a diverse range of styles, themes, and techniques. Each mural tells a story, reflecting the town's maritime heritage, cultural diversity, and natural beauty.
While a comprehensive list of all the murals, artists, and locations is not readily available, here are a few highlights:
"The Mariner" by James Earley: This large-scale mural, located on the side of the Royal Marine Hotel, depicts a sailor gazing out to sea, a nod to Dún Laoghaire's rich maritime history.
"The Lighthouse" by Aches: This striking mural, found on the side of a building near the East Pier, features a lighthouse bathed in vibrant colours, a symbol of hope and guidance.
"The Waves" by Maser: This dynamic mural, located on a wall near the People's Park, captures the energy and movement of the sea, a constant presence in the town's life.
The Dún Laoghaire Anseo project is an ongoing initiative, with plans for future phases and new murals to be added to the collection. It has already become a beloved feature of the town, attracting visitors from near and far to explore its unique artistic landscape.
THE FROG KING
AT ST LUKE'S AVENUE
THE FROG KING
Vini Bustamante, a Brazilian/Portuguese artist based in Dublin 8, created an artwork titled “Frog King.” This vibrant piece features frogs and exudes a magical and mystical quality. As an Art Director at BBDO Dublin, Vini is undoubtedly immersed in creativity and seeking inspiration. According to the information on the box the artist operates under the name Raphael Silva.
FRANCIS STREET
THERE IS STILL SOME STREET ART
STILL SOME STREET ART
Francis Street in Dublin has a vibrant history of street art, with a noticeable shift towards more "commercial" or commissioned pieces in recent years. This trend is likely driven by businesses seeking to deter random graffiti and enhance their storefronts.
Vini.Bustamante, a well-known street artist, has contributed significantly to the area's artistic landscape. Their work can be spotted on various buildings, adding a colourful and dynamic touch to the street.
One notable location for high-quality street art was the Tivoli Theatre Car Park. This space became a haven for artists, showcasing diverse styles and themes. However, the recent redevelopment of the car park into a hotel has unfortunately resulted in the loss of this unique artistic hub.
Despite this loss, Francis Street continues to evolve as a canvas for creative expression. The presence of commissioned street art adds a layer of vibrancy to the area, attracting visitors and fostering a sense of community pride. However, the debate continues regarding the balance between commercial interests and the organic, unfiltered nature of street art.
Vini.Bustamante, a well-known street artist, has contributed significantly to the area's artistic landscape. Their work can be spotted on various buildings, adding a colourful and dynamic touch to the street.
One notable location for high-quality street art was the Tivoli Theatre Car Park. This space became a haven for artists, showcasing diverse styles and themes. However, the recent redevelopment of the car park into a hotel has unfortunately resulted in the loss of this unique artistic hub.
Despite this loss, Francis Street continues to evolve as a canvas for creative expression. The presence of commissioned street art adds a layer of vibrancy to the area, attracting visitors and fostering a sense of community pride. However, the debate continues regarding the balance between commercial interests and the organic, unfiltered nature of street art.
BILLY IN THE BOWL
BILLY DAVIS THE SERIAL KILLER
THE SERIAL KILLER
I have had difficult photographing this in the past because of rubbish bags or other obstacles getting in the way.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
THIS IS COWTOWN
STONEYBATTER AREA OF DUBLIN
THIS IS COWTOWN
I have had difficult photographing this in the past because of rubbish bags or other obstacles getting in the way.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
BLACK AND WHITE
A MURAL BY ORIEL
A MURAL BT ORIEL
This is near the North Brunswick Street corner on Church Street.
Over the last two or three years I have noticed more and more work by this Smithfield artist. Is work is different as it appears to prefer black and white or monochrome.
While there isn't one specific name for street art that is black and white or monochrome, it's definitely a recognised and celebrated style within the broader world of street art.
Here are some terms and descriptions often associated with it:
Monochrome Street Art: This is the most general term, simply meaning art done in shades of a single colour.
Black and White Street Art: This is a more specific type of monochrome, focusing on the contrast between black and white.
Grayscale Street Art: This refers to art that uses varying shades of gray, including black and white.
Chiaroscuro: This is a technique often used in monochrome art, particularly black and white, to create the illusion of depth and form through the use of light and shadow.
Several street artists are known for their monochromatic work, often using bold lines and high contrast to create striking visuals. Some even specialise in this style, exploring its unique possibilities and limitations.
This style of street art can evoke various emotions and themes, from starkness and simplicity to drama and intensity. It can also be used to create political or social commentary, with the high contrast often emphasising the message.
So, while there isn't a single, specific term, the use of black and white or monochrome in street art is a well-established and recognised style, often referred to by the general terms mentioned above.
Over the last two or three years I have noticed more and more work by this Smithfield artist. Is work is different as it appears to prefer black and white or monochrome.
While there isn't one specific name for street art that is black and white or monochrome, it's definitely a recognised and celebrated style within the broader world of street art.
Here are some terms and descriptions often associated with it:
Monochrome Street Art: This is the most general term, simply meaning art done in shades of a single colour.
Black and White Street Art: This is a more specific type of monochrome, focusing on the contrast between black and white.
Grayscale Street Art: This refers to art that uses varying shades of gray, including black and white.
Chiaroscuro: This is a technique often used in monochrome art, particularly black and white, to create the illusion of depth and form through the use of light and shadow.
Several street artists are known for their monochromatic work, often using bold lines and high contrast to create striking visuals. Some even specialise in this style, exploring its unique possibilities and limitations.
This style of street art can evoke various emotions and themes, from starkness and simplicity to drama and intensity. It can also be used to create political or social commentary, with the high contrast often emphasising the message.
So, while there isn't a single, specific term, the use of black and white or monochrome in street art is a well-established and recognised style, often referred to by the general terms mentioned above.
A WORK IN PROGRESS
NO INFORMATION AVAILABLE
WORK IN PROGRESS
As far as I can remember the first example of paint-a-box street art was at this location and it was by Anna Doran. The artwork has changed over the years and the most recent is underway [June 2024] and it is looking that it might be the best to date.
A MURAL OF MICHAEL COLLINS
NEAR THE LUAS STOP ON ABBEY STREET
MICHAEL COLLINS
MURAL OF MICHAEL COLLINS ON ABBEY STREET BY BRUTTO A BRAZILIAN BORN STREET ARTIST
Brutto, Dublin Street Artist
Brutto is a Brazilian-born street artist making waves in Dublin with his unique style and thought-provoking works. Notably, he uses cling film as his canvas, creating ephemeral art that changes daily. His work often features powerful messages and social commentary, and he has garnered attention for his distinctive approach and the temporary nature of his art.
Michael Collins Mural by Brutto
A mural featuring a portrait of Michael Collins, a revered figure in Irish history, has recently appeared on one of Dublin's busiest streets. The artwork, created by Brazilian-born street artist Brutto, is accompanied by a poignant quote attributed to Collins:
"Give us the future... we've had enough of your past... give us back our country to live in – to grow in... to love."
This quote, a powerful expression of the Irish yearning for self-determination and a brighter future, resonates deeply with the nation's history. Collins, a leader in the fight for Irish independence from British rule, encapsulates the spirit of a people seeking to shape their own destiny.
Brutto's mural serves as a reminder of this struggle for freedom and the ongoing desire for a nation where the Irish can live, grow, and love without external constraints. The artwork has garnered considerable attention, not only for its powerful message but also for Brutto's unique use of cling film as his canvas.
Brutto first began creating street art in Dublin in 2014, but his distinctive style and medium have recently captured wider recognition. His ephemeral works, changing with each passing day, add a dynamic and thought-provoking element to the city's urban landscape.
Brutto, Dublin Street Artist
Brutto is a Brazilian-born street artist making waves in Dublin with his unique style and thought-provoking works. Notably, he uses cling film as his canvas, creating ephemeral art that changes daily. His work often features powerful messages and social commentary, and he has garnered attention for his distinctive approach and the temporary nature of his art.
Michael Collins Mural by Brutto
A mural featuring a portrait of Michael Collins, a revered figure in Irish history, has recently appeared on one of Dublin's busiest streets. The artwork, created by Brazilian-born street artist Brutto, is accompanied by a poignant quote attributed to Collins:
"Give us the future... we've had enough of your past... give us back our country to live in – to grow in... to love."
This quote, a powerful expression of the Irish yearning for self-determination and a brighter future, resonates deeply with the nation's history. Collins, a leader in the fight for Irish independence from British rule, encapsulates the spirit of a people seeking to shape their own destiny.
Brutto's mural serves as a reminder of this struggle for freedom and the ongoing desire for a nation where the Irish can live, grow, and love without external constraints. The artwork has garnered considerable attention, not only for its powerful message but also for Brutto's unique use of cling film as his canvas.
Brutto first began creating street art in Dublin in 2014, but his distinctive style and medium have recently captured wider recognition. His ephemeral works, changing with each passing day, add a dynamic and thought-provoking element to the city's urban landscape.
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