PAINT-A-BOX STREET ART ON MILLTOWN ROAD
Peacock by Conor Fitzpatrick on Milltown Road near the Nine Arches Bridge and across the road from the famous Dropping Well Pub.
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There Is Much To See Here
by infomatique
by infomatique
by infomatique
RICHMOND HILL RATHMINES
Dora Sigerson Shorter, poet, spent some of her childhood at Richmond Hill and Annie M. P. Smithson, novelist, nurse and Nationalist, lived at 12 Richmond Hill until her death.
Dora Maria Sigerson Shorter (16 August 1866 – 6 January 1918) was an Irish poet and sculptor, who after her marriage in 1895 wrote under the name Dora Sigerson Shorter.
She was born in Dublin, Ireland, the daughter of George Sigerson, a surgeon and writer, and Hester Varian, also a writer. She was the oldest of 4 children. The family home at 3 Clare Street was a gathering-place for artists and writers where Dora met important figures of the emerging Irish literary revival. She attended the Dublin School of Art, where W.B. Yeats was a fellow-pupil. She was a major figure of the Irish Literary Revival, publishing many collections of poetry from 1893. Her sister Hester Sigerson Piatt was also a writer. Her friends included Katharine Tynan, Rose Kavanagh and Alice Furlong, writers and poets.
In 1895 she married Clement King Shorter, an English journalist and literary critic. They lived together in London, until her death at age 51 from undisclosed causes. Her friend Katharine Tynan wrote in a biographical sketch that she supposedly ‘died of a broken heart’ after the 1916 executions.
Annie Mary Patricia Smithson (26 September 1873 – 21 February 1948) was an Irish novelist, poet and Nationalist.
Smithson was born into a Protestant family in Sandymount, Dublin. She was christened Margaret Anne Jane, but took the names Anne Mary Patricia on her conversion to Catholicism. Her mother and father were first cousins and her father died when she was young. About 1881 her mother married her second husband, Peter Longshaw, who owned a chemical factory in Warrington in Lancashire. Smithson disliked her stepfather and referred to him always as Mr Longshaw. There were five children of the second marriage.
Smithson abandoned her ambition to become a journalist in order to train as a nurse and a midwife. She trained in London and Edinburgh, before returning to Dublin in 1900. In 1901 she took up a post as district nurse in Millton, Co. Down. There she fell in love with her colleague Dr James Manton, a married man. Deciding that a relationship was impossible, she left Millton in 1906. They kept up a correspondence until her conversion, when she burnt his letters.
She converted to Catholicism in March 1907 and became a fervent Republican and Nationalist. She became a member of Cumann na mBan and campaigned for Sinn Féin in the 1918 general election.
She took the Republican side in the Irish Civil War and nursed participants in the siege at Moran’s Hotel. In 1922 she was imprisoned by Free State forces and was rescued from Mullingar prison by Linda Kearns McWhinney and Muriel MacSwiney, posing as a Red Cross delegation. Her political views led to her resignation from the Queen’s Nurses Committee and a move into private nursing. In 1924 she wrote a series of articles on child welfare work for the Evening Mail newspaper, based on her work in tenements in the Dublin Liberties, one of the poorest areas of the city, where she continued to work until 1929.
She was Secretary and Organiser of the Irish Nurses Organisation from 1929 to 1942. She wrote for the Irish Nurses’ Magazine and edited the Irish Nurses Union Gazette.
In 1917 she published her first novel, Her Irish Heritage, which became a best-seller. It was dedicated to those who died in the Easter Rising of 1916. In all, she published twenty novels and two short story collections. Other successful novels included By Strange Paths and The Walk of a Queen. Many of her works are highly romantic and draw on her own life experiences, with nationalism and Catholicism featuring as recurrent themes. In 1944 she published her autobiography, Myself – and Others.
From 1932 onwards she shared a house in Rathmines, Dublin with her stepsister and her stepsister’s family. She died of heart failure at 12 Richmond Hill, Dublin and was buried in Whitechurch, County Dublin.
Her novels feature in Brian Friel’s 1990 play Dancing at Lughnasa. Between 1989 and 1990 the Mercier Press reprinted several of her works.
by infomatique
PHOTOGRAPHED 26 MARCH 2023
This was an excellent location for street art and murals but the quality and selection is not as good as it was.
I have seen this lane described as being a legal location for street art and it is implied that it is legal because property owners have given consent. However, my understanding is that property owners cannot give consent without planning permission.
https://www.legal-walls.net/country/ireland
https://www.garda.ie/en/crime/criminal-damage/property-crime-graffiti-pdf.pdf
https://www.breakingnews.ie/ireland/dublin-needs-to-catch-up-and-allow-street-art-1427964.html
https://www.theguardian.com/world/2022/feb/18/dublin-city-council-takes-street-artists-to-court-over-murals-sir-david-attenborough
by infomatique
STREET ART THAT NO LONGER EXISTS
To the best of my knowledge there there is nothing here but a blank wall.
Evolve is an Irish creative agency helping with original attention grabbing ‘street art’ and urban art commissions.
A DublinBike docking station is located on this narrow street beside John’s Lane Church.
The church opened in 1874 on the site of St. John’s Hospital (founded c. 1180). It is located on Thomas Street, Dublin, close to the centre of the medieval city, and is served by the Augustinian Order.
by infomatique
SADLY THIS COMPLEX HAS BEEN REPLACED BY A HOTEL
This was an amazing location for Street Art. These are not my best photographs but they do capture the ‘feel’ of the location. Last year I visited the new complex and it was bleak and the preserved artwork lacked soul.
I was amazed to discover than many of my friends don’t remember the Tivoli as it was and I know that they attend concerts there.
“Tivoli Place”, the scheme containing the square, is owned by the German asset management company DWS, in partnership with aparthotel operators StayCity. In my opinion the scheme is more than disappointing … it is depressing and while it is described as a public space it is a POPS [privately owned public space] it does not appear to meet any real local community requirements.
The Tivoli Theatre was a theatre on Francis Street in The Liberties, Dublin which closed in 2019 and was demolished shortly afterwards for replacement by a hotel. The theatre opened on 21 December 1934 as a replacement for an earlier Tivoli Theatre located on Burgh Quay, which had closed in May 1928.
Built to the designs of architect Vincent Kelly with seating provided for 700. The Tivoli Theatre opened as a cine-variety theatre, but by the late-1930s it had converted to full-time cinema use and was renamed Tivoli Cinema.
The Tivoli Cinema was closed in September 1964. It was converted into a nightclub and a shop; before finally re-opening as a live theatre in 1987 and renamed Tivoli Theatre. At time of closing, the upper theatre could seat 475; and the lower venue was in operation as a nightclub
The walls of the carpark had become a noted street art location and the planning permission to demolish the theatre required the extant art to be photographed and documented prior to demolition.
The venue had seen The Cranberries, Oasis, Blur, Sinéad O’Connor, Suede, The Beastie Boys, Rage Against the Machine, Deadmau5, Perfume Genius,[ and $uicideBoy$ perform.
That Petrol Emotion played the Tivoli three times, including their Irish farewell gig in 1994. Recordings from that concert were included on the live album Final Flame (Fire, Detonation And Sublime Chaos).