HEADLESS URBAN EXPRESSION

There Is Much To See Here

WHILE WAITING FOR THE HUNGRY MEXICAN TO OPEN I EXPLORED THE BACK LANE

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URBAN EXPRESSION ON BEDFORD LANE

Today I decided to have lunch at the Hungry Mexican on Aston Quay but when I arrived I discovered that they did not open until 4PM so I decided to spend about thirty minutes exploring the lane complex behind the restaurant as well as other parts of Temple Bar. Fortunately I had my iPhone 12 Pro Max which I use as a camera rather than as a phone. However, I had some problems with the device as I have a beta version of the operating system installed and it had automatically updated overnight and the update impacted on the performance of my Halide Camera app.

“The Icon Walk Dublin is a multi-street public art installation which showcases original artwork by many different local artists of Irish icons from many disciplines including: writers and playwrights, sports icons, musicians, and actors from the performing arts. The Icon Walk Dublin is accessible and relevant, collaborative and inclusive, efficient and adaptable. It is a sustainable and economical model for public art projects, that is truly iconic and inspirational.”

The Icon Factory is a not-for-profit co-operative of Dublin based artists. It consists of a small workshop, gallery and shop. However, their main contribution to the area is the Icon Walk and having spoken to one artist it is more than possible that they could operate equally well from another location and still maintain and even enhance their Temple Bar activities.

I IMMEDIATELY KNEW THAT THIS ART WAS BY CLAIRE PROUVOST

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MURALS AT TARA STREET STATION

Claire Prouvost is a French graphic designer and illustrator living and working in Dublin. She loves to paint women in a cubist inspired style, using gouaches for their vibrant colours. Her colourful work plays with shapes, contrast, and composition to show the simple beauty of things in our daily lives.

Today I used my Sony 85mm GM lens with the Sony FX30 so it was effectively a 127mm lens. This is supposed to be one of the best lens that I own and it has been described as the ultimate portrait prime. The perfect 85mm F1.4 portrait lens with outstanding sharpness dissolving to magnificent bokeh. I obtained a copy on the day that it became available here in Ireland in advance of any genuine reviews. I immediately discovered that it made a horrible grating noise while focusing. According to some reviews that I came across months later “The Sony FE 85mm f/1.4 GM lens has a focusing system that makes some noise. It sounds a little like metal scraping or a linear piezo motor even though it’s an SSM motor. It’s much quieter in video AF mode. Nearly silent.”.

I brought my copy back to the dealer and the told me that it would take a month or two to get a replacement so I decided to keep my copy on condition that I could replace it at some later date.

Here are some of the reviews of the Sony 85mm GM lens:

“The Sony FE 85mm f/1.4 GM is a superb lens that delivers outstanding image quality. It is sharp, contrasty, and has beautiful bokeh. The autofocus is fast and accurate, and the lens is weather-sealed. It is an excellent choice for portrait photographers.” – DPreview

“The Sony FE 85mm f/1.4 GM is a top-of-the-line portrait lens that offers excellent image quality and performance. It is sharp, has beautiful bokeh, and is weather-sealed. It is a bit on the expensive side, but it is worth the investment for serious portrait photographers.” – The Phoblographer

“The Sony FE 85mm f/1.4 GM is a fantastic lens that delivers excellent image quality in a variety of situations. It is sharp, has beautiful bokeh, and is weather-sealed. It is a bit on the large and heavy side, but it is still a great choice for portrait photographers.” – Cameralabs

Overall, the Sony FE 85mm f/1.4 GM is a highly rated lens that is well-suited for portrait photography. It is sharp, has beautiful bokeh, and is weather-sealed. However, it is also a bit on the expensive side.

JENNY’S CHAIR BY ALBENTY AT MONTPELIER HILL

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THIS HAS SURVIVED SINCE 2016

Originally, when I first published photographs of this artwork, I said that I believed that it was dedicated to someone named Jenny. Today I discovered that title is “Jenny’s Chair”

Albenty is an Irish street artist who is known for his colourful and playful murals. He often depicts animals, plants, and other natural elements in his work, and his pieces often have a whimsical or humorous touch. Albenty’s work can be found all over Dublin, and he has also exhibited his work in galleries in Ireland and the United Kingdom.

Albenty is a self-taught artist who began painting graffiti in the early 2000s. He quickly developed his own unique style, and his work has been praised for its originality and its ability to brighten up the urban landscape. Albenty is also known for his commitment to social justice, and many of his murals address issues such as poverty, homelessness, and environmentalism.

In addition to his street art, Albenty also creates prints, paintings, and sculptures. He has collaborated with a number of other artists, including Maser, Aches, and Subset. Albenty’s work has been featured in a number of publications, including The Irish Times, The Guardian, and Vice.

[Note: I have been unable to fully verify the information relating to Albenty]

I RECEIVED THE FOLLOWING INFORMATION:

“Jenny’s Chair marks a three-year campaign by Jenny and a group of women from Montpelier Hill and Drive in response to an increasing number of incidents where children and young girls were being approached by kerb crawlers in the area. From 2003 to 2006, these women kept vigil on the street every night (except for Tuesdays which was Bingo night!), warning kerb crawlers that they were being watched and would be reported. The women’s efforts were ahead of their time, targeting the men who were soliciting and not the women involved in prostitution. The law was eventually changed in 2017 to make it an offence to purchase sex.”

THIS MURAL IS TO REMAIN ON THE GABLE WALL AT LONGWOOD AVENUE

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A TRIBUTE TO DAVID ATTENBOROUGH

Today I had an appointment at Harolds’s Cross so I decided to walk there and visit Longwood Avenue, on my way, in order to check if this large mural had survived the legal and official attempts to have it removed.

In June 2022 it was announced that Dublin City Council was to drop its prosecution of art group Subset for three prominent street murals – including this one celebrating the life of David Attenborough.

In November 2019 I upload photographs of this mural and included the following comment: “Dublin City Council has ordered that a mural of David Attenborough on the side of a property in south Dublin should be removed. An entity or group known as Subset had recently created the Street Art tribute to David Attenborough on his 93rd birthday.”

The David Attenborough Mural is a large-scale street mural located on the gable wall of a house on South Circular Road facing onto Longwood Avenue in Dublin 8, Ireland. It was painted in 2019 by the artist collective SUBSET to mark the renowned naturalist and broadcaster’s 93rd birthday. The mural depicts Attenborough in his signature khaki jacket and hat, standing next to a group of animals, including a penguin, a lion, and an elephant. The mural is vibrantly coloured and features a stylised depiction of the natural world.

The mural was controversial from the start, as it was painted without planning permission from Dublin City Council. The council eventually ordered the mural to be removed, but this decision was met with widespread public opposition. A petition to save the mural attracted over 10,000 signatures, and the council eventually dropped its prosecution of the artists.

The David Attenborough Mural is now considered to be a popular tourist attraction in Dublin. It is a reminder of the city’s vibrant street art scene and its appreciation for the natural world.

REMEMBERING THOMAS DUDLEY 1906-1981 WHO WAS KNOWN AS BANG BANG

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DUBLIN STREET ART ON CAPEL STREET 10 AUGUST 2023

This is located on Capel Street and as this was my first time to see it one can assume that it is recent as is the chair chained to the railings.

Thomas Dudley, better known as “Bang Bang”, was a well-known street character in Dublin in the mid-20th century. He was known for carrying a large church key around with him and pretending to shoot people with it. He would often shout “Bang Bang!” as he did this.

Dudley was born in Dublin in 1906. He was raised in an orphanage and had a difficult childhood. He was also blind in one eye. Despite his challenges, Dudley was a charismatic and outgoing person.

Bang Bang became a popular figure in Dublin in the 1940s and 1950s. He was often seen riding the buses and trams, pointing his church key at people and shouting “Bang Bang!”

HOODED YOUTH MURAL BY JOE CASLIN

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LOWER MALLOW STREET LIMERICK

Sadly the death of Sinéad O’Connor was announced Yesterday 26 July 2023.

Sinéad Marie Bernadette O’Connor;(8 December 1966 – 26 July 2023), known professionally as Sinéad O’Connor, was an Irish singer and musician. Her debut studio album, The Lion and the Cobra, was released in 1987 and charted internationally. Her second studio album, I Do Not Want What I Haven’t Got (1990), became her biggest success, selling over seven million copies worldwide. Its lead single, “Nothing Compares 2 U”, was named the number-one world single in 1990 by the Billboard Music Awards.

I thought that I had photographed a mural of Sinead O’Connor in Limerick back in June 2015 but when I checked I discovered that I had a number of images of a mural that I was unable to identify until now [27 July 2023] and I don’t know why I believed that the mural were associated with the singer.

I have now established that the artist was Joe Caslin.

Joe Caslin is an Irish street artist, art teacher and activist. Best known for his beautifully rendered pencil drawings, which manifest as towering pieces of street art. His highly accessible work engages directly with the social issues of modern Ireland, on an unavoidable scale. Caslin confronts the subjects of suicide, drug addiction, economic marginalisation, marriage equality, stigma in mental health, direct provision, institutional power, consent and most recently, the effects of the Covid19 pandemic on young people. The monochrome drawings Caslin creates live with us and against many of us for some time before washing away. They hold a mirror up to the kind of society that we are, whilst asking us individually what kind of society we want to be a part of.

Sinéad Marie Bernadette O’Connor;(8 December 1966 – 26 July 2023), known professionally as Sinéad O’Connor, was an Irish singer and musician. Her debut studio album, The Lion and the Cobra, was released in 1987 and charted internationally. Her second studio album, I Do Not Want What I Haven’t Got (1990), became her biggest success, selling over seven million copies worldwide. Its lead single, “Nothing Compares 2 U”, was named the number-one world single in 1990 by the Billboard Music Awards.

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