The Liberties Archives - HEADLESS URBAN EXPRESSION

PHOTOGRAPHED ON ST PATRICK’S DAY 2024

Liberty Lane is known for its vibrant displays of street art so let us discuss the lane’s history, significance, and safety.

Why Is It Known as Liberty Lane?

The name ‘Liberty Lane’ has its roots in the area’s rich history. The Liberties, the wider district where the lane is situated, were once an independent trading zone outside the official jurisdiction of Dublin City. This autonomous status bestowed a sense of freedom, leading to the name ‘The Liberties’. It’s believed that Liberty Lane got its name from this association.

History

Liberty Lane has witnessed Dublin’s transformation through the ages. Once a hub of working-class life, the lane has seen both decline and revitalisation. In recent years, it has become a canvas for creative expression through street art.

Was It Once Longer?

There is some debate about whether Liberty Lane was once much longer. Some suggest that it might have extended from Kevin Street to Portobello, though there’s little concrete evidence to support this.

The Quality of Street Art

Liberty Lane boasts an impressive collection of street art, ranging from bold murals to intricate stencils. Artists are drawn to the lane for its permissive atmosphere and appreciative audience. The quality of artwork varies, but you’re guaranteed to find some truly striking pieces.

Popularity with Street Artists

There’s an understanding that Liberty Lane offers a relatively safe space for street artists to experiment and showcase their work without the immediate risk of it being removed. While technically street art without specific permission might still be considered illegal, there seems to be a tacit agreement that this lane is a designated area for this form of expression.

Is It Safe to Visit?

I mention this because I had an unpleasant episode on this lane in 2019. Like any urban area, it’s wise to be generally aware of your surroundings. During the day, Liberty Lane is safe to explore and enjoy the artwork. At night, it’s advisable to visit with a companion rather than alone. Stick to the well-lit areas of the lane and be mindful of your belongings.

In Summary

Liberty Lane is a testament to the ever-evolving nature of Dublin and the growing acceptance of street art as a legitimate art form. Its colourful displays and historical significance make it a worthwhile place to explore, especially during the day.

A Different But Important Discussion

The rise of commercial and sponsored street art raises an important question about how it impacts the future of the art form. Here are some arguments for and against this trend.

Arguments Against Commercialisation

Loss of Authenticity: The traditional essence of street art lies in its countercultural roots – an expression outside the confines of galleries and commercialisation. Some fear that as street art becomes more commercialised, it loses its core spirit of rebellion, social commentary, and being art for the people.

Co-optation of the Message: When a brand sponsors street art, there’s a risk of the artist’s original message being diluted or entirely subverted to serve a commercial purpose. This raises concerns about street art turning into a glorified advertising medium.

Gentrification: Commercialisation of street art can contribute to gentrification in areas where these artworks exist. Businesses and developers may use street art to rebrand neighbourhoods, driving up rents and ultimately displacing the very communities that give street art its authenticity.

Arguments in Favour of Commercialisation

Support for Artists: Commercial projects provide opportunities and financial stability for street artists, many of whom previously struggled to sustain themselves with their art. It can offer a path to broader recognition and a livelihood.

Exposure and Accessibility: Commercialisation can bring street art to a wider audience. Brands have the resources to promote these pieces beyond the confines of specific streets, increasing public exposure and appreciation of the art form.

Potential for Powerful Partnerships: While there are risks, commercial partnerships can also result in meaningful collaborations. Brands with socially conscious messages can work with artists to amplify themes like social justice and environmentalism, potentially reaching a larger audience than the artist could alone.

The Evolving Landscape

It’s important to acknowledge that commercial interests are increasingly intertwined with street art. It’s crucial to have an ongoing dialogue about the implications:

Transparency: Full disclosure about the sponsorship or commercial aspects of a work can help the public distinguish between purely artistic works and those with commercial interests.

Balance: Street artists should maintain a balance between commercial projects and independent work to ensure that the spirit of the art form isn’t entirely lost.

Critical Discourse: It’s vital for critics, enthusiasts, and the street art community to evaluate the commercialisation of street art with a critical eye, questioning its long-term effects.

Conclusion

The growing presence of commercial street art is a complex trend with both benefits and drawbacks. Ultimately, the future of street art will rely on how artists, critics, and the public grapple with these issues, hopefully maintaining the core spirit of the art form while navigating new artistic realities.

SADLY THIS COMPLEX HAS BEEN REPLACED BY A HOTEL

This was an amazing location for Street Art. These are not my best photographs but they do capture the ‘feel’ of the location. Last year I visited the new complex and it was bleak and the preserved artwork lacked soul.

I was amazed to discover than many of my friends don’t remember the Tivoli as it was and I know that they attend concerts there.

“Tivoli Place”, the scheme containing the square, is owned by the German asset management company DWS, in partnership with aparthotel operators StayCity. In my opinion the scheme is more than disappointing … it is depressing and while it is described as a public space it is a POPS [privately owned public space] it does not appear to meet any real local community requirements.

The Tivoli Theatre was a theatre on Francis Street in The Liberties, Dublin which closed in 2019 and was demolished shortly afterwards for replacement by a hotel. The theatre opened on 21 December 1934 as a replacement for an earlier Tivoli Theatre located on Burgh Quay, which had closed in May 1928.

Built to the designs of architect Vincent Kelly with seating provided for 700. The Tivoli Theatre opened as a cine-variety theatre, but by the late-1930s it had converted to full-time cinema use and was renamed Tivoli Cinema.

The Tivoli Cinema was closed in September 1964. It was converted into a nightclub and a shop; before finally re-opening as a live theatre in 1987 and renamed Tivoli Theatre. At time of closing, the upper theatre could seat 475; and the lower venue was in operation as a nightclub

The walls of the carpark had become a noted street art location and the planning permission to demolish the theatre required the extant art to be photographed and documented prior to demolition.

The venue had seen The Cranberries, Oasis, Blur, Sinéad O’Connor, Suede, The Beastie Boys, Rage Against the Machine, Deadmau5, Perfume Genius,[ and $uicideBoy$ perform.

That Petrol Emotion played the Tivoli three times, including their Irish farewell gig in 1994. Recordings from that concert were included on the live album Final Flame (Fire, Detonation And Sublime Chaos).

STREET ART AT THE TIVOLI CAR PARK AS IT WAS IN JANUARY 2016