PHOTOGRAPHS PUBLISHED 8 AUGUST 2025
This was the first time I saw the underlying structure of the sculpture and I was surprised, as I had previously believed the sphere moved or floated. Furthermore, there was no sign of the “circular platform made from black Kilkenny marble” mentioned in official descriptions.
I have noticed a recurring issue throughout the island of Ireland: water features are rarely properly maintained and eventually cease to be operational.
Sadly, when I photographed this piece a year later, it was in a very poor condition, with hardly any water and a considerable amount of litter and branches in the pool area. To be fair, however, in 2017 more recently it was in excellent condition, and the water in the ball was clear.
In 1999, the artist Tina O’Connell was commissioned to create a new fountain on the same site as a former Victorian-style tiered fountain that had fallen into disrepair. As such, Tina’s contemporary sculpture is also a fully functioning fountain. Following an extended period of research and development into materials, ‘In-Visible’ was finally sited and fully installed in 2002.
‘In-Visible’ (2001) is a contemporary sculpture that incorporates a water feature. Inspired by the connection between Waterford City and the world-famous Waterford Glass industry, O’Connell’s work consists of a very large transparent acrylic sphere (2 metres in diameter), over which clear running water continuously flows. It is positioned on a large, circular platform made from black Kilkenny marble. The work is locally known as the ‘Orb Fountain’.
The issue of water features being more often dry than not in Ireland is a complex one, likely stemming from a combination of factors. A primary reason is often a lack of funding for consistent maintenance. Public art and civic amenities often fall victim to budget cuts, and the upkeep of water pumps, plumbing, and filtration systems requires regular financial outlay and dedicated personnel. Furthermore, issues such as vandalism, blockages from litter and natural debris (as noted in my own experience), and technical faults can quickly render a feature inoperable. Without a swift and consistent maintenance schedule, these problems accumulate, and the water feature is left to deteriorate.
Given the pressing concerns of global warming, one might argue that it makes more sense than ever to have these water features operational, especially in a country like Ireland where water is generally readily available. The sight and sound of running water can have a cooling and calming effect on urban environments, offering a psychological respite from rising temperatures. They can also serve as a source of habitat for urban wildlife and contribute to a sense of place and civic pride. While the operational costs and potential for water wastage are valid considerations, modern fountains often use closed-loop systems that recycle the water, minimising consumption. Therefore, a commitment to proper maintenance and an acknowledgement of the environmental and social benefits would seem a sensible approach to ensure that these public artworks continue to serve their intended purpose.