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WAR MEMORIAL GARDENS
IRISH NATIONAL WAR MEMORIAL GARDENS AT ISLANDBRIDGE [TUESDAY 14 JANUARY 2025]
The Irish National War Memorial Gardens in Dublin, located in Islandbridge, serve as a poignant and beautiful tribute to the Irish men and women who lost their lives during the First World War. Designed by the renowned British architect Sir Edwin Lutyens, they are considered one of the most important war memorials in Europe.
Here's a closer look at this significant site:
A Place of Remembrance
The gardens are primarily dedicated to the memory of the 49,400 Irish soldiers who died in the Great War (1914-1918). However, they also honour all Irishmen who perished in that conflict. This inclusivity is important, acknowledging the diverse backgrounds and motivations of those who served.
Architectural and Landscape Design
Lutyens' design masterfully blends architectural elements with the natural landscape. Key features include:
Sunken Rose Gardens: Two circular sunken rose gardens form the heart of the memorial, providing a tranquil and contemplative space.
Granite Bookrooms: Four granite bookrooms house illuminated manuscripts created by the renowned Irish artist Harry Clarke. These books contain the names of all the Irish war dead, ensuring their individual sacrifices are remembered.
The Stone of Remembrance: A large rectangular stone lies at the centre of the main avenue, echoing similar stones found in other Commonwealth War Graves Commission cemeteries.
Extensive Planting: The gardens feature a variety of trees, shrubs, and herbaceous borders, creating a peaceful and reflective atmosphere.
Historical Context
The memorial's construction began in the 1930s, with the official opening taking place in 1940. Its creation was a significant undertaking, involving ex-servicemen from both the British Army and the Irish National Army in its construction, further highlighting its role as a symbol of shared loss and reconciliation.
A Place for Reflection and Recreation
Today, the Irish National War Memorial Gardens are not only a place of remembrance but also a popular public park. Visitors can stroll through the gardens, admire the architecture and horticulture, and reflect on the human cost of war.
The gardens' location, adjacent to Phoenix Park and near the River Liffey, adds to their appeal, providing a peaceful and accessible green space within Dublin city.
LIFFEY PARK
EXPLORING LIFFEY PARK [A SECTION OF LIFFEY VALLEY LINEAR PARK BETWEEN ISLAND BRIDGE AND CHAPELIZOD]
Dublin boasts over 200 public parks of varying sizes, distributions, and characters within its administrative area. These parks provide recreational, cultural, environmental, and social benefits to the city, and Park Services is responsible for their planning, design, maintenance, and management.
Among these urban green spaces is Liffey Park, a picturesque stretch along the River Liffey that meanders through Dublin's heart. This photographic series focuses on the section of Liffey Park situated between the National War Memorial and the charming village of Chapelizod.
Locating Liffey Park
To orient ourselves within this section of Liffey Park, it's essential to identify key landmarks. The Irish National War Memorial Gardens, located in Islandbridge, serve as our starting point. These gardens, a solemn and beautiful tribute to the 49,400 Irish soldiers who died in the First World War, stand as a permanent memorial to all Irishmen who perished in the Great War. They are adjacent to Phoenix Park, one of Europe's largest enclosed public parks, and can be accessed from Con Colbert Road and South Circular Road.
At the western end of this section of Liffey Park lies the village of Chapelizod. Nestled in the wooded valley of the River Liffey, approximately 6km west of Dublin city centre, Chapelizod is known for its strong community spirit and historical charm, offering a peaceful escape from the bustling city. The village's association with Iseult of Ireland adds a touch of local legend.
A Journey Through Time
The River Liffey has been Dublin's lifeblood since its earliest settlements. Archaeological evidence suggests that the area around the river's mouth was inhabited as far back as the Neolithic period by farmers and fishermen. The Liffey played a crucial role in Dublin's establishment and growth, providing a vital route for transportation and trade. Over the centuries, the riverbanks have witnessed the rise and fall of civilisations, from Vikings to Normans, each leaving their mark on the landscape. The earliest known stone bridge over the Liffey in Dublin was the Bridge of Dublin, built in 1428 by the Dominicans. This replaced an older wooden structure and incorporated architectural features such as a chapel and a bakehouse.
In the 1970s, during the development of Wood Quay, the discovery of a significant Viking settlement further highlighted the rich historical tapestry woven into Liffey Park and the Liffey's enduring presence in Dublin's evolution.
Features and Amenities
Liffey Park offers a diverse range of features catering to various interests. The parkland provides opportunities for leisurely strolls, invigorating runs, and peaceful moments by the river.
Within the broader Liffey Valley Park, a variety of amenities are available, including playgrounds, a petting farm, dog walking tracks, fairy trails, rose gardens, and fishing lakes. A BMX track in St Catherine's Park adds an element of excitement for those seeking more adventurous pursuits.
Liffey Valley Park is more than just a recreational space; it reflects the city's commitment to preserving its natural heritage and promoting sustainable development. A strategy is in place to develop and promote Liffey Valley Park, focusing on recreation, tourism, economic development, and habitat creation. This strategy encompasses various sections within the park, including Celbridge, Leixlip, St Catherine's Park, Lucan, Anna Liffey Mills, Strawberry Beds, Palmerstown, Mill Race, Chapelizod/St Lawrence, Phoenix Park, and Memorial Park. Flagship projects within Liffey Valley Park, such as those in Islandbridge and Chapelizod, aim to enhance the park's amenities and accessibility.
MARTELLO TOWER No 15
THE MARTELLO TOWER AND THE FOOTBRIDGE [IN WILLIAMSTOWN THE VILLAGE THAT WAS MOVED]
The Martello Tower and Footbridge, Blackrock Linear Park
Blackrock Park's landscape reveals several layers of history. A fine example of Victorian landscape design, the park features a bandstand, lake, and pavilion, among other notable elements. The Martello Tower is one of the park's most prominent and historically significant structures.
Tower No. 15, Booterstown (Williamstown)
Originally situated slightly offshore, this tower was surrounded by water to facilitate effective flag signalling to its neighbouring Martello towers at Sandymount and Seapoint. Slightly wider than standard to accommodate two guns, it was built approximately 2 kilometres from its south-eastern neighbour, Tower No. 14 at Seapoint, and 2.4 kilometres from its north-western neighbour, Tower No. 16 at Sandymount. The range of its two 24-pounder cannons, just under 1,700 metres, ensured that, combined with the overlapping firing arcs of its neighbours, any attacking ship could be severely damaged or sunk.
Unlike other south Dublin towers, the Williamstown tower lacks a machicolation for dropping boiling oil on attackers. Instead, it features murder holes above the western doorway, incorporated within the continuous corbelled courses of the parapet. Currently unoccupied, the local authority expressed intentions in 2013 to restore the tower for community use, though this work has not yet commenced.
The tower stands on a large grassy area bordered by a coastal walkway, with the Dublin Area Rapid Transit (DART) line to its east. Unfortunately, it has suffered from both the passage of time and vandalism.
The Dublin to Kingstown railway line, built in 1834, significantly altered the local landscape, including the area around the tower. The track was constructed offshore from Merrion, south-eastwards past Booterstown and Williamstown towards Blackrock. This construction restricted tidal flow, leading to the formation of marshlands between the railway and the shoreline, and around the tower.
When Blackrock Park was created in 1873, this new marsh at Williamstown was filled in. This raised the ground level around the tower, burying its basement. Consequently, the tower now appears shorter and stouter than its original profile. Based on the current height difference between the sand east of the railway and the tower's base, at least 2 to 3 metres of the original above-ground structure is now concealed by soil.
A significant maritime tragedy occurred near the tower on 18 November 1807. During a violent storm, His Majesty’s Packet Prince of Wales, part of a military convoy carrying Irish recruits to fight Napoleon, was driven ashore on rocks near Blackrock House (then the home of Sir John Lees), approximately 1.4 kilometres south-east of the tower. The storm was so severe that winds reportedly reached hurricane force. On the same day, the brig Rochdale, another ship carrying recruits, was driven onto rocks directly beneath the Martello tower at Seapoint. The extreme weather, including driving snow and sleet that reduced visibility to near zero, hampered rescue efforts at both locations. Hundreds of people perished close to the shore.
At Seapoint, it was said that a twelve-foot plank could have saved hundreds of lives. After the storm, 385 mangled and largely unidentifiable bodies were recovered from the shore (265 from the Rochdale and 120 from the Prince of Wales) and buried in Merrion and Carrickbrennan graveyards. The captain and crew of the Prince of Wales abandoned the ship and its doomed passengers, escaping in the ship’s longboat. On 19 November 2007, a commemorative plaque was unveiled on the sea wall beside the Seapoint Martello tower to commemorate this tragic event.
Williamstown: A Tale of Relocation
Williamstown, a small village nestled between Blackrock and Booterstown in Dublin, Ireland, boasts a fascinating history intertwined with the expansion of Blackrock College. Originally situated on the site now occupied by the college, Williamstown faced a unique challenge in the early 20th century.
A Move for Expansion:
Blackrock College, a prestigious educational institution, embarked on a significant expansion project in the early 1900s. This necessitated acquiring additional land, including the area where Williamstown stood. To accommodate the college's growth, the decision was made to relocate the entire village.
A New Home:
In a remarkable feat of community planning, the houses and businesses of Williamstown were carefully dismantled and reconstructed on the opposite side of the Rock Road. This effectively "moved" the entire village to its current location. While the exact timeline is still debated, it is believed this relocation occurred between 1906 and 1907.
A Lost Landmark:
Among the relocated buildings was a local pub, a central gathering place for the community. Sadly, this pub has since disappeared, leaving only historical accounts and fading memories of its presence. However, the houses that were relocated remain standing today, serving as a tangible link to Williamstown's past.
A Legacy of Resilience:
The story of Williamstown's relocation is a testament to the resilience and adaptability of the community. It highlights how urban development and institutional growth can reshape landscapes and communities. Despite the upheaval, Williamstown persevered, finding a new home and continuing to thrive.
SALTWATER LAKE
THE SALTWATER LAKE IN BLACKROCK PARK [ACCESS VIA PHOENIX TERRACE CAR PARK]
The Lake in Blackrock Park
The lake is the dominant feature within Blackrock Park, a green space managed by Dún Laoghaire-Rathdown County Council. Its shape is organic in outline, punctuated by a tree-covered island. A pump house, disguised as a historic folly, is nestled amongst the vegetation. This unique saline lake features a rusticated edge and is enclosed by a perimeter pathway.
Saline Water Source: The lake's salinity likely originates from groundwater with a high salt content, a common occurrence in coastal areas where seawater can seep into the aquifer.
Tide Invariance: The lake's water level remains relatively constant due to its isolation from the direct tidal influence of the sea.
The most distinctive feature of the lake is the circular island stage at the northern end. This stage forms part of a grass amphitheatre that encloses the northern end of the lake. Its bank rises sharply in level from the lake to Rock Road. A path runs along this bank, ramping up to provide access from the Phoenix Terrace car park. A utility box and a commemorative seat are incongruously located along this path.
A historic stone structure, resembling a lookout post, sits inconspicuously below Rock Road amongst the trees. This may have served as a changing facility before the construction of the railway line.
On the other side of the lake, along the eastern edge, the path doubles as a cycle path. It is the main access route through the park and acts as a link in a broader commuter corridor.
Car Parking and Surrounding Areas
The car park at Phoenix Terrace caters for 18 cars. It features an entry and an exit gate, both with similar imposing granite piers and substantial original metalwork, reminiscent of the entrance at Elm Cliff.
Access paths from the car park lead to a 1916 memorial garden and towards the eastern side of the park to the cycle/walking route that parallels the railway line. An ESB substation sits jarringly along the boundary with the railway line opposite this path.
Additional space is occupied by the substation, which provides parking for service vehicles. The area known as Williamstown is a large, featureless space that backs onto the residential developments of Phoenix Square, Emmet Square, and Seafront Parade. A grove of trees is the only feature in this space, predominantly Lime but also including Poplar and Ash.
BOOTERSTOWN MARSH
BOOTERSTOWN MARSH AND NATURE RESERVE [ROCK ROAD BOOTERSTOWN]
Booterstown Marsh and Nature Reserve is a unique and important habitat with an interesting history. The marsh's origins are directly linked to the construction of the Dublin and Kingstown Railway in the 1830s. This railway, one of the first commuter lines in the world, was built on an embankment across the then-existing Merrion Strand. This construction effectively created a tidal lagoon, which over time evolved into the saltmarsh we see today.
This human-induced change inadvertently created a valuable ecosystem. Booterstown Marsh provides a habitat for a variety of plant and animal life, most notably birds. It's a key stopover point for migratory birds, offering crucial feeding and resting grounds.
Recognizing the ecological importance of the marsh, Dún Laoghaire–Rathdown County Council has recently undertaken efforts to further enhance the habitat. Notably, they created islands within the marsh. These islands serve multiple purposes:
Roosting sites: Providing safe places for birds to rest and preen.
Nesting grounds: Offering secure locations for birds to nest and raise their young, away from disturbances.
Protection from high tides: Giving birds refuge during high tide events.
These recent interventions demonstrate an ongoing commitment to conserving and improving this valuable urban wetland. Booterstown Marsh stands as a testament to how human activity can unintentionally create new habitats, and how careful management can further enhance their ecological value.
THE EMBRACED LOOP
THE EMBRACED LOOP BY ANAISA FRANKO [TODAY I USED A SONY 90MM MACRO LENS WITH MY SONY FX30 BODY]
The Embraced Loop, a poignant HIV and AIDS national monument by Anaisa Franco, resides in the People’s Gardens of Dublin’s Phoenix Park. This powerful sculpture serves as a tribute to those lost to the disease, a celebration of those who fought and supported others, and a symbol of solidarity with those currently living with and affected by HIV. The design, an abstract loop incorporating the iconic Red Ribbon, embodies an interactive approach and the interconnectedness of all those touched by the epidemic. Unveiled in Phoenix Park by Taoiseach Leo Varadkar, the monument stands as a permanent reminder of the ongoing struggle and the need for continued action and support.
Anaisa Franco, the award-winning artist behind The Embraced Loop, pioneers participatory public art, activating bodies and public spaces through interactive experiences. Her studio specialises in parametric digital fabrication and technology integration, creating experiential, self-sustainable works. With a Masters in Digital Art from the University of Plymouth (2007), and experience at Medialab Prado (2008) and Applied Future Studio in Berlin, Franco’s work seamlessly blends creativity, technology, and community engagement.
Recently, I’ve been experimenting with various camera and lens combinations, including my Sony FX30 paired with the Sony 90mm f/2.8 Macro G OSS lens. This exploration is part of my decision-making process for a future camera purchase. While generally pleased with the FX30’s output since December 2024, I find the lack of an electronic viewfinder a significant drawback. However, its compact and lightweight form factor, especially compared to my Sony A7RIV, is a definite plus.
Although the Sony FX30 is primarily a cinema camera, it’s capable of capturing 26.1MP still images. The 90mm macro lens, a full-frame optic renowned for its sharpness and image quality, is compatible with both full-frame and APS-C cameras like the FX30, making it ideal for close-up work such as insects, flowers, and product photography.
Using a full-frame lens on a crop-sensor body like the FX30 does present some considerations. The 1.5x crop factor means the 90mm lens effectively becomes a 135mm lens in terms of field of view. This can be advantageous for macro photography, providing increased reach, but less so for other genres. Furthermore, full-frame lenses are generally larger and heavier, potentially creating an imbalance on the smaller FX30 body.
However, there are also benefits. Full-frame lenses often deliver superior image quality, particularly in the centre, which is the area utilised by the APS-C sensor. Moreover, investing in a full-frame lens offers versatility should I upgrade to a full-frame camera in the future.
It's important to acknowledge the FX30’s limitations for still photography. The absence of a mechanical shutter can lead to rolling shutter distortion with fast-moving subjects or flash photography. The lack of a viewfinder makes composition challenging in bright conditions. The FX30 also lacks some dedicated still photography features, such as advanced burst shooting modes and in-body image stabilisation, and its ergonomics are geared towards video use.
In summary, while the Sony FX30 and 90mm macro lens combination can produce excellent results, its suitability depends on individual needs. For those prioritising video with occasional still photography, it’s a viable option. However, dedicated still photographers may find a camera designed specifically for stills a more appropriate choice.
BUSHY PARK
MY CHRISTMAS 2024 VISIT TO BUSHY PARK [19 DECEMBER 2024]
Every year I have the opportunity to base myself in Rathgar over Christmas but as the house is to be sold in 2025 this will be the last time which is a pity.
Bushy Park is a large public park located in Terenure, Dublin, Ireland, bordering the River Dodder. Unlike many other urban parks which feature formal gardens, Bushy Park is distinguished by its extensive natural areas, including mature woodlands and a large pond with several smaller ponds that are havens for wildlife. The park provides a welcome escape from the urban environment, offering a more rustic and natural experience.
Key Features and Attractions:
Woodlands: Significant portions of the park are covered in mature woodlands, offering shaded walking trails and a sense of being immersed in nature. These areas are home to a variety of tree species and provide habitats for birds and other wildlife.
Ponds: The large central pond, along with several smaller ponds, is a focal point of the park. These bodies of water attract waterfowl such as ducks, swans, and moorhens, and the surrounding areas offer tranquil spots for relaxation.
River Dodder: The park's eastern boundary is defined by the River Dodder, adding to the park's scenic beauty and providing opportunities for riverside walks.
Recreational Facilities: Bushy Park is well-equipped for sports and recreation, with numerous playing pitches for soccer and Gaelic football, tennis courts, a skate park, and two children's playgrounds.
Walking Trails: A network of paved and unpaved walking trails winds through the park, catering to leisurely strollers and more energetic walkers alike.
New Pedestrian/Cycle Bridge: A recently constructed bridge over the River Dodder enhances connectivity within the park and provides safe passage for pedestrians and cyclists.
Café: A small café offers refreshments.
Cycling in Bushy Park:
Cycling is permitted in Bushy Park, and the paved paths and new bridge provide suitable routes. However, cyclists should be mindful of pedestrians, who have priority. The presence of numerous dogs, often off-leash outside of designated areas, necessitates extra caution.
History:
The land that now comprises Bushy Park was once part of the estates of Terenure and Templeogue. Its development into the park we know today began in the 18th century. Dublin Corporation acquired the park in the mid-20th century, and it has since become a valued recreational space for the local community.
POST OFFICE HAS CLOSED
The Bushy Park Bandstand: A History of Neglect and Renewal
Bushy Park, a beloved green space nestled in the heart of Terenure, Dublin, is home to a variety of attractions, including playing fields, walking trails, a picturesque duck pond, a children's playground, an extensive wooded area with walks to the banks of the River Dodder, a woodland pond, and a recently reopened kiosk. Yet, amidst this vibrant landscape, an air of melancholy surrounds the old bandstand. Situated in an idyllic location near the duck pond, the bandstand has fallen into a state of dereliction, its once-proud structure now bearing the scars of time and neglect. This article delves into the history of the Bushy Park bandstand, exploring its origins, the reasons behind its decline, and the plans for its future.
A Bandstand in Bushy Park
Before becoming the public park we know today, the land that now constitutes Bushy Park was part of a larger estate surrounding Bushy Park House. Built in the early eighteenth century, the house was home to several notable figures, including Sir Robert Shaw, a successful financier and politician. Shaw inherited the house through his wife, Maria Wilkinson, and during their time, the estate encompassed a vast area stretching from Rathfarnham to Crumlin. The house eventually passed down through the Shaw family to its final private owner, Mrs Frances Shaw, the grandmother of the renowned Irish playwright and polemicist George Bernard Shaw.
In May 1960, the park officially opened to the public, marking a new chapter in its history. Designed to provide a variety of amenities for the community, the park included two pavilions, 16 hard courts, pitches for Gaelic football, football, and hockey, and, of course, the bandstand. It is believed that the bandstand was likely constructed around the same time as the park's official opening. Built with masonry and painted in a deep green hue, the bandstand boasts a distinctive fan-shaped design that opens out at the base of a slope, creating a natural amphitheatre. This unique setting, with its gentle slopes and surrounding greenery, provided an ideal venue for musical performances and community gatherings, which was indeed its original purpose.
A Period of Decline
Over the years, the bandstand has gradually fallen into disrepair. Despite its aesthetic appeal and attractive location, it has remained largely unused, its stage silent and its seating empty. A number of factors have contributed to this decline. While specific records or reports detailing the reasons for the bandstand's neglect are unavailable, several contributing factors can be identified.
Lack of Maintenance
The bandstand's structure shows signs of deterioration, with peeling paint, weathered surfaces, and an overall air of neglect. This lack of upkeep has likely discouraged its use and contributed to its decline.
Changing Entertainment Landscape
In the past, bandstands served as popular venues for community events and musical performances. However, with the rise of alternative entertainment options and the increasing availability of portable sound systems, the demand for traditional bandstands has diminished.
Secluded Location
The bandstand's location, while aesthetically pleasing, may have also contributed to its underutilisation. Situated in a relatively secluded area of the park, it may not have been easily accessible or visible to all park visitors. This lack of prominence could have further contributed to its decline.
The bandstand's decline reflects a broader shift away from traditional community spaces and towards more individualised forms of entertainment, a trend observed in many parks and public spaces.
A New Chapter: Renovation and Renewal
Despite its years of neglect, the Bushy Park bandstand is not forgotten. In recent years, there has been a renewed interest in its potential, with plans for its renovation and revitalisation taking shape.
In 2019, a striking anamorphic mural was painted on the bandstand by the Dublin art group Subset. This vibrant artwork, titled "Please Stand By", was inspired by the bandstand's long period of disuse and aimed to breathe new life into the neglected structure. The mural, which creates a three-dimensional illusion when viewed from a specific angle, has become a popular attraction in the park, drawing attention to the bandstand and its potential. More than just a visual enhancement, the "Please Stand By" mural symbolises the community's desire to re-engage with this forgotten space and reclaim it as a hub for creativity and expression. It serves as a powerful reminder of the potential for art to revitalise neglected spaces and inspire community engagement.
Beyond the artistic intervention, there are more substantial plans for the bandstand's future. Guided by the 2008 landscape masterplan for Bushy Park, Dublin City Council has commissioned Howley Hayes Architects to develop a design for the renovation of the bandstand. The project, which is being developed in the context of the park's Landscape Masterplan and Management & Development Plan, aims to create a vibrant civic space for the park.
The proposed renovation includes the removal of the existing roof, columns, and rear wall, and the addition of a new roof, backstage area, accessible ramp, lighting, and an enhanced stage element. The refurbishment will use a similar palette of materials to the proposed new tearoom, creating a cohesive and aesthetically pleasing design.
These plans signal a new chapter for the Bushy Park bandstand. The renovation project, combined with the artistic intervention of the "Please Stand By" mural, promises to transform the derelict structure into a vibrant community space, once again fulfilling its original purpose as a venue for events and gatherings.
Stories, Events, and News Reports
While the bandstand itself may not have been the subject of extensive news coverage or local anecdotes, its story is intertwined with the history and development of Bushy Park. The park, with its rich past and diverse amenities, has been featured in various newspaper articles and reports.
One notable news story highlighted the creation of the "Please Stand By" mural, showcasing the artistic transformation of the bandstand and its potential as a canvas for creative expression. Another article explored the history of Bushy Park, mentioning the bandstand as one of its key features and highlighting its aesthetic appeal within the park's landscape. This article also mentions a curious feature near the bandstand known as the "Shell House". This small, ruined structure is decorated inside with shells, mainly cockle shells, collected from various Dublin beaches. Although much of the plaster has fallen away, along with many of the shells, it remains an interesting testament to the park's history and the creativity of its past inhabitants.
While specific stories or anecdotes about the bandstand may be limited, its presence in the park has undoubtedly contributed to the memories and experiences of countless visitors over the years. Whether serving as a backdrop for leisurely walks, a meeting point for friends, or a source of curiosity for those intrigued by its history, the bandstand has played a silent yet significant role in the life of Bushy Park.
Conclusion
The Bushy Park bandstand stands as a testament to the changing times and the evolving needs of a community. Once a symbol of community spirit and entertainment, it fell into neglect, its potential obscured by years of disuse. However, with the recent artistic intervention and the planned renovation project, the bandstand is poised for a revival. Its transformation promises to bring new life to this forgotten corner of Bushy Park, creating a space for community engagement, artistic expression, and the enjoyment of the park's natural beauty.
The bandstand's story is a reminder that even in the face of decline, there is always hope for renewal. With careful planning, community involvement, and a touch of creativity, neglected spaces can be transformed into vibrant assets, enriching the lives of those who use them. The bandstand's journey reflects broader themes of community development, historical preservation, and the importance of public spaces in fostering a sense of belonging and shared identity. Its revitalisation will not only enhance the aesthetic appeal of Bushy Park but also contribute to the well-being and social fabric of the surrounding community.
THE PEOPLES PARK
THE PEOPLE'S PARK IN LIMERICK [LOST ITS BEEBEE TREE IN 2013]
It rained almost constantly during my visit and it was especially heavy when I visited the People's Park in Limerick City but there was an upside in that I was was the only person the park for much of the time.
The People's Park: A Limerick Treasure
The People's Park stands as a testament to Limerick's history and community spirit. Originally a private park for the residents of the affluent Pery Square, it was officially opened to the public in 1877. This generous act by the Earl of Limerick was in memory of Richard Russell, a prominent local businessman.
Historical Elements:
Victorian Shelters: These ornate cast-iron structures, typical of Victorian park design, offer a charming reminder of the park's origins, providing shelter and a place to rest for generations of visitors.
Bandstand: The Victorian bandstand, a common feature in 19th-century parks, has been a focal point for musical performances and community gatherings throughout the park's history, echoing with the sounds of music and laughter.
Memorials: The park houses several memorials that connect visitors to Limerick's past:
Thomas Spring Rice: A towering Doric column dedicated to the 19th-century local MP, reflecting the ambition and grandeur of Limerick's Georgian era.
Richard Russell: A beautiful and unique fountain commemorating the man whose legacy led to the park's public opening. This fountain is the only one of its kind in Ireland, adding a special significance to the park.
The BeeBee Tree and its Legacy:
The park was home to a much-loved tree known as the "BeeBee Tree". This wasn't just any tree; it was a Tetradium Danielli, a rare species that had thrived in the park for over ninety years. Its name came from the masses of small white flowers that bloomed in late summer, attracting swarms of bees. This made it a vital source of late-season nectar and a beloved sight for park visitors.
Storm Damage and Artistic Renewal:
In 2013, a severe storm caused significant damage to the park, tragically felling the BeeBee Tree and other mature specimens. However, Limerick City and County Council, in a move that blends conservation and creativity, commissioned talented chainsaw artist, Tommy Craggs, to transform the remaining tree stumps into stunning sculptures. These works of art now stand as a testament to the park's resilience and a unique reminder of the lost trees. This approach not only salvaged something beautiful from a natural disaster but also provided a unique artistic element to the park, making it stand out from other green spaces.
Modernisation and Accessibility:
Recognising the importance of inclusivity, the park has undergone renovations to improve accessibility. The playground has been redesigned to cater to children of all abilities, with sensory areas, wheelchair-accessible swings, and a wide range of play equipment. This ensures that the People's Park can be enjoyed by everyone in the community.
IVEAGH GARDENS
IVEAGH GARDENS [ONCE PRIVATELY OWNED BUT NOW OPEN TO THE PUBLIC]
The Iveagh Gardens are often referred to as a "hidden gem" or "secret garden" for a few reasons:
Tucked Away Location: They are located behind the National Concert Hall, slightly off the beaten track for most tourists and even some Dubliners. Unlike the more prominent St. Stephen's Green, they aren't immediately visible from major thoroughfares.
Historical Obscurity: While always a beautiful space, the gardens went through periods of neglect and limited access in the 20th century, contributing to their lower profile.
Smaller Size: Compared to the vast expanse of St. Stephen's Green or Phoenix Park, the Iveagh Gardens are relatively compact. This adds to their intimate and secluded atmosphere.
The gardens were privately owned for much of their history. They were created in the 1860s by the Guinness family as part of their estate.
Public access was restricted during certain periods.
In 1995, the Iveagh Gardens were officially gifted to the Irish nation and opened fully to the public.
About the statues:
The statues you see, with their missing heads and limbs, were designed to appear aged and weathered. This is a deliberate stylistic choice, often seen in Romantic and Victorian gardens, to evoke a sense of history and antiquity. The statues are meant to look like ancient ruins discovered within the garden, adding to its romantic charm.
The Iveagh Gardens are a remarkable example of Victorian landscape design, blending formal and informal styles. They offer a tranquil oasis in the heart of Dublin, featuring:
Sunken Lawns: Formal, geometric panels of lawn with central fountains.
Rustic Grottoes: Artificial caves and waterfalls creating a sense of wilderness.
Maze: A traditional yew maze for a playful challenge.
Rosarium: A beautiful rose garden with pre-1860s varieties.
American Garden: Showcasing plants native to North America.
Archery Grounds: A reminder of the gardens' historical use.
PEOPLES FLOWER GARDEN
Phoenix Park: Dublin's Urban Oasis
Phoenix Park is a sprawling urban park in Dublin, Ireland, boasting 707 hectares (1,750 acres) of recreational space. It's one of the largest enclosed recreational spaces within any European capital city. Established in 1662, the park has a rich history and offers a diverse range of attractions for visitors.
Key Features of Phoenix Park:
Vast green spaces: The park is known for its expansive grasslands and tree-lined avenues, perfect for leisurely strolls, picnics, or simply relaxing amidst nature.
Home to wildlife: A herd of wild fallow deer has roamed the park since the 17th century, adding to its unique charm.
Historical landmarks: The park houses significant landmarks, including Áras an Uachtaráin (the official residence of the President of Ireland), Dublin Zoo, and the Wellington Monument.
Recreational facilities: Visitors can enjoy various activities, such as cycling, playing sports, or exploring the various gardens and walking trails.
The People's Flower Garden: A Victorian Oasis within the Park
Nestled within Phoenix Park, the People's Flower Garden is a beautifully manicured Victorian garden spanning 9 hectares. Originally known as the Promenade Grounds, it was opened in the mid-19th century and offers a tranquil escape from the hustle and bustle of city life.
Highlights of the People's Flower Garden:
Victorian bedding schemes: The garden showcases stunning floral displays, reflecting the classic Victorian style of horticulture.
Ornamental lake: A large lake with various waterfowl adds to the serene atmosphere of the garden.
Children's playground: A dedicated play area provides entertainment for younger visitors.
Picnic areas: Ample picnic spots allow visitors to relax and enjoy the surroundings.
The People's Flower Garden is a true gem within Phoenix Park, offering a unique blend of natural beauty, historical significance, and recreational opportunities. Whether you're seeking a peaceful retreat, a family outing, or a glimpse into Victorian horticulture, the People's Flower Garden is a must-visit destination in Dublin.
THE WELLINGTON OBELISK
The Wellington Monument in Phoenix Park, a towering obelisk marking the Dublin skyline, stands as a somewhat ironic tribute to Arthur Wellesley, the Duke of Wellington. While intended to celebrate his victory at Waterloo and Irish roots, the project was met with lukewarm public support and beset by delays and funding issues. This lack of enthusiasm stemmed from Wellington's waning popularity in Ireland due to his political stance against Catholic Emancipation, alongside funding difficulties and the monument's relocation to a less central location.
Ironically, the monument is associated with two contrasting anecdotes that capture the complex relationship between Wellington and his homeland. The first, often recounted with a chuckle, involves a stable built on site to house the horse for the planned equestrian statue. When funds ran dry, leaving the stable empty, Wellington quipped, "If they cannot afford the horse, they can afford the stable." This story, though popular in Dublin, highlights the financial woes that plagued the monument's construction and the eventual abandonment of the statue.
Far more widely known, however, is the biting remark by Daniel O'Connell, a leading figure in the fight for Catholic Emancipation: "The poor old duke, what shall I say of him? To be sure he was born in Ireland, but being born in a stable does not make a man a horse." O'Connell, a champion of Catholic Emancipation and a towering figure in Irish history, crafted a retort that resonated deeply with those who felt betrayed by Wellington's political stance. This quote, deeply ingrained in Irish historical memory, underscores the complexities of Wellington's legacy in Ireland, where admiration for his military achievements is often tempered by his political actions.
In contrast to the Dublin monument, the Wellington Monument in Trim, County Meath, enjoyed significant local support. This stemmed from Wellington's strong personal ties to the town, where he spent his formative years and served as a member of Parliament. Funded and championed by the local community, the Trim monument, a more modest bronze statue atop a column, reflects a sense of local pride and ownership absent in the Dublin project.
The contrasting stories associated with the Dublin monument, one humorous and the other pointedly critical, offer a glimpse into the complexities of commemorating historical figures whose legacies are intertwined with political and social tensions. These contrasting narratives, alongside the differing receptions of the Dublin and Trim monuments, paint a nuanced picture of Wellington's legacy in Ireland, one marked by both admiration and resentment.
AN EMPTY PLINTH
In the heart of the People's Flower Garden, a solitary plinth stands as a silent witness to a bygone era. This classically-styled pedestal once supported a bronze statue of George William Frederick Howard, the 7th Earl of Carlisle. Erected around 1870, the statue was the work of renowned Irish sculptor, John Henry Foley, whose other notable works include the statue of Prince Albert at the Albert Memorial in London and the Daniel O'Connell Monument in Dublin.
The Earl of Carlisle was a prominent figure in 19th-century Irish politics, serving as Chief Secretary and twice as Lord Lieutenant of Ireland. He played a key role in the creation of the People's Garden, envisioning it as a place for the "recreation and instruction of the poor of Dublin". In a time when monuments in Irish municipal parks were rare, the Carlisle Monument held a unique position as the sole statue in the People's Garden.
However, the monument's story took a dramatic turn in 1956 when a bomb dislodged the bronze statue from its pedestal. The statue was subsequently relocated to Castle Howard in Yorkshire, England, the Earl's ancestral home. The plinth, however, remained in Dublin, a poignant reminder of the Earl's legacy and a testament to the changing tides of history.
Today, the plinth stands as a central focus in a grassy area at the southwest edge of the gardens near Chesterfield Avenue. Its inscriptions provide a glimpse into the life of the Earl of Carlisle:
North face: "Erected by public subscription 1870"
South face: "George Wm. Frederick, seventh Earl of Carlisle, K.G / Chief Secretary for Ireland, 1835 to 1841 / Lord Lieutenant of Ireland, 1855-1858 and 1859 to 1864 / Born 1802. Died 1864."
Surrounded by low-level planting, the plinth serves as a quiet place for reflection, inviting visitors to contemplate the complexities of history and the enduring power of public spaces.
MILL LANE PARK
MILL LANE PARK IN PALMERSTOWN [AND PALMERSTOWN FOOTBALL CLUB]
The photographs featured here are from my most recent visit to the park on Mill Lane 22 October 2024.
There is a stone obelisk or standing-stone sculpture at Mill Lane Park or Palmerstown FC and it is most likely be a recent addition, as I have not seen it before, and it appears to feature Ogham an Early Medieval alphabet used primarily to write the early Irish language. Unfortunately I cannot find any mention of this online - does anyone have any information?
My first visit to Palmerstown, earlier this year, led me on an unexpected adventure through Mill Lane. Initially, I encountered the locked gates of Palmerstown FC, which gave the impression of an exclusive or private club. However, as I continued along the lane, I discovered an open entrance within a stone wall, beckoning me to explore further.
Stepping inside and following a rustic pathway, I found myself in a spacious green area that could have easily been mistaken for a football practice ground. Was this part of the football club, or was it a public park? Luckily, a friendly local resident cleared up the confusion. This was indeed a public park, a hidden gem she often enjoyed with her dogs.
A Note of Caution: While this park is a lovely spot for a stroll, it's important to be aware that dogs are often off-lead here. There have been some reports of dog bites, so it's advisable to exercise caution, especially if you're nervous around dogs.
Unravelling the Connection to Palmerstown FC:
Although the park isn't directly affiliated with Palmerstown FC, understanding the club's location helps to paint a clearer picture.
Palmerstown FC: This local football club is based in Palmerstown, Dublin 10.
Glenaulin Park: The club plays its home matches at Glenaulin Park, situated on Glenaulin Green. This park, managed by South Dublin County Council, boasts two football pitches and is open to the public.
Mill Lane's Charm:
The area surrounding Mill Lane, where Palmerstown FC is located, possesses a unique charm. With its picturesque river, abundant wildlife, ancient churchyard, quaint buildings, and even the occasional sighting of roaming horses, it has an almost fairytale-like quality.
A Glimpse into the Past:
During my research, I came across an intriguing account of Mill Lane's history:
"The Mill Lane consists of several houses, and the ruins of four mills, which show, that, at one time the Mill Lane was a busy centre of industry. A few years ago, there was an 'Ink Factory' established there. In this factory, there are about twenty men employed making ink. At one time the Mill Lane must have been large. It was there the old Catholic School was, and it is said there was also a Protestant School. The very ancient church now in ruins is still to be seen in the old graveyard."
While I couldn't find concrete evidence of the ink factory, I did discover a fascinating discussion about early schools in Mill Lane in a historical document from South Dublin Libraries (https://source.southdublinlibraries.ie/bitstream/10599/12263/4/AncientPlacePDF.pdf).
This document reveals that the earliest known school in Palmerstown was a Female School located in Mill Lane and marked on an 1816 map. It delves into the challenges of funding such schools and highlights the role of local landlords, particularly the Earls of Donoughmore, in supporting education. It also mentions the presence of two Free Schools in Mill Lane by 1821, offering education to both boys and girls.
In Conclusion:
Mill Lane Park is a delightful, albeit somewhat hidden, green space in Palmerstown. While its connection to Palmerstown FC might initially seem confusing, it's a separate public park offering a peaceful retreat amidst the remnants of a historically rich and industrious area.
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