BY AILBHE LARSEN
URBAN EXPRESSION ON THOMAS STREET
BY AILBHE LARSEN
STREET ART BY AILBHE LARSEN [URBAN EXPRESSION ON THOMAS STREET]
Ailbhe Larsen's Street Art on Thomas Street and the Vibrant Street Art Scene in the area.
I was trying to photograph the void site beside what was once the Clock Pub [now Love Tempo] and did not really pay any attention to the street art as I was a long distance away with a telephoto lens and did not have a clear view as people kept getting in my way. Anyway, I had planned to return later in the day but got distracted. I was interested in the derelict site because I had been under the impression that the Clock Pub site was to be developed following its demolition. [see fact check below]
Unfortunately, specific information about Ailbhe Larsen's street art on Thomas Street appears to be limited at this time. However, her work is a testament to the thriving street art scene in Dublin and the collaborative efforts between institutions like the National College of Art and Design (NCAD) and initiatives like "A Better City" (ABC).
NCAD and Thomas Street
I came across a relevant quote that highlights the involvement of NCAD students in street art projects, suggesting a strong connection between the college and the surrounding area. Thomas Street, with its historical significance and central location, serves as a canvas for emerging artists to showcase their talent and contribute to the vibrant cultural landscape of Dublin. The quote: "Fantastic work on Thomas Street by talented Ailbhe Larsen (@larsenartarsen)! Ailbhe is a Communication Design student from @bureauplusncad and was chosen from 30 students for this collaborative project. It’s great to see interdepartmental collaborations like this at NCAD allowing students to showcase their talent."
Street Art in Thomas Street area of Dublin 2024
Dublin's street art scene is flourishing in 2024, with initiatives like ABC sponsored by Guinness providing opportunities for artists to create large-scale murals and installations. This project, in collaboration with The Digital Hub and Dublin City Council, has transformed Thomas Street and its surrounding areas into an outdoor gallery, showcasing works that celebrate the themes of joy and community.
NCAD as a Catalyst for Creativity
The National College of Art and Design (NCAD) has long been a breeding ground for artistic talent in Ireland. Its various programs, including Communication Design, nurture the next generation of artists and designers. The college actively encourages students to engage with the city through public art projects, fostering a sense of community and providing valuable real-world experience.
Collaboration and Innovation
The quote mentions a collaborative project between NCAD's Communication Design department and other departments within the college. This interdisciplinary approach allows students to explore different creative avenues and showcase their talent beyond the confines of the classroom. Such collaborations often lead to innovative and thought-provoking street art installations that enrich the urban environment.
NCAD's Impact on Dublin's Street Art Scene
NCAD's contribution to Dublin's street art scene is undeniable. Its graduates and students have left their mark on the city's walls, adding colour, vibrancy, and social commentary to the urban landscape. Their work inspires others, sparks conversations, and contributes to the cultural fabric of Dublin.
In conclusion, NCAD plays a pivotal role in nurturing artistic talent and shaping the street art scene in Dublin. Its collaborative projects and focus on public art provide students with opportunities to express their creativity and engage with the community, ultimately enriching the city's cultural landscape.
I decided to fact check my comments relating to the Clock Pub and received the following response:
You are absolutely correct!
The Clock Pub on Thomas Street was indeed sold with plans for demolition and redevelopment, along with the adjacent vacant lot. However, the building remains standing and has been repurposed into a new establishment called Love Tempo. It appears that the original plans for demolition and redevelopment fell through, or were perhaps altered to allow for the preservation of the building's facade.
Love Tempo, a music-led neighbourhood bar, opened its doors in late 2023 and is run by the same team behind The Big Romance and Mother.
This is a great example of how adaptive reuse can breathe new life into old buildings and contribute to the vibrancy of a neighbourhood. While the original Clock Pub is gone, its building lives on, serving a new purpose and continuing to be a part of the Thomas Street community.
Ailbhe Larsen's Street Art on Thomas Street and the Vibrant Street Art Scene in the area.
I was trying to photograph the void site beside what was once the Clock Pub [now Love Tempo] and did not really pay any attention to the street art as I was a long distance away with a telephoto lens and did not have a clear view as people kept getting in my way. Anyway, I had planned to return later in the day but got distracted. I was interested in the derelict site because I had been under the impression that the Clock Pub site was to be developed following its demolition. [see fact check below]
Unfortunately, specific information about Ailbhe Larsen's street art on Thomas Street appears to be limited at this time. However, her work is a testament to the thriving street art scene in Dublin and the collaborative efforts between institutions like the National College of Art and Design (NCAD) and initiatives like "A Better City" (ABC).
NCAD and Thomas Street
I came across a relevant quote that highlights the involvement of NCAD students in street art projects, suggesting a strong connection between the college and the surrounding area. Thomas Street, with its historical significance and central location, serves as a canvas for emerging artists to showcase their talent and contribute to the vibrant cultural landscape of Dublin. The quote: "Fantastic work on Thomas Street by talented Ailbhe Larsen (@larsenartarsen)! Ailbhe is a Communication Design student from @bureauplusncad and was chosen from 30 students for this collaborative project. It’s great to see interdepartmental collaborations like this at NCAD allowing students to showcase their talent."
Street Art in Thomas Street area of Dublin 2024
Dublin's street art scene is flourishing in 2024, with initiatives like ABC sponsored by Guinness providing opportunities for artists to create large-scale murals and installations. This project, in collaboration with The Digital Hub and Dublin City Council, has transformed Thomas Street and its surrounding areas into an outdoor gallery, showcasing works that celebrate the themes of joy and community.
NCAD as a Catalyst for Creativity
The National College of Art and Design (NCAD) has long been a breeding ground for artistic talent in Ireland. Its various programs, including Communication Design, nurture the next generation of artists and designers. The college actively encourages students to engage with the city through public art projects, fostering a sense of community and providing valuable real-world experience.
Collaboration and Innovation
The quote mentions a collaborative project between NCAD's Communication Design department and other departments within the college. This interdisciplinary approach allows students to explore different creative avenues and showcase their talent beyond the confines of the classroom. Such collaborations often lead to innovative and thought-provoking street art installations that enrich the urban environment.
NCAD's Impact on Dublin's Street Art Scene
NCAD's contribution to Dublin's street art scene is undeniable. Its graduates and students have left their mark on the city's walls, adding colour, vibrancy, and social commentary to the urban landscape. Their work inspires others, sparks conversations, and contributes to the cultural fabric of Dublin.
In conclusion, NCAD plays a pivotal role in nurturing artistic talent and shaping the street art scene in Dublin. Its collaborative projects and focus on public art provide students with opportunities to express their creativity and engage with the community, ultimately enriching the city's cultural landscape.
I decided to fact check my comments relating to the Clock Pub and received the following response:
You are absolutely correct!
The Clock Pub on Thomas Street was indeed sold with plans for demolition and redevelopment, along with the adjacent vacant lot. However, the building remains standing and has been repurposed into a new establishment called Love Tempo. It appears that the original plans for demolition and redevelopment fell through, or were perhaps altered to allow for the preservation of the building's facade.
Love Tempo, a music-led neighbourhood bar, opened its doors in late 2023 and is run by the same team behind The Big Romance and Mother.
This is a great example of how adaptive reuse can breathe new life into old buildings and contribute to the vibrancy of a neighbourhood. While the original Clock Pub is gone, its building lives on, serving a new purpose and continuing to be a part of the Thomas Street community.
MERMAIDS SONG
SANDYMOUNT NOT SANDYCOVE
MERMAIDS SONG
MERMAIDS SONG BY AGNIESZKA MRUSZCZYK [SANDYMOUNT AUGUST 2024]
Artwork Description:
On the scenic Sandymount promenade, this captivating paint-a-box artwork evokes the enchanting allure of the sea. Inspired by age-old Irish legends, it whispers tales of mesmerising mermaids who, with their siren songs, once beckoned sailors towards the Emerald Isle's shores.
Agnieszka Mruszczyk is originally from Poland but has called Ireland home for many years. She is passionate about painting, reading, and history. She also finds joy in exploring the Dublin coastline
Artwork Description:
On the scenic Sandymount promenade, this captivating paint-a-box artwork evokes the enchanting allure of the sea. Inspired by age-old Irish legends, it whispers tales of mesmerising mermaids who, with their siren songs, once beckoned sailors towards the Emerald Isle's shores.
Agnieszka Mruszczyk is originally from Poland but has called Ireland home for many years. She is passionate about painting, reading, and history. She also finds joy in exploring the Dublin coastline
BY SHANE SUTTON
Temple Bar was very colourful today, immediately after some really intense rain. The light reflecting off the cobblestones made everything look bright and colourful, especially the street art by Shane Sutton on the builders' hoarding. Shane Sutton is a well-known Irish street artist known for his vibrant and often humorous murals.
THE SPOON MAN
I suspect that this mural is by a street artist who operates under the name Oriel and it is possible that it is a tribute to Declan Walsh however there is/was another spoon man who always wore a yellow tie but unfortunately I cannot find any information about that performer.
The best known Spoon Man in Dublin City is Declan Walsh, a remarkable street performer who captivates audiences in Temple Bar with his extraordinary spoon-playing abilities. Despite losing an arm in an accident that cut short his drumming career, Declan's love for music persevered. He found a new way to express his musicality through the spoons, creating rhythmic and energetic performances that have made him a beloved figure in Dublin's street music scene.
Spoon Playing: A Rhythmic Tradition from Ancient Times to Today
Spoon playing is a unique and captivating form of percussion music that involves striking two or more spoons together to create rhythmic patterns. It may seem like a simple act, but the technique and artistry behind it have been refined over centuries, resulting in a diverse range of musical expressions.
Origins:
The history of spoon playing is deeply rooted in ancient cultures. Evidence suggests that people used bones and other similar objects as percussion instruments as far back as prehistoric times. Spoon playing, as we know it today, likely emerged from this tradition.
Ancient Civilisations: There are depictions of spoon-like instruments in ancient Egyptian tomb paintings and references to spoon playing in ancient Greek and Roman texts.
Folk Traditions: Spoon playing became an integral part of folk music across many cultures worldwide. It was often used to accompany dances and celebrations, adding a lively and rhythmic element to the festivities.
Appalachian Music: In the United States, spoon playing gained popularity in Appalachian music, where it blended seamlessly with fiddle tunes, ballads, and other traditional forms.
Jug Bands: Spoons also found a place in early 20th-century American jug bands, adding a percussive layer to their bluesy and ragtime sounds.
Popularity Today:
While perhaps not as widespread as other musical instruments, spoon playing continues to thrive in various forms.
Folk and Traditional Music: Spoon playing remains a beloved tradition in folk and traditional music circles around the world.
Contemporary Music: Some contemporary musicians have incorporated spoons into their music, showcasing the instrument's versatility and unique sound.
Street Performers: As exemplified by Declan Walsh in Dublin, spoon playing is a captivating art form often found in street performances, delighting passersby with its rhythmic energy.
Cultural Celebrations: Spoon playing still plays a role in cultural celebrations and gatherings, connecting people to their heritage and traditions.
Spoon playing's enduring popularity is a testament to its accessibility, versatility, and ability to transcend cultural boundaries. The instrument's simple nature allows anyone to pick it up and create music, while its rich history and cultural significance add depth and meaning to the performance.
In a world filled with complex and technologically advanced instruments, the humble spoon remains a powerful tool for musical expression, reminding us of the joy and creativity that can be found in the simplest of things.
The best known Spoon Man in Dublin City is Declan Walsh, a remarkable street performer who captivates audiences in Temple Bar with his extraordinary spoon-playing abilities. Despite losing an arm in an accident that cut short his drumming career, Declan's love for music persevered. He found a new way to express his musicality through the spoons, creating rhythmic and energetic performances that have made him a beloved figure in Dublin's street music scene.
Spoon Playing: A Rhythmic Tradition from Ancient Times to Today
Spoon playing is a unique and captivating form of percussion music that involves striking two or more spoons together to create rhythmic patterns. It may seem like a simple act, but the technique and artistry behind it have been refined over centuries, resulting in a diverse range of musical expressions.
Origins:
The history of spoon playing is deeply rooted in ancient cultures. Evidence suggests that people used bones and other similar objects as percussion instruments as far back as prehistoric times. Spoon playing, as we know it today, likely emerged from this tradition.
Ancient Civilisations: There are depictions of spoon-like instruments in ancient Egyptian tomb paintings and references to spoon playing in ancient Greek and Roman texts.
Folk Traditions: Spoon playing became an integral part of folk music across many cultures worldwide. It was often used to accompany dances and celebrations, adding a lively and rhythmic element to the festivities.
Appalachian Music: In the United States, spoon playing gained popularity in Appalachian music, where it blended seamlessly with fiddle tunes, ballads, and other traditional forms.
Jug Bands: Spoons also found a place in early 20th-century American jug bands, adding a percussive layer to their bluesy and ragtime sounds.
Popularity Today:
While perhaps not as widespread as other musical instruments, spoon playing continues to thrive in various forms.
Folk and Traditional Music: Spoon playing remains a beloved tradition in folk and traditional music circles around the world.
Contemporary Music: Some contemporary musicians have incorporated spoons into their music, showcasing the instrument's versatility and unique sound.
Street Performers: As exemplified by Declan Walsh in Dublin, spoon playing is a captivating art form often found in street performances, delighting passersby with its rhythmic energy.
Cultural Celebrations: Spoon playing still plays a role in cultural celebrations and gatherings, connecting people to their heritage and traditions.
Spoon playing's enduring popularity is a testament to its accessibility, versatility, and ability to transcend cultural boundaries. The instrument's simple nature allows anyone to pick it up and create music, while its rich history and cultural significance add depth and meaning to the performance.
In a world filled with complex and technologically advanced instruments, the humble spoon remains a powerful tool for musical expression, reminding us of the joy and creativity that can be found in the simplest of things.
BY HOLLY PEREIRA
There seems to be limited street art easily visible in Newbridge compared to other towns. However, there's evidence suggesting a recent surge in street art activity, particularly in the summer of 2023.
Recent street art additions:
George's Lane: The artwork in this photograph was likely part of this initiative. After some research I can confirm that this is by Holly Pereira and it could be described as being on Eyre Street.
Eyre Street: Murals by Holly Pereira and others were created here. I will visit again as I did not explore this street.
Military Road: Paul Woods contributed a mural on the Council Machinery Yard Wall.
Reasons for limited visibility:
New initiatives: The recent projects indicate a budding street art scene, so it may take time for more works to appear and gain visibility.
Location: Some murals might be in less prominent locations, making them harder to discover without specifically seeking them out.
Temporary nature: Street art can be ephemeral, with works painted over or removed over time.
Recent street art additions:
George's Lane: The artwork in this photograph was likely part of this initiative. After some research I can confirm that this is by Holly Pereira and it could be described as being on Eyre Street.
Eyre Street: Murals by Holly Pereira and others were created here. I will visit again as I did not explore this street.
Military Road: Paul Woods contributed a mural on the Council Machinery Yard Wall.
Reasons for limited visibility:
New initiatives: The recent projects indicate a budding street art scene, so it may take time for more works to appear and gain visibility.
Location: Some murals might be in less prominent locations, making them harder to discover without specifically seeking them out.
Temporary nature: Street art can be ephemeral, with works painted over or removed over time.
FATHER JACK
Father Jack Hackett is one of the most iconic and memorable characters from the beloved Irish sitcom Father Ted. He serves as a stark contrast to the show's more central characters, Father Ted Crilly and Father Dougal McGuire, embodying the extremes of old age, senility, and debauchery.
Key Traits and Contributions to the Show:
Catchphrases and Obsessions: Father Jack is infamous for his limited vocabulary, mostly consisting of expletives, nonsensical phrases ("Drink!", "Feck!", "Girls!"), and a constant craving for alcohol. These catchphrases and obsessions became synonymous with the character and are often quoted by fans of the show.
Physical Comedy: Father Jack's physicality adds a slapstick element to the show. His frequent outbursts, wild gestures, and unpredictable behaviour lead to many hilarious moments.
Unpredictability: Father Jack's actions are often completely random and illogical, contributing to the show's surreal and absurd humour.
Dark Humour: Father Jack's character allows the show to touch on sensitive topics like aging, addiction, and loneliness in a darkly comedic way.
Counterpoint to Ted and Dougal: Father Jack's outrageous behaviour highlights the relative normalcy of the other priests, even with their own quirks and flaws.
Overall Significance:
While Father Jack may seem like a one-dimensional caricature, his presence in Father Ted is crucial. He provides a source of constant chaos and unpredictable humour, balancing the show's more subtle wit and satire. His character also adds a layer of depth by highlighting the complexities and challenges of aging.
Father Jack's popularity among fans speaks to the effectiveness of his portrayal. He remains a beloved figure in comedy, remembered for his outrageous antics and iconic catchphrases.
Garlic Designs is associated with street art in Dublin. They are known for their large-scale murals, often featuring black and white imagery with bold splashes of colour. Their style is heavily influenced by street art and they aim to bring an urban perspective to traditional artistic subjects.
Some of their notable works include:
Summer Burst (Ronnie Drew) - A mural honouring the Irish musician Ronnie Drew, located in Dún Laoghaire.
Various murals across Dublin, as well as in other locations like LA, London, Amsterdam, and more.
You can find more information about Garlic Designs and their work on their website or social media pages.
Key Traits and Contributions to the Show:
Catchphrases and Obsessions: Father Jack is infamous for his limited vocabulary, mostly consisting of expletives, nonsensical phrases ("Drink!", "Feck!", "Girls!"), and a constant craving for alcohol. These catchphrases and obsessions became synonymous with the character and are often quoted by fans of the show.
Physical Comedy: Father Jack's physicality adds a slapstick element to the show. His frequent outbursts, wild gestures, and unpredictable behaviour lead to many hilarious moments.
Unpredictability: Father Jack's actions are often completely random and illogical, contributing to the show's surreal and absurd humour.
Dark Humour: Father Jack's character allows the show to touch on sensitive topics like aging, addiction, and loneliness in a darkly comedic way.
Counterpoint to Ted and Dougal: Father Jack's outrageous behaviour highlights the relative normalcy of the other priests, even with their own quirks and flaws.
Overall Significance:
While Father Jack may seem like a one-dimensional caricature, his presence in Father Ted is crucial. He provides a source of constant chaos and unpredictable humour, balancing the show's more subtle wit and satire. His character also adds a layer of depth by highlighting the complexities and challenges of aging.
Father Jack's popularity among fans speaks to the effectiveness of his portrayal. He remains a beloved figure in comedy, remembered for his outrageous antics and iconic catchphrases.
Garlic Designs is associated with street art in Dublin. They are known for their large-scale murals, often featuring black and white imagery with bold splashes of colour. Their style is heavily influenced by street art and they aim to bring an urban perspective to traditional artistic subjects.
Some of their notable works include:
Summer Burst (Ronnie Drew) - A mural honouring the Irish musician Ronnie Drew, located in Dún Laoghaire.
Various murals across Dublin, as well as in other locations like LA, London, Amsterdam, and more.
You can find more information about Garlic Designs and their work on their website or social media pages.
BLACKROCK BATHS
BY JOHN BEATTY
BY JOHN BEATTY
BLACKROCK BATHS BY JOHN BEATTY [JUNCTION FRASCATI ROAD AND GEORGE'S AVENUE BLACKROCK]
About the Artwork:
Subject: The painting depicts the iconic Blackrock Baths, a beloved local landmark that sadly fell into disrepair and was closed to the public.
Style: Beatty's style could be described as realistic impressionism. He captures the architectural details of the baths while also conveying the atmosphere and the sense of loss associated with their closure.
Significance: This artwork serves as a visual reminder of Blackrock's rich history and its connection to the sea. It also highlights the importance of preserving local landmarks and the role they play in shaping community identity.
About the Artist:
Local Connection: John Beatty is a Blackrock resident with a deep appreciation for his local surroundings.
His wife's family grew up in Blackrock and has fond memories of swimming in the baths.
Motivation: Beatty was inspired to create this artwork during lockdown, rediscovering his passion for art and wanting to pay homage to the Blackrock Baths and their significance in the community.
Other Works: While information on other specific works by Beatty might be limited, his "Blackrock Baths" painting clearly demonstrates his talent and his connection to his local area.
This "Paint-A-Box" street art project is a wonderful initiative that adds colour and vibrancy to the streets of Blackrock, while also providing a platform for local artists like John Beatty to showcase their work and connect with the community.
Frascati Road in Blackrock, Dublin, is more than just a thoroughfare. It is a reminder of a grand past, of the magnificent Frascati House that once stood proudly on its grounds. Built in 1739, this Georgian mansion was a testament to architectural elegance and historical significance. The house was expanded over the years, notably by the Fitzgerald family (Dukes of Leinster) who added flanking wings and bay windows to capture the stunning sea views.
Frascati House was more than just bricks and mortar; it was a living chronicle of Ireland's rich past. It housed notable figures like Lord Edward Fitzgerald, a prominent figure in the Irish Rebellion of 1798. The house and its surrounding estate were a haven of natural beauty and tranquility, a stark contrast to the urban sprawl that now surrounds Frascati Road.
In the 1970s, plans were announced to demolish Frascati House to make way for a shopping centre. This triggered a wave of protests from conservationists, historians, and local residents who recognised the immense cultural and historical value of the house. They argued that Frascati House was an irreplaceable part of Ireland's heritage and its demolition would be an act of vandalism.
Despite the passionate protests, Frascati House was demolished in 1983, leaving a void in Blackrock's landscape and in the hearts of those who fought to save it. The Frascati Shopping Centre, while a commercial success, stands as a constant reminder of the loss of a cherished landmark.
Today, Frascati Road bears the name of the grand house that once graced its presence. It serves as a poignant reminder of the ongoing struggle between preservation and progress, and the importance of safeguarding our historical and cultural treasures for future generations.
About the Artwork:
Subject: The painting depicts the iconic Blackrock Baths, a beloved local landmark that sadly fell into disrepair and was closed to the public.
Style: Beatty's style could be described as realistic impressionism. He captures the architectural details of the baths while also conveying the atmosphere and the sense of loss associated with their closure.
Significance: This artwork serves as a visual reminder of Blackrock's rich history and its connection to the sea. It also highlights the importance of preserving local landmarks and the role they play in shaping community identity.
About the Artist:
Local Connection: John Beatty is a Blackrock resident with a deep appreciation for his local surroundings.
His wife's family grew up in Blackrock and has fond memories of swimming in the baths.
Motivation: Beatty was inspired to create this artwork during lockdown, rediscovering his passion for art and wanting to pay homage to the Blackrock Baths and their significance in the community.
Other Works: While information on other specific works by Beatty might be limited, his "Blackrock Baths" painting clearly demonstrates his talent and his connection to his local area.
This "Paint-A-Box" street art project is a wonderful initiative that adds colour and vibrancy to the streets of Blackrock, while also providing a platform for local artists like John Beatty to showcase their work and connect with the community.
Frascati Road in Blackrock, Dublin, is more than just a thoroughfare. It is a reminder of a grand past, of the magnificent Frascati House that once stood proudly on its grounds. Built in 1739, this Georgian mansion was a testament to architectural elegance and historical significance. The house was expanded over the years, notably by the Fitzgerald family (Dukes of Leinster) who added flanking wings and bay windows to capture the stunning sea views.
Frascati House was more than just bricks and mortar; it was a living chronicle of Ireland's rich past. It housed notable figures like Lord Edward Fitzgerald, a prominent figure in the Irish Rebellion of 1798. The house and its surrounding estate were a haven of natural beauty and tranquility, a stark contrast to the urban sprawl that now surrounds Frascati Road.
In the 1970s, plans were announced to demolish Frascati House to make way for a shopping centre. This triggered a wave of protests from conservationists, historians, and local residents who recognised the immense cultural and historical value of the house. They argued that Frascati House was an irreplaceable part of Ireland's heritage and its demolition would be an act of vandalism.
Despite the passionate protests, Frascati House was demolished in 1983, leaving a void in Blackrock's landscape and in the hearts of those who fought to save it. The Frascati Shopping Centre, while a commercial success, stands as a constant reminder of the loss of a cherished landmark.
Today, Frascati Road bears the name of the grand house that once graced its presence. It serves as a poignant reminder of the ongoing struggle between preservation and progress, and the importance of safeguarding our historical and cultural treasures for future generations.
COAST WALK
BY EILIS NOLAN
BY EILIS NOLAN
COAST WALK BY EILIS NOLAN [PAINT-A-BOX STREET ART ON ROCK ROAD]
Artwork description by Eilis: In this piece, a dog is enjoying one of the many beautiful walks we have along the east coast of Ireland. I've based it on my dog, Scout, who is always excited for another adventure and reminds me how great it is to be outside.
Biography: I'm an animation graduate from IADT and a 2D designer. I love creating art with soft colours and big shapes, and I hope to be able to be part of a project that makes Dublin brighter.
Artwork description by Eilis: In this piece, a dog is enjoying one of the many beautiful walks we have along the east coast of Ireland. I've based it on my dog, Scout, who is always excited for another adventure and reminds me how great it is to be outside.
Biography: I'm an animation graduate from IADT and a 2D designer. I love creating art with soft colours and big shapes, and I hope to be able to be part of a project that makes Dublin brighter.
BILLY IN THE BOWL
BILLY DAVIS THE SERIAL KILLER
THE SERIAL KILLER
I have had difficult photographing this in the past because of rubbish bags or other obstacles getting in the way.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
THIS IS COWTOWN
STONEYBATTER AREA OF DUBLIN
THIS IS COWTOWN
I have had difficult photographing this in the past because of rubbish bags or other obstacles getting in the way.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
Stoneybatter, particularly the area around Prussia Street, was historically associated with the nickname "Cowtown." This nickname stemmed from the presence of the bustling Dublin Cattle Market, which operated in the area from the 1860s until 1973. The market played a significant role in the Irish agricultural economy, with millions of cattle, sheep, and pigs being traded annually. The sight of herds of cattle being driven through the streets solidified the association with "Cowtown."
While many believe the name "Oxmantown Road" reinforces this connection, it actually has a different origin. It derives from the Viking word for "East," referring to the "Eastmen" who arrived in the 9th century and established a Viking stronghold at the southern end of Stoneybatter.
The cattle market's closure in 1973 marked the end of an era, and the nickname "Cowtown" gradually faded from use. However, the area's rich history remains, and while the Cowtown Café is no longer in operation, its name serves as a reminder of Stoneybatter's vibrant past.
BLACK AND WHITE
A MURAL BY ORIEL
A MURAL BT ORIEL
This is near the North Brunswick Street corner on Church Street.
Over the last two or three years I have noticed more and more work by this Smithfield artist. Is work is different as it appears to prefer black and white or monochrome.
While there isn't one specific name for street art that is black and white or monochrome, it's definitely a recognised and celebrated style within the broader world of street art.
Here are some terms and descriptions often associated with it:
Monochrome Street Art: This is the most general term, simply meaning art done in shades of a single colour.
Black and White Street Art: This is a more specific type of monochrome, focusing on the contrast between black and white.
Grayscale Street Art: This refers to art that uses varying shades of gray, including black and white.
Chiaroscuro: This is a technique often used in monochrome art, particularly black and white, to create the illusion of depth and form through the use of light and shadow.
Several street artists are known for their monochromatic work, often using bold lines and high contrast to create striking visuals. Some even specialise in this style, exploring its unique possibilities and limitations.
This style of street art can evoke various emotions and themes, from starkness and simplicity to drama and intensity. It can also be used to create political or social commentary, with the high contrast often emphasising the message.
So, while there isn't a single, specific term, the use of black and white or monochrome in street art is a well-established and recognised style, often referred to by the general terms mentioned above.
Over the last two or three years I have noticed more and more work by this Smithfield artist. Is work is different as it appears to prefer black and white or monochrome.
While there isn't one specific name for street art that is black and white or monochrome, it's definitely a recognised and celebrated style within the broader world of street art.
Here are some terms and descriptions often associated with it:
Monochrome Street Art: This is the most general term, simply meaning art done in shades of a single colour.
Black and White Street Art: This is a more specific type of monochrome, focusing on the contrast between black and white.
Grayscale Street Art: This refers to art that uses varying shades of gray, including black and white.
Chiaroscuro: This is a technique often used in monochrome art, particularly black and white, to create the illusion of depth and form through the use of light and shadow.
Several street artists are known for their monochromatic work, often using bold lines and high contrast to create striking visuals. Some even specialise in this style, exploring its unique possibilities and limitations.
This style of street art can evoke various emotions and themes, from starkness and simplicity to drama and intensity. It can also be used to create political or social commentary, with the high contrast often emphasising the message.
So, while there isn't a single, specific term, the use of black and white or monochrome in street art is a well-established and recognised style, often referred to by the general terms mentioned above.
A WORK IN PROGRESS
NO INFORMATION AVAILABLE
WORK IN PROGRESS
As far as I can remember the first example of paint-a-box street art was at this location and it was by Anna Doran. The artwork has changed over the years and the most recent is underway [June 2024] and it is looking that it might be the best to date.
Pawel Jasinski, artist and designer, was born in Poland and works in Dublin. He has exhibited his paintings in several European countries including Poland, Ireland, Latvia and England. One of his works - portrait of Paul Brady, has been printed at the side of The Icon Factory Gallery in Temple Bar, Dublin.
In December 2017, The Hunt Museum in Limerick recognized his painting "Woman at Temple Bar" as the picture of the month. Pawel also exhibited his works in the legendary place of Polish culture - Piwnica pod Baranami in Krakow.
In December 2017, The Hunt Museum in Limerick recognized his painting "Woman at Temple Bar" as the picture of the month. Pawel also exhibited his works in the legendary place of Polish culture - Piwnica pod Baranami in Krakow.
A MURAL OF MICHAEL COLLINS
NEAR THE LUAS STOP ON ABBEY STREET
MICHAEL COLLINS
MURAL OF MICHAEL COLLINS ON ABBEY STREET BY BRUTTO A BRAZILIAN BORN STREET ARTIST
Brutto, Dublin Street Artist
Brutto is a Brazilian-born street artist making waves in Dublin with his unique style and thought-provoking works. Notably, he uses cling film as his canvas, creating ephemeral art that changes daily. His work often features powerful messages and social commentary, and he has garnered attention for his distinctive approach and the temporary nature of his art.
Michael Collins Mural by Brutto
A mural featuring a portrait of Michael Collins, a revered figure in Irish history, has recently appeared on one of Dublin's busiest streets. The artwork, created by Brazilian-born street artist Brutto, is accompanied by a poignant quote attributed to Collins:
"Give us the future... we've had enough of your past... give us back our country to live in – to grow in... to love."
This quote, a powerful expression of the Irish yearning for self-determination and a brighter future, resonates deeply with the nation's history. Collins, a leader in the fight for Irish independence from British rule, encapsulates the spirit of a people seeking to shape their own destiny.
Brutto's mural serves as a reminder of this struggle for freedom and the ongoing desire for a nation where the Irish can live, grow, and love without external constraints. The artwork has garnered considerable attention, not only for its powerful message but also for Brutto's unique use of cling film as his canvas.
Brutto first began creating street art in Dublin in 2014, but his distinctive style and medium have recently captured wider recognition. His ephemeral works, changing with each passing day, add a dynamic and thought-provoking element to the city's urban landscape.
Brutto, Dublin Street Artist
Brutto is a Brazilian-born street artist making waves in Dublin with his unique style and thought-provoking works. Notably, he uses cling film as his canvas, creating ephemeral art that changes daily. His work often features powerful messages and social commentary, and he has garnered attention for his distinctive approach and the temporary nature of his art.
Michael Collins Mural by Brutto
A mural featuring a portrait of Michael Collins, a revered figure in Irish history, has recently appeared on one of Dublin's busiest streets. The artwork, created by Brazilian-born street artist Brutto, is accompanied by a poignant quote attributed to Collins:
"Give us the future... we've had enough of your past... give us back our country to live in – to grow in... to love."
This quote, a powerful expression of the Irish yearning for self-determination and a brighter future, resonates deeply with the nation's history. Collins, a leader in the fight for Irish independence from British rule, encapsulates the spirit of a people seeking to shape their own destiny.
Brutto's mural serves as a reminder of this struggle for freedom and the ongoing desire for a nation where the Irish can live, grow, and love without external constraints. The artwork has garnered considerable attention, not only for its powerful message but also for Brutto's unique use of cling film as his canvas.
Brutto first began creating street art in Dublin in 2014, but his distinctive style and medium have recently captured wider recognition. His ephemeral works, changing with each passing day, add a dynamic and thought-provoking element to the city's urban landscape.
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