THE EMBRACED LOOP
THE EMBRACED LOOP BY ANAISA FRANKO [TODAY I USED A SONY 90MM MACRO LENS WITH MY SONY FX30 BODY]
The Embraced Loop, a poignant HIV and AIDS national monument by Anaisa Franco, resides in the People’s Gardens of Dublin’s Phoenix Park. This powerful sculpture serves as a tribute to those lost to the disease, a celebration of those who fought and supported others, and a symbol of solidarity with those currently living with and affected by HIV. The design, an abstract loop incorporating the iconic Red Ribbon, embodies an interactive approach and the interconnectedness of all those touched by the epidemic. Unveiled in Phoenix Park by Taoiseach Leo Varadkar, the monument stands as a permanent reminder of the ongoing struggle and the need for continued action and support.
Anaisa Franco, the award-winning artist behind The Embraced Loop, pioneers participatory public art, activating bodies and public spaces through interactive experiences. Her studio specialises in parametric digital fabrication and technology integration, creating experiential, self-sustainable works. With a Masters in Digital Art from the University of Plymouth (2007), and experience at Medialab Prado (2008) and Applied Future Studio in Berlin, Franco’s work seamlessly blends creativity, technology, and community engagement.
Recently, I’ve been experimenting with various camera and lens combinations, including my Sony FX30 paired with the Sony 90mm f/2.8 Macro G OSS lens. This exploration is part of my decision-making process for a future camera purchase. While generally pleased with the FX30’s output since December 2024, I find the lack of an electronic viewfinder a significant drawback. However, its compact and lightweight form factor, especially compared to my Sony A7RIV, is a definite plus.
Although the Sony FX30 is primarily a cinema camera, it’s capable of capturing 26.1MP still images. The 90mm macro lens, a full-frame optic renowned for its sharpness and image quality, is compatible with both full-frame and APS-C cameras like the FX30, making it ideal for close-up work such as insects, flowers, and product photography.
Using a full-frame lens on a crop-sensor body like the FX30 does present some considerations. The 1.5x crop factor means the 90mm lens effectively becomes a 135mm lens in terms of field of view. This can be advantageous for macro photography, providing increased reach, but less so for other genres. Furthermore, full-frame lenses are generally larger and heavier, potentially creating an imbalance on the smaller FX30 body.
However, there are also benefits. Full-frame lenses often deliver superior image quality, particularly in the centre, which is the area utilised by the APS-C sensor. Moreover, investing in a full-frame lens offers versatility should I upgrade to a full-frame camera in the future.
It's important to acknowledge the FX30’s limitations for still photography. The absence of a mechanical shutter can lead to rolling shutter distortion with fast-moving subjects or flash photography. The lack of a viewfinder makes composition challenging in bright conditions. The FX30 also lacks some dedicated still photography features, such as advanced burst shooting modes and in-body image stabilisation, and its ergonomics are geared towards video use.
In summary, while the Sony FX30 and 90mm macro lens combination can produce excellent results, its suitability depends on individual needs. For those prioritising video with occasional still photography, it’s a viable option. However, dedicated still photographers may find a camera designed specifically for stills a more appropriate choice.
BY LAURA O'HAGAN
LUMEN A MOSAIC BY LAURA O'HAGAN [DEDICATED TO THE FINAL CLASS TO ATTEND NOTRE DAME SCHOOL IN CHURCHTOWN]
"Lumen," a Radiant Mosaic in Dundrum
"Lumen," a stunning mosaic by acclaimed Irish artist Laura O'Hagan, graces the grounds of Dundrum Church. Installed in June 2019, this artwork was conceived with a profound intention: to offer solace and a beacon of light to those experiencing hardship.
O'Hagan, inspired by a desire to provide comfort during challenging times, initially sketched "Lumen" with this guiding principle. The mosaic serves as a poignant reminder of hope and resilience, particularly poignant as it was dedicated to the final year of the nearby Notre Dame School, which closed in 2019.
A Renowned Artist
Born and educated in Ireland, Laura O'Hagan graduated from the prestigious National College of Art and Design (NCAD) in 1986. Now based in Delgany, County Wicklow, she is renowned for her diverse artistic practice, encompassing sculptural ceramics, murals, and both 2D and 3D mosaics. O'Hagan's work often graces public and private spaces, with commissions for both exterior and interior settings.
A Legacy of Artistic Excellence
O'Hagan's artistic legacy includes several notable achievements:
Award-Winning Mosaics: Her portfolio boasts award-winning mosaics adorning churches in Belfast and Longford, alongside prominent installations at Dundrum Church and Temple Carrig School.
Preservation and Restoration: O'Hagan has contributed to the preservation of Irish cultural heritage through restoration projects at the esteemed National Gallery of Ireland and the National Museum of Ireland.
Recognition and Accolades: Her exceptional artistry has garnered numerous awards, including recognition for her seamless integration of art within architectural contexts.
A Member of the Mosaic Artists Association Ireland, Laura O'Hagan continues to enrich the Irish art scene with her captivating and meaningful works.
BY DAME ELISABETH FRINK
THE TRIBUTE HEAD BY DAME ELISABETH FRINK PHOTOGRAPHED CHRISTMAS DAY 2024 [A TRIBUTE TO NELSON MANDELA]
Dame Elisabeth Frink's "Tribute Head" in Merrion Square Park, Dublin
Dame Elisabeth Frink's "Tribute Head" is a poignant bronze sculpture located in the historic Merrion Square Park in Dublin, Ireland. This article delves into the fascinating story behind this artwork, exploring the artist's life and motivations, the sculpture's creation and significance, and its connection to the park and the events surrounding its placement.
The Sculpture
Created in 1975, "Tribute Head" is one of a series of four bronze heads by Dame Elisabeth Frink. These heads, with their closed eyes and serene yet stoic expressions, explore themes of suffering, resilience, and the indomitable human spirit. As Frink herself explained, "The heads represent the inhumanity of man – they are the heads of victims." They stand in stark contrast to her earlier "Goggle Heads," which conveyed a sense of menace and aggression. The "Tribute Heads" can be seen as a response to those earlier works, representing victims and martyrs who endure suffering with quiet dignity. Frink intended them to not only depict suffering but also to demonstrate the capacity for human survival in the face of adversity.
The dimensions of "Tribute Head" vary slightly depending on the specific cast, but they generally measure approximately 67.1 cm in height, 50.8 cm in width, and 40.6 cm in depth. Each cast is one of an edition of six, signed and numbered by the artist.
The Artist: Dame Elisabeth Frink
Dame Elisabeth Frink (1930-1993) was a prominent English sculptor and printmaker whose work often depicted men, animals, and religious figures.
arly Life and Influences
Born in Suffolk, Frink's childhood experiences during World War II profoundly influenced her artistic vision. Witnessing the trauma of returning soldiers and the constant threat of air raids instilled in her a deep awareness of human vulnerability and resilience. These early encounters shaped her artistic exploration of themes of strength, struggle, and the human condition.
Artistic Style
Frink's artistic style was characterised by a distinctive approach to form and texture. She preferred modelling in plaster to clay, building up layers on an armature and then working back with tools to create a surface that conveyed both rawness and expressiveness. This technique, influenced by Alberto Giacometti, allowed her to capture a sense of both physical presence and inner turmoil in her sculptures. While she drew inspiration from artists like Rodin, Frink sought to represent a universal humanity in her work rather than individual personalities.
Notable Works
Throughout her career, Frink received numerous accolades, including being appointed a Dame Commander of the Order of the British Empire (DBE) in 1982 and a Companion of Honour (CH) in 1992. Her works are held in prestigious collections worldwide, including the Tate Gallery in London and the National Galleries of Scotland. Some of her most notable works include "Birdman," "Horse and Rider," and the "Risen Christ" sculpture in Liverpool Cathedral. In addition to the "Tribute Heads," she created a series of "In Memoriam" heads, which further explored the theme of individuals who have suffered for their beliefs.
Merrion Square Park
Merrion Square Park is a green oasis in the heart of Dublin, surrounded by elegant Georgian architecture. Laid out in the 18th century, the square was initially a private garden for residents. However, in the 1970s, it was opened to the public, becoming a cherished space for Dubliners and visitors alike. The park was originally named "Archbishop Ryan Park" but was renamed "Merrion Square Park" in 2010 after Ryan was criticised in the Murphy Report.
Merrion Square Park is renowned for its historical significance, its association with prominent figures like Oscar Wilde and W.B. Yeats, and its carefully preserved Georgian character. The park also features a statue of Oscar Wilde, adding to its rich cultural heritage. In 1930, the Catholic Church purchased the park as a potential site for a cathedral, although this plan was never realised. Another notable feature in the park is the Rutland Fountain, dating back to 1792.
Unveiling and Legacy
The "Tribute Head" sculpture in Merrion Square Park was unveiled on 26 June 1983, in a ceremony attended by approximately 1,500 people. The event, organised by Artists for Amnesty, was a powerful demonstration of solidarity with Nelson Mandela, the imprisoned leader of the African National Congress (ANC). The unveiling featured readings by the renowned poet Seamus Heaney and a performance by The Chieftains. The inscription on the sculpture, though nearly impossible to read today, originally commemorated Mandela's imprisonment.
The sculpture was donated by Dame Elisabeth Frink to Artists for Amnesty, who sought a suitable location for it in Dublin. This act reflects Frink's own commitment to human rights and social justice, aligning with the themes of suffering and resilience explored in her "Tribute Heads." Merrion Square Park, with its historical significance and association with prominent figures, provided an appropriate setting for this tribute to Mandela and a statement against injustice. The unveiling ceremony itself was a significant event in Dublin's history, demonstrating the city's support for Mandela and the anti-apartheid movement.
When Mandela was released from prison in 1990, the "Tribute Head" became a focal point for celebrations in Dublin. Today, it stands as a testament to the power of art to inspire hope and promote social justice.
Conclusion
Dame Elisabeth Frink's "Tribute Head" in Merrion Square Park is more than just a sculpture; it is a symbol of resilience, a tribute to a global icon, and a testament to the enduring fight for human rights. Its presence in this historic park enriches Dublin's cultural landscape and serves as a poignant reminder of the importance of standing up against oppression. The sculpture embodies Frink's broader artistic themes, reflecting her deep concern with the human condition and her exploration of suffering, resilience, and the indomitable human spirit.
BUSHY THE SCULPTURE
BUSHY BY CORBAN WALKER [AN INTERESTING SCULPTURE AT BUSHY PARK]
Within the serene landscape of Bushy Park stands Bushy, a captivating sculpture by Irish artist Corban Walker. Initially, the lack of clear signage led to some speculation about its purpose – was it a modern communications mast, perhaps even a haven for bees? However, research has revealed its true identity as a striking work of art. [Note: the plaque which had been vandalised, painted over, has been restored]
This seven-metre-tall creation is a "slender aluminium sculpture" characterised by a "simple stacked cellular grid". As described by Dublin City Council, Walker's design is "an elegant, large-scale work based on many configurations of a cellular grid." The interplay of projecting and recessed sections creates a dynamic visual experience, offering "a lively, joyful vision of simplicity that belies the complexity of its making."
The sculpture's minimalist aesthetic complements the park's tranquil atmosphere, particularly the reflective environment surrounding the duck pond. Bushy serves as a distinctive landmark, enhancing the park's visual landscape.
Bushy is one of six new sculptures commissioned as part of Dublin City Council’s Sculpture Dublin initiative. This initiative aims to enrich Dublin's public spaces with contemporary art, making it accessible to all. Bushy was unveiled on 28 April 2022.
The other commissions in the Sculpture Dublin initiative are:
RGB Sconce, Hold Your Nose by Alan Phelan, a temporary commission for the O'Connell Plinth, unveiled on 29 September 2021.
Smithfield Utah by Alan Butler, a permanent commission for Smithfield Square Lower, unveiled on 18 October 2021.
THE BRIDGE: Fiacha Dhubha Fhionglaise ar Foluain (Finglas Ravens Soar) by Sara Cunningham-Bell, a permanent commission for Kildonan Park, unveiled on 8 November 2021.
Éirímís by Breda Marron, a permanent commission for Ballyfermot People's Park, unveiled on 24 June 2022.
Elevation by Iván Argote, a land art commission for St. Anne's Park, to be completed in 2023. Visualisations and plans are available on the St. Anne's Park commission webpage.
About the Artist:
Corban Walker is a renowned Irish artist whose work often explores themes of scale, perception, and the built environment. Born with achondroplasia, a form of dwarfism, Walker's personal experience of navigating a world designed for average height has deeply influenced his artistic practice. His sculptures and installations frequently engage with architectural spaces, prompting viewers to reconsider their relationship to their surroundings. He often uses industrial materials like aluminium and steel, creating minimalist yet impactful works.
About the Sculpture Dublin Initiative:
The Sculpture Dublin initiative is a Dublin City Council programme that aims to commission and install new public sculptures across the city. It seeks to promote contemporary art and enhance the urban environment for residents and visitors alike.
ANNE DEVLIN SCULPTURE
ANNE DEVLIN SCULPTURE [RATHFARNHAM VILLAGE DECEMBER 2024]
Anne Devlin: A Symbol of Resilience in Rathfarnham
On 25th February 2004, South Dublin County Council unveiled a statue of Anne Devlin, a key figure in the 1803 Rebellion, at the entrance to Rathfarnham Village. Positioned facing the Dublin Mountains, the statue portrays Devlin looking towards the horizon, a symbol of hope and the future.
Who was Anne Devlin?
Anne Devlin (c. 1780 – 1851) was born in Cronebeg, near Aughrim, County Wicklow. A cousin of United Irishmen leaders Michael Dwyer and Hugh Vesty Byrne, she became deeply involved in the republican movement. Despite coming from a relatively comfortable farming background, she dedicated herself to the cause of Irish freedom.
Devlin's Role in the 1803 Rebellion
Following the failed 1798 Rebellion, Robert Emmet, a prominent leader of the United Irishmen, sought to reignite the fight for independence. He established a headquarters in a house on Butterfield Lane, Rathfarnham (then known as Butterfield Avenue), then a rural area, to prepare for a renewed uprising in 1803. Anne Devlin, though not directly Emmet's housekeeper as is commonly believed, was indeed a very close associate, moving to this house with Emmet and his close allies to act as a housekeeper, a common way for revolutionaries to mask their activities.
Devlin's role was far more crucial than that of a domestic servant. She acted as a trusted confidante and messenger, carrying vital communications between Emmet and other rebels. Her unwavering loyalty and courage were essential to the planning of the rebellion.
The Aftermath of the Rebellion
The 1803 Rebellion, launched on 23rd July, was a short-lived and ultimately unsuccessful attempt to overthrow British rule. Emmet was captured, tried for treason, and publicly executed on 20th September 1803 outside St. Catherine's Church on Thomas Street, Dublin.
Anne Devlin was arrested shortly after the rising and imprisoned in Kilmainham Gaol. She endured brutal interrogations, including torture, and was offered substantial sums of money to betray her comrades. Despite the horrific conditions of her confinement, which included solitary confinement and psychological torment, Devlin refused to divulge any information. She remained steadfast in her loyalty, earning her a reputation as a symbol of resilience and unwavering dedication to the cause of Irish freedom.
On the day of Emmet's execution, Devlin was subjected to a particularly cruel act of psychological torture. She was taken from her cell and brought in a carriage to Dublin Castle for questioning. On the way, the carriage was deliberately stopped outside St. Catherine's Church, where Emmet had been executed, and Anne was forced to witness the aftermath, including the gruesome sight of animals licking up Emmet's blood from the paving stones. This horrific experience is documented in historical accounts and highlights the lengths to which the authorities went to break her spirit.
Life After Imprisonment and Legacy
Devlin was eventually released from Kilmainham Gaol in 1806, possibly through the intervention of Dr. William Trevor, the prison doctor, who was sympathetic to her plight. However, she was a broken woman, physically and emotionally scarred by her experiences. She married William Campbell in 1811 and they had two known children, but she lived out her remaining years in poverty, working as a washerwoman in the Liberties area of Dublin. She died in 1851 and was initially buried in a pauper's grave. Thanks to the efforts of historian Dr. Richard Robert Madden, who recognised her significance, her remains were later reinterred in Glasnevin Cemetery, a more fitting resting place for such a significant figure.
The Rathfarnham Statue: A Contested Memorial
The decision to erect a statue of Anne Devlin in Rathfarnham, rather than one of Robert Emmet, has been a subject of some debate. Emmet is undoubtedly a more widely recognised figure, and his connection to the area is well-established. However, the choice to honour Devlin highlights her crucial role in the 1803 Rebellion and recognises her extraordinary courage and sacrifice. It also serves as a reminder of the countless unsung heroes, particularly women, who played vital roles in Ireland's struggle for independence.
The Statue's Location and Significance
The statue's location at the entrance to Rathfarnham Village is significant. It stands near the site of Emmet's former headquarters on Butterfield Lane, marking the area's connection to this pivotal moment in Irish history. The statue is a popular point of interest for locals and visitors alike and provides an opportunity for reflection on the events of 1803 and the individuals who risked everything for their beliefs.
The Statue's Composition and Condition
While commonly referred to as bronze, the Anne Devlin statue is actually composed of fibreglass with a bronze resin finish. This technique creates the appearance of bronze at a lower cost and weight. This choice of material likely explains the visible wear and tear observed on the statue, as fibreglass is less durable than solid bronze. The statue, now over two decades old, has been exposed to the elements and shows signs of weathering, including fading of the bronze finish. It is also worth noting that the statue has been vandalised in the past and this has caused further damage to the sculpture.
Conclusion
The Anne Devlin statue in Rathfarnham is a powerful tribute to a remarkable woman whose courage and dedication continue to inspire. It stands as a testament to the enduring spirit of resistance and the pursuit of freedom, reminding us of the sacrifices made by those who fought for a better future for Ireland. The statue's presence in Rathfarnham enriches the village's historical landscape and provides a focal point for remembering a crucial period in Irish history.
MONUMENT TO MISSING PERSONS
ANN MULROONEY'S BRONZE MONUMENT TO MISSING PERSONS [KILKENNY CASTLE PARK]
Ann Mulrooney's "Monument To Missing Persons" in Kilkenny Castle Park
Kilkenny Castle Park, a place steeped in history and natural beauty, is home to a poignant sculpture entitled "Monument To Missing Persons". Created by the acclaimed Irish artist Ann Mulrooney, this artwork serves as a powerful reminder of those who have disappeared and the enduring impact their absence has on loved ones. This article delves into the sculpture itself, the artist's background, the significance of its location within Kilkenny Castle Park, and explores the "CONNECTED Kilkenny Sculpture Trail". It also examines the sculpture's relevance within the context of missing person cases and highlights any related stories, events, or media reports.
The "Monument To Missing Persons"
The "Monument To Missing Persons" is a deeply moving sculpture that captures the profound sense of loss and longing associated with the disappearance of a loved one. The sculpture, designed by Ann Mulrooney , consists of multiple hands cast in bronze and arranged on a stone plinth. These life-sized hands reach upwards, symbolising the missing persons reaching out for help or their loved ones reaching out to them. This powerful imagery evokes a sense of both despair and hope, acknowledging the pain of absence while also clinging to the possibility of reunion.
Each hand in the sculpture was cast from the actual hand of a relative of a missing person. This intimate connection to real individuals imbues the artwork with a profound sense of humanity and collective grief. The monument was commissioned by the Jo Jo Dullard Memorial Trust and funded by the National Millennium Committee Project. It was unveiled in 2002 by President Mary Mc Aleese.
The sculpture is located in a serene area of Kilkenny Castle Park, providing a space for quiet reflection and remembrance. The tranquil surroundings and the poignant symbolism of the outstretched hands create an atmosphere conducive to contemplation and healing. An inscription on the stone at the monument reads: "This sculpture and area of reflection is dedicated to all missing persons." This dedication broadens the sculpture's scope, acknowledging the widespread impact of disappearances and offering solace to all those affected.
Jo Jo Dullard
The "Monument To Missing Persons" holds particular significance for the family and friends of Jo Jo Dullard, a 21-year-old woman from Callan who went missing in November 1995. Jo Jo was last seen in Moone, County Kildare, while travelling home from Dublin. Her disappearance remains a mystery, and in 2020, the case was upgraded to a murder inquiry.
The Jo Jo Dullard Memorial Trust played a crucial role in commissioning the monument, ensuring that Jo Jo's story and the plight of other missing persons are not forgotten. Every year on the anniversary of her disappearance, a memorial ceremony is held at the monument. This event brings together family, friends, and the community to remember Jo Jo and other missing persons. The monument serves as a focal point for their grief and their hope for answers.
Ann Mulrooney: Sculptor and Cultural Leader
Ann Mulrooney is an Irish artist with a diverse background in sculpture and cultural management.
Education: BA in Fine Art, Crawford College of Art, Cork
MA in Sculpture, Royal College of Art, London
Artistic Style: Mulrooney's style is characterized by her use of diverse materials, often incorporating metalwork, and her focus on creating public art that engages with social and personal themes.
Major Works: "Monument To Missing Persons" in Kilkenny Castle Park.
Her artistic journey began with a focus on metalwork, having worked in a foundry in the UK. This experience likely influenced her sculptural style and her ability to work with different materials. As she explains in an interview, "I trained as a sculptor originally in the Crawford in Cork and I went and worked as a metal worker in a foundry in the UK for a couple of years."
Mulrooney's work has been exhibited widely in the UK and Ireland, and her pieces are held in numerous public and private collections. While she initially trained as a sculptor, she transitioned into cultural management, taking on roles such as running the National Design and Craft Gallery and serving as the CEO and Artistic Director of VISUAL Centre for Contemporary Art in Carlow. In these positions, she curated exhibitions and developed cross-disciplinary artistic programmes, often exploring the intersection of art, science, and technology.
Mulrooney's artistic vision and leadership have been recognised through her appointment to the Golden Fleece Award Advisory Panel, where she contributes to the selection process for this prestigious award in the visual and applied arts. Her involvement in this panel highlights her expertise and influence within the Irish arts community.
In addition to her work as a sculptor and cultural leader, Mulrooney has also been involved with Puffin Rock Habitats, where she has applied her creative skills and experience to projects related to environmental conservation and education. This demonstrates her commitment to using art and creativity to address important social and environmental issues.
Kilkenny Castle Park: A Place of History and Remembrance
Kilkenny Castle Park provides a historically rich and symbolically resonant setting for the "Monument To Missing Persons". The castle itself has witnessed centuries of Irish history, dating back to its construction in 1260. Originally built to control a fording point of the River Nore, it has served as a strategic stronghold and a symbol of power throughout its existence.
The castle and its surrounding parkland have undergone various transformations over the years, reflecting the changing needs and tastes of its occupants. Today, Kilkenny Castle is a popular tourist destination and a cherished public space, managed by the Office of Public Works. The park's tranquil atmosphere and its association with both historical events and personal memories make it a fitting location for a monument dedicated to those who have vanished.
The placement of the "Monument To Missing Persons" within this historic landscape adds another layer of meaning to the artwork. It connects the personal tragedies of missing persons to the broader historical narrative of Kilkenny Castle and the surrounding area. The park becomes a space where individual stories of loss intersect with the collective memory of the community.
The park also serves as a place to remember not only missing persons but also historical events and figures. This theme of remembrance is woven into the fabric of Kilkenny Castle Park, with its monuments, gardens, and historical buildings all serving as reminders of the past. The "Monument To Missing Persons" adds another dimension to this theme, highlighting the ongoing impact of loss and the importance of keeping memories alive.
Events in Kilkenny Castle Park
Kilkenny Castle Park is not only a place of historical significance and artistic expression but also a vibrant hub for events and gatherings. The Parade Tower, for example, serves as a conference venue, hosting meetings and events for various organisations and businesses.
The park also plays a role in academic life, as ceremonies for conferring awards and degrees on the graduates of the Kilkenny Campus of the National University of Ireland, Maynooth, have been held at the castle since 2002. These events bring a sense of celebration and achievement to the park, adding to its diverse range of functions.
The CONNECTED Kilkenny Sculpture Trails
While the name "CONNECTED Kilkenny Sculpture Trail" may cause some confusion, it actually refers to two distinct art initiatives in Kilkenny.
Firstly, there is the "Kilkenny Catwalk", a trail featuring 21 cat sculptures decorated by Irish artists and displayed in public spaces throughout Kilkenny City. This trail aims to engage the community with art, promote local businesses, and attract visitors to the city.
Secondly, there is a sculpture trail simply called "CONNECTED", an initiative by Design & Crafts Council Ireland, Kilkenny County Council, Kilkenny Arts Festival, Kilkenny Civic Trust and the OPW. This trail began at the National Design & Craft Gallery and led through the city's key cultural and historic sites along Kilkenny's Medieval Mile. It aimed to highlight the craftsmanship involved in developing large and small-scale works suited to the outdoors and to encourage people to reconnect with culture and craft outside of a gallery setting.
Although the "Monument To Missing Persons" may not be officially part of these trails, its presence in Kilkenny Castle Park contributes to the city's rich artistic landscape. It encourages visitors to explore the park and engage with public art that reflects on important social and personal themes.
Stories and Media Reports
The "Monument To Missing Persons" has been featured in news reports and events related to missing person cases, particularly the disappearance of Jo Jo Dullard. News articles about the annual memorial ceremonies often highlight the importance of keeping the memory of missing persons alive and the ongoing search for information about their whereabouts. One article states, "'It's important to keep Jo Jo's memory alive in our hearts and our prayers,' said Father Willie Purcell who with the Kilkenny Gospel choir will lead the walk and service for Jo Jo." This quote emphasises the role of the monument in providing a space for collective remembrance and support.
The "Monument To Missing Persons" provides a tangible symbol of this enduring hope and a place where the community can come together to offer support and solidarity.
Conclusion
Ann Mulrooney's "Monument To Missing Persons" is a powerful and moving artwork that serves as a focal point for remembrance and reflection in Kilkenny Castle Park. The sculpture's location within this historic landscape adds layers of meaning, connecting individual stories of loss to the broader historical narrative of the area and the wider context of missing person cases in Ireland. The artist's background in both sculpture and cultural management has informed her ability to create a work that resonates with both personal and collective experiences. The sculpture's role in memorial events and media reports related to missing person cases further highlights its significance as a symbol of remembrance and hope. The "Monument To Missing Persons" stands as a testament to the power of public art to address social issues, offer solace to those affected by loss, and foster a sense of community.
THREE SCULPTURES
LIMERICK PRISON FEATURES THREE SCULPTURES [HIGHLIGHTING FAMILY IMPACT OF INCARCERATION]
Limerick Prison has taken a unique step in acknowledging the human cost of incarceration with the unveiling of three powerful sculptures on its grounds. The artwork, created by Limerick City Build, serves as a poignant reminder of the impact imprisonment has not only on individuals but also on their families and the wider community.
One of the most striking pieces, entitled "The Space Between", features the silhouettes of a man, woman, and child. This evocative representation of a family highlights the often-overlooked consequences of imprisonment, as Human Rights Commissioner Teresa Blake noted at the unveiling: "It's an emotional piece that represents what goes missing when a person comes to prison."
This sentiment is echoed in the accompanying plaque for another sculpture, "The Divided Self", which reads: "The separation from family, community, and society is interwoven with the struggle for personal expression, creativity, and the survival of the spirit in an environment where freedom is denied." This piece, with its focus on the internal struggle of the individual, complements "The Space Between" by drawing attention to the psychological and emotional toll of incarceration.
The third sculpture, a silver bench named "Kathedra", provides a space for reflection and contemplation. While its symbolism may be less overt, it offers a place for visitors, families, and perhaps even those who have served time to pause and consider the complex issues surrounding imprisonment.
The unveiling of these sculptures coincided with the opening of a new family visiting area at Limerick Prison, further emphasising the institution's commitment to recognising the importance of family connections. This initiative has been praised by the Irish Human Rights and Equality Commission, with Commissioner Blake stating, "This is a fantastic statement about family that really links with the Prison Service core values."
By commissioning and displaying these thought-provoking sculptures, Limerick Prison has sparked a conversation about the human impact of incarceration and the importance of rehabilitation and reintegration. The artwork serves as a powerful reminder that while individuals may be imprisoned, their families and communities remain deeply affected, and the hope for a future beyond the prison walls endures.
BY EAMON O’DOHERTY
THE MAOI SCULPTURE
MAOI SCULPTURE IN CLONTARF [REPLICA OF ONE OF THE EASTER ISLAND STATUES]
The "MAOI" sculpture in Clontarf is a replica of one of the iconic Moai statues found on Easter Island, a Chilean territory in the Pacific Ocean. It was presented to the City of Dublin by the Government of Chile in November 2004 as a symbol of friendship and cultural exchange between the two nations.
Meaning and Significance
Moai: The Moai are monolithic human figures carved by the Rapa Nui people of Easter Island between the 13th and 16th centuries. They represent ancestors and deities and were believed to possess spiritual power.
Symbolism: The gift of the Maoi to Dublin signifies a connection between two geographically distant cultures with a shared appreciation for heritage and artistry. It also serves as a reminder of Chile's Polynesian heritage and its unique cultural identity.
Cultural Exchange: The presentation of the sculpture fostered cultural exchange and understanding between Ireland and Chile, promoting awareness of each other's history and traditions.
The Sculpture
Replica: The Clontarf Maoi is a faithful replica of an original Easter Island head, carved from volcanic stone sourced from the island itself.
Artist: It was sculpted by Chilean artist Alejandro Pakarati, a member of the Rapa Nui community, ensuring authenticity in its creation.
Location: The sculpture is prominently positioned on the promenade at Clontarf, near Vernon Avenue, making it a recognisable landmark in the area.
A SCULPTURE BY ORLA DE BRI
WAVE BY ANGELA CONNER
POISE BY ANGELA CONNER
THE BUSHY SCULPTURE
SEAN HEUSTON MEMORIAL STATUE
STONE STALLION
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