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NEW EXAMPLES OF DUBLIN STREET ART

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These interesting posters are located on a derelict building off Capel Street.

The Dublin street art scene has undeniably evolved, with commercialisation and sponsorship playing a significant role in its current landscape. Historically, street art was a raw and unfiltered form of expression, often challenging societal norms. However, its growing popularity attracted businesses and organisations seeking to leverage its aesthetic appeal. This led to an increase in commissioned works, potentially homogenising styles and diluting the original spirit of street art.

Despite this, commercialisation doesn’t necessarily equate to the end of interesting or thought-provoking street art. Many talented artists continue to push boundaries creatively, and sponsorship can provide opportunities for larger-scale works and a wider audience reach. The Dublin street art scene remains a dynamic and evolving ecosystem, offering a rich and diverse array of both commissioned and uncommissioned works.

One notable manifestation of this evolution is the prevalence of commissioned street art on shop shutters, particularly in areas like Capel Street. Historically notorious for protection rackets and organised crime, Capel Street has transformed significantly. Today, commissioning street art serves as a proactive measure against vandalism, enhancing the area’s aesthetic appeal and deterring potential vandals.

While some might draw parallels between commissioning street art and the historical practice of paying protection money, the two scenarios are fundamentally different. The former is a voluntary investment in beautifying the surroundings and safeguarding one’s property, fostering creativity and community ownership.

The transformation of Capel Street into a thriving hub with a vibrant street art scene is a testament to the positive changes the area has undergone. By engaging with local artists, businesses contribute to the cultural landscape and revitalise a once troubled street.

In conclusion, while commercialisation has undeniably influenced the Dublin street art scene, it hasn’t extinguished the spirit of independent expression and creativity. The practice of commissioning street art, particularly on shutters, has evolved into a mutually beneficial arrangement, fostering creativity, discouraging vandalism, and contributing to the revitalisation of the city’s landscape.

STREET ARTISTS IN ACTION AT CHANCERY STREET 16 JULY

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PHOTOGRAPHED USING A SONY HX90V CAMERA

The vibrant murals adorning Chancery Street near the former Fegan’s 1924 Cafe have long been a dynamic and ever-changing display of artistic expression. While once a haven for spontaneous and often subversive street art, the recent shift towards a more organised and commercial approach has sparked debate among artists and enthusiasts alike.

Observations of a team, supervisor, and van at work on a new mural confirm that the line between street art and commercial art has blurred in this particular location. What was once the domain of individual artists expressing their creativity now involves a coordinated effort, suggesting a commissioned piece rather than spontaneous creation.

This transformation reflects a broader trend in the street art world. As its popularity has grown, so too has its appeal to businesses and organisations seeking to leverage its visual impact and cultural cachet. This has led to an increase in commissioned murals, often executed by teams of artists and funded by corporate sponsors.

While some lament the loss of the raw, unfiltered spirit of traditional street art, others see this evolution as a natural progression. It provides artists with paid opportunities and exposure, while businesses benefit from the aesthetic and cultural value that street art brings to their spaces.

The case of Chancery Street highlights the complexities of this shift. While the commercialisation of street art may offer financial stability and wider recognition for artists, it also raises questions about authenticity, artistic integrity, and the potential for co-option by the establishment.

Whether this trend is a positive development or a sign of “selling out” remains a matter of debate. However, the continued evolution of street art, as exemplified by Chancery Street, reflects its enduring relevance and adaptability in a constantly changing cultural landscape.

Ultimately, the value of street art lies in its ability to spark conversations, challenge norms, and enrich urban environments. Whether created spontaneously by individuals or commissioned by organisations, it is a testament to the power of art to transform and inspire.

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